Pounds448 "Neon Bodeaux" [VIDEO]

The research pays off double here. Pounds448 comes from Rochester, New York, running under the LordMobb banner Flee Lord's collective, extending this column's Rochester line (Azariah, JD Riggz, the Dubland Underground trio) by another name. "Varsity Blues" is entirely self-produced, featuring Coca Lavoe, 448 Brad and 007 Red. Pounds himself already appeared here as a guest on RJ Payne's "ANYBODY CAN GET IT." But the real find is the tracklist: the album title quotes the 1999 football film, and every song title is a sports-movie character "Jonathan Moxon" (Van Der Beek's quarterback from Varsity Blues), "Rick Vaughn" (Charlie Sheen's "Wild Thing" from Major League, the track fittingly titled "Wild Things"), "Luther Lavay" (The Program), "Rudy Ruettiger" (Rudy), and "Neon Bodeaux" itself Shaquille O'Neal's role from "Blue Chips" (1994): the raw country talent everyone wants to recruit. A complete hidden concept album about sports-film archetypes, explained by no press release. NueShotIt shoots and edits. Those who know the films read the album differently.

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Benny Slumz x HardMoney "Pistol Packing Punk" [SINGLE]

Benny Slumz is a regular here by now after "My Empty World" with Tone Spliff and "M.V.P," this marks the fourth installment of his ongoing series with producer HardMoney. The facts arrive unusually complete: 3:34 runtime, 88 BPM, full DJ pack with clean, instrumental and artwork freely available. The description promises fast street pacing, treachery, and the warning that nobody should cross B Slumz success or die trying, nothing between. And then the line that sticks: "These two broke and struggling artists extremely appreciate all DJs, media and music personalities." That self-description disarms more than any greatness branding two artists naming their situation while still delivering professionally, service package included. Exactly this attitude keeps the underground running.

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The 17th Cipher presents: Rufus Sims & IAMGAWD "Supervillains" [VIDEO]

"Supervillains" comes from the Chicagospel orbit produced by Scripz the L.O.T., with Panamera P, Jae Haze, Vic Spencer and Philmore Greene as guests, directed and edited by Clark Airlines. The context is externally documented: "Chicagospel" is a 14-track project from Chicago MCs Rufus Sims and IAMGAWD, curated by Harmoni Equality, released via The 17th Cipher/RAN/NXMEDIXCRE, recorded, mixed and mastered by Doc Da Mindbenda at The Grindhouse. The album explicitly positions itself as a statement about Chicago hip-hop's depth beyond the drill sound. This track's guest list confirms the networking: Jae Haze forms The Lil People with Rufus Sims whose Tony Baines album "Is You Koo" already ran here. Vic Spencer last appeared on 067Red's project, Philmore Greene with Vic Monroe & Tone Spliff. Chicago is writing its own dense network right now with The 17th Cipher as the hub and press coverage credits the project with some of the strongest creative direction around a Chicago release in recent memory. IAMGAWD has already publicly hinted that a "Chicagospel 2" could happen.

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P-Ro "villainelle novella" [EP]

 

P-Ro is a regular in this column by now as producer of Sankofa's "Seven Seconds or Less" album, as beat supplier and feature on B1 The Architect's "Grime Suppliers." Now the counterpart: a fully solo project where he writes, produces, records, performs, mixes, masters and designs the artwork. The title is a triple pun: the villanelle is a strict 19-line poetic form, "villain" the antagonist, novella the short narrative. And that's exactly how the project is built P-Ro himself describes stream-of-consciousness writing over drumless beats blended into each other, implying one long melodic spoken-word piece rather than traditional songs. Sole guest: G Fam Black on "duper" marking the Brockton lyricist's umpteenth appearance in this network (Hanzo Bladez, Mike Titan, B1 The Architect, Eclyse, Crotona P). Eight tracks, none past 3:37. The drumless construction isn't trend-following here: it serves the declared poetic structure.

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Rap Noir "Vantage" feat. Guilty Simpson [VIDEO]

The third Rap Noir material in this column after "Club Noir" and the "Undefined" orbit but with a new constellation. "Vantage" comes from the forthcoming WORK/RELEASE EP, a collaboration between Rap Noir, Osaka-based design creative Viva La Mort and Carhartt: rugged beats and rhymes paired with custom workwear, each single matched to its own colorway of a customized Carhartt jacket. That's merchandise as conceptual building block, not afterthought. The duo's billing sharpens: Tajai (Souls of Mischief/Hieroglyphics) now operates as BLACK HOODIE, with UnJust (Chosen Few, First Light) producing. The guest carries weight: Detroit's Guilty Simpson, whose recording career spans more than 30 years J Dilla's declared favorite rapper, Stones Throw veteran, one third of Random Axe alongside Black Milk and the late Sean Price. Justin Herman directs, translating the song's darker edges into surreal, shifting perspectives. Hieroglyphics abstraction meets Detroit granite a pairing that looks unusual on paper and works precisely because of it.

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G-Mo Skee "Make It Out" [SINGLE]

G-Mo Skee the artist can be placed though: the Michigan MC built his name on a filthy punchline style and was part of the Majik Ninja Entertainment roster the same Twiztid label that Alla Xul Elu (recently covered here with "Universal Perverts") departed from in 2025. "Make It Out" as a title carries the classic escape motif.

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Awon, Confidence, J Ferra "Stars of the Show" [VIDEO]

"The Process" was covered in depth here already Confidence and J Ferra produce, Awon writes, Vinyl-Digital releases with a limited vinyl edition. New is the midi.chlorian video, and the concept earns its own mention: "Stars of the Show" takes the classic street-storytelling formula and replaces every character with Muppets. What starts as a gag tips into metaphor: we are all puppets, pulled by the strings of our own desires. That's exactly the kind of conceptual twist that saves a soulful traditionalist album from interchangeability humor as the vehicle for the record's most serious observation.

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BUB ROCK "Everybody Can't Have Everything" [ALBUM]

 

BUB ROCK spreads the boards across eight names: Billy Hoyle (two tracks), BackpackBeatz (two), Wavy Da GHAWD (two, including the title track), A1BEATZ (two), plus Bricks Shakur, Clyptobeatz, Syer and Nam Nitty with one each. Mags mixes, Troy masters. The features are placed with intent: Rome Streetz one of the most reliable voices in the current NY underground on "$poon & a Razor," Rigs and Ty Farris together on "Final Lap," DJ Boogie Blind on "Summer Reign." Boogie Blind of the X-Ecutioners just ran through this column as a Charles Herron feature the turntablist-as-full-guest is visibly establishing itself as a pattern. The album title is life philosophy rather than flex: not everyone gets everything, and the tracklist between "Piece Full," "Toxic" and "Dear Winter" works through exactly that sobriety. Wavy Da GHAWD on the title track gives the statement its fittingly dusty foundation.

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Styles P "Set Of P's" [VIDEO]

"Set Of P's" is billed as a "Ghostly freestyle" the video offers no further credits. The context is clear though: Styles P sits mid-rollout for "Ghost of the Past, Present, and Future" (October 30), from which "Compound Ghost" already ran here. A freestyle between singles keeps the machine warm, and the title plays on his P branding for an MC whose entire identity orbits the letter and the Ghost, "Set Of P's" is self-quotation as format. No production credit, no feature: just the Yonkers voice that has needed no introduction since the Lox days.

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XP The Marxman & BroGawd "Street Fighter" [VIDEO]

"Street Fighter" is track three on "Black And Brown Business," the joint project from XP The Marxman and BroGawd, fully produced by So=Cal from southern Los Angeles the official description calls it "dirty grit soul sounding production." The project explicitly unites East and West Coast underground: XP The Marxman carries a catalog including work with Roc Marciano ("Continua A Sparare"), Rasheed Chappell and Planet Asia; BroGawd stands on the other side with releases like "Dogo Argentino" and "Words From Western New York." The album title makes the program explicit Black and Brown business relations as political-economic statement, not just sonics. New Vegas Films shoots the visual. Physical editions ran through Maison De Funk as boxset and cassette, now sold out.

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Citizen Kane MHB "Gummo Worms¡" [ALBUM]

 

Following "BLASPHEMOUS," "CHAMPION: Tyrco Slatterus," "Compound Fractures" and the "Super Sloth" diss EP, this marks the fifth project from the Citizen Kane MHB universe covered here the productivity of this one-man cosmos is remarkable. "Gummo Worms¡" is its most conceptually dense entry: the tracklist maps Harmony Korine's 1997 debut film "Gummo" almost scene by scene. The film is set in tornado-wrecked Xenia, Ohio hence "Welcome to Xenia." The boys in the film kill cats and sell them hence "Dead Cat Money!" and "No Competion (Dead Cats)" (typo in the original). The Bunny Boy with his rabbit ears "Bunny Ears," "Skinny Rabbit." The notorious bathtub-spaghetti scene flickers through "Gourmet Cappaleni (Cherry Shampoop)." Even the title twists gummy worms into Korine territory. CK1 and Sinister Kane both personas of the same writer split the tracks, CFK and Avalon Productions handle beats, DJ Snatch That cuts. The self-description "Weird & Very Uncomfortable! But Dope Underground Hip Hop!" is, for once, accurate marketing.

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Krampo x Indigo Phoenyx "Seven Seconds or Less" [SINGLE]

The track connects Krampo (Italy) with Indigo Phoenyx (US), who already appeared this round with "Poseidon Paradox" the Triad Queen clearly operates on multiple fronts simultaneously. The self-description promises raw, aggressive, unpolished pressure. The title carries basketball history: "Seven Seconds or Less" was the offensive philosophy of the Steve Nash-era Suns under Mike D'Antoni and notably, the same title ran through this column recently as a Sankofa track over P-Ro production. Two fully independent releases, one shared sports vocabulary.

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K1k Lartisan & Deofi Al Vesre "Présentement" [EP]

 

The credits split cleanly: K1k Lartisan writes and performs, Barbo 00 and Protestango guest, and Deofi Al Vesre handles the entire technical chain beat, recording, editing, arrangement, mix and master at Taller 513, with Don Lija on visuals. The names themselves map the geography: "taller" is Spanish for workshop, and "al vesre" points to the Río de la Plata slang practice of syllable inversion. The tracklist confirms the bilingual frame "Ma Politique" and "Contre Courant" in French, "Convivir" and "El Camino" in Spanish while closer "Lolita Express" lands an unmistakable political jab. A compact bridge between francophone pen work and a Latin American studio workshop.

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Da'Pro "Pépites d'Or" [ALBUM]

 

The history behind this release runs deep. Force Pure formed in 1994 in Les Ulis (Essonne, Paris suburbs) from the meeting of beatmaker Djiil and rapper Daz-Ini; Da'Pro joined in 1997 and completed the lineup. The group has stood for total self-production and value loyalty across three decades: the debut maxi "De l'Obscurité Jaillira la Lumière" (1999) was fully self-financed, followed by mixtapes, the album "Lost Sound" (2003) and countless compilation appearances. Da'Pro himself aka MC Turtle, aka "La Pile Electrique," self-declared B-Boy Punk delivered his solo debut "Verbale Croisade" in 2006. "Pépites d'Or" now marks, explicitly, his first digital album: ten "luminous nuggets" of new material, classics and rarities, dedicated to everyone who always supported him, with a sequel announced for autumn. The credits read like a family reunion: features from Daz-Ini, G-Moni, Han-Akin, Asco (Bunzen) and Spee Banger (NNS); beats from Sheety aka Mr Tanakaa, Hydeprod, DirtyDef, Spee Banger, Shimshon, Van-C, Phonksyke, DJ VR and Keor Meteor; scratches by Jiggy Jon and DJ Gero, cover by Stinky, label: 6ème Sens Galaxie. "Les Mondes Engloutis" casually quotes the cult French 80s animated series. This is French underground as a long-distance run not a comeback, but an inventory from someone who never left.

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Czarface "No Competition" [SINGLE]

Czarface the supergroup formed in 2013 by 7L & Esoteric and Wu-Tang Clan member Inspectah Deck releases "No Competition" through Silver Age, and the context is unusual: the track was crafted for the Onimusha video game franchise, Capcom's samurai-horror series. Production comes from 7L and Jeremy Page, mixed by Andrew William Morin, mastered by Jason Bitner. For a group that has operated as a walking comic-book universe since its debut with Lamour Supreme as cover artist and a catalog including collaboration albums with MF DOOM ("Czarface Meets Metal Face," "Super What?") and Ghostface Killah the step into gaming is consistent: Czarface was always more franchise than band. The single follows this year's "Czarface Meets Frankie Pulitzer" album. A Wu-Tang member over a beat built for a Japanese samurai game closes a circle that began in 1993 with Shaolin kung-fu samples: the pop culture Wu-Tang once plundered now commissions them directly.

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M-Dot & Co-Defendants ft. Big Twins "Out Of Paris" prod. M-Dot [VIDEO]

Several threads from these lists converge here. Co-Defendants are Benefit and IAmProfit the Western Massachusetts duo whose Benefit already appeared here with "Labyrinth Center" and as half of The Tangiers. M-Dot is the Boston veteran, born Michael Januario, whose catalog includes production from Marley Marl, Large Professor, Buckwild and Marco Polo. "Out Of Paris" exists as the Side-B bonus on the "Sky Reign" EP a special edition with 38 Spesh whose vinyl hides an additional Easter egg: an exclusive Alchemist production available only on wax. Big Twins of Infamous Mobb by now a regular across these lists via "Laws Of Attraction," "Stash Box," "Let It Fly" and the MED feature supplies the Queensbridge voice. The video's wit: PWeezy Visuals shoots not in France but at Paris Las Vegas the casino-Paris as backdrop, the title as a knowing double meaning. M-Dot produces and raps; the press info describes a haunting, hard-hitting soundscape between golden-era homage and the present. The track will also land on the upcoming Co-Defendants project "Co-D's 4 Eva."

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Sayzee "DJ PACKAGE: SPACE NEEDLES" [SINGLE]

 

After "Action Kruger" (with Action Figure 973), "SPACE NEEDLES" is the third single from Sayzee's upcoming "YFRWN 11" again as a complete DJ package: dirty, clean, instrumental, acapella, free to download. That service mentality was praised here before; it remains rare in today's underground. The content stakes rise this time: Sayzee flips "Angles" the MF DOOM and Ghostface cut pulling its raw, off-kilter energy into his own YFRWN universe. Borrowing from DOOM/Ghostface material is a self-imposed obligation: the source sits among the underground's most untouchable artifacts, and every flip gets measured against the original automatically. Sayzee produces and raps himself the dual role running through all his packages. With three singles in tight succession and the recurring "warning shot" rhetoric, he's building the album campaign like an approaching threat.

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Mr. Ripley "Set It Off" prod. Shade Cobain [VIDEO]

"Set It Off" comes from Mr. Ripley's "Pitched A No No" the EP built as an ode to pitcher Dock Ellis, covered here in depth previously, including the 1970 LSD no-hitter story. Shade Cobain produces this cut; the video arrives without description, fitting the EP's raw presentation. As the video selection, "Set It Off" is the energetic choice the title has carried a double ignition connotation since F. Gary Gray's film and the Strafe era: setting something in motion, letting something escalate.

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067Red "RED YOU SHOT MY PORSCHE WINDOW" [ALBUM]

 

After "I Really Can't Show My Face" (entirely Zilly900-produced, covered here previously), 067Red switches production bases: Redhands builds nine of the 13 tracks, with 067Red himself alongside BoriRock, DizzySaffron and Blue filling the rest. The title poetics remain the signature "THEY HAD TO WALK ME OUTTA PRADA," "GUCCI CALFSKIN TIGER PRINT DUFFLE," "SHE PRONOUNCES PORSCHE FUNNY," "IHAD A THINK FOR PAM GRIER" each one a complete scene of luxury, chaos and blaxploitation memory. The album title itself is an accusation in direct speech: Red, you shot my Porsche window. The format stays radically compressed: barely a track over two and a half minutes, several around the one-minute mark. "WORLD SERIES MM6" with Estee Nack (prod. DizzySaffron) is the logical summit Nack is the godfather of exactly this associative luxury-fragment school. BeenOfficialLord joins on "ICRASHEDTHEJAG." Two projects in quick succession, two different production setups, the same handwriting: 067Red is systematically building a catalog right now.

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??? x BONEWESO "BOMBSAWAY" [VIDEO]

"BOMBSAWAY" appeared in an earlier round as a single from TheHiddenCharacter x BoneWeso back then without any verifiable context. The video fills two gaps: BoneWeso produces ("PROD BY: BONEWESO"), OneEyeFilms shoots, and the release runs through 23 Incredible Industries the same label that brought "MELLOLAFLARE" by Smello x Soul La Flare into these lists. The question marks in the artist credit ("???") fit the TheHiddenCharacter name: anonymity as concept, not oversight. A clearer picture emerges: a label environment with its own aesthetic, a masked MC, a producer in a dual role.

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Rsonal The BeatChef "Tales From The Crates: VOL V" [ALBUM]

 

The fifth installment of the "Tales From The Crates" series is a pure instrumental compilation: 36 dusty boom-bap beats wrapped in sustained horror atmosphere, curated by Rsonal The BeatChef, who produces the majority himself while bringing in Wilderness, Sayzee, Onionz Beatz, Blaine Nash and edk beats as collaborators. The title world is a complete horror lexicon: "SLASHER," "FROGMAN," "CREEPY PASTA," "SHADOW WALKER," "CHAINFACE," "THE VOID" plus "CASTLE GOOMBA" as a gaming cross-reference. No track exceeds 2:25 and most stay under two minutes: classic beat-tape format, where each idea gets sketched and moves on before wearing thin. The network overlap matters: Sayzee contributing four beats here has already appeared twice in these lists as an MC-producer with his DJ packages ("Action Kruger," "Space Needles"). The "Listen at your own Risk!" warning is genre convention with a wink.

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Meet The Greens "Mentality" [VIDEO]

"Terrorize Everything" was already covered here as a full album: 15 tracks, entirely produced by Blazy Green, Rated R as the sole feature. The "Mentality" video now supplies information missing back then: Meet The Greens are Mad1ne and Blazy Green the duo is now clearly named. "My Mentality" sat at track three on the album; its selection as the video single confirms where the record locates its center: stance over hook, work ethic over effect. Nothing else is new the video is the visual continuation of an already-documented project.

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DJ Mad Pee "The Masterpiece" [ALBUM]

"The Masterpiece" arrives with 22 tracks. DJ Mad Pee is Venezuelan-born, Miami-based and grounded in more than three decades of turntable work. His network connects Venezuelan, Colombian and wider Spanish-language rap through collaborations with Lil Supa, Apache, PNO, Granuja, Ruzto and Reke, while Madzilla, System Crew and Double L Killaz form part of his group history.

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Terror Van Poo x Vinny Idol "U Not Nice" [VIDEO]

 "U Not Nice" is track eight on "TERROR VAN PUTIN" and one of the few solo cuts on an otherwise guest-heavy record. The album runs 15 tracks, produced entirely by Vinny Idol for Litt Factory Media, with Ras Kass, Ruste Juxx, Tone Spliff, Bernadette Price, Leanah Cane, GREA8GAWD and others in the guest field. "Anger Built Up" with Ras Kass covered here previously sits directly before it at position seven. On "U Not Nice," Terror Van Poo stands alone, and these solo moments are where a posse album proves whether its core holds. The title is the most direct battle statement possible: no concept, no metaphor, just the plain verdict that the opposition doesn't deliver. Reemo Filmed It directs the same director as "Anger Built Up," giving the album's visual campaign one consistent signature.

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DJ Alkemy, Empuls & Kenneth Masters "Enemies At The Gate" [SINGLE]

 

"Enemies At The Gate" previews "Everything's Funny Until Nothing Is," the joint EP from DJ Alkemy, Empuls and Kenneth Masters. Alkemy's own announcement is notably unpretentious: work forced music into the back seat for a long stretch, and the EP is dystopian in sound and vibe his head's current location, as he puts it. That honesty is rare: no marketing frame, just an artist admitting life got in the way and the project's darkness simply maps his state of mind. The EP title itself everything's funny until nothing is carries the same sober tipping-point logic. "Enemies At The Gate" as the lead title draws on classic siege imagery: the threat isn't somewhere out there, it's at the door.

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Gustavo Louis x Skellz "NARCONOMICAL MINDED ft SKELLZ" [EP]

 

After the golf-concept album "36th Hole" (covered here previously via "Ganghis Khan 4 Iron"), Gustavo Louis returns to the narco lane he established with "Narco Finals." The title "NARCONOMICAL MINDED" bows directly to Boogie Down Productions' 1987 "Criminal Minded" a founding document of street rap. Skellz produces the same Skellz who just built A.P. Da Overlord's complete "Duck Tales LP," where Gustavo appeared as "Grappler Gustavo." The networks on these lists keep crossing. Five tracks, including "P iz Still Free" and "Poor Righteous Narco" the latter fusing the Poor Righteous Teachers with the dealer's perspective, a double-coded pun bridging conscious-rap heritage and street economics. Compact format, clear through-line.

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Spectacular RGM "Freestyle 3"

Spectacular RGM consists of M7 and Japreme Magnetic both Five Percenters, both out of Washington D.C. Their framing for "Freestyle 3" is a quiet declaration of war: a consistent way to distance themselves from untalented artists. The RGM acronym carries multiple simultaneous meanings in Japreme's writing: Righteous GunMen, Righteous GentleMen, Real God Music. And Japreme Magnetic is no newcomer his Bandcamp catalog holds over 60 releases, including a genuine claimed first: rhyming exclusively over sample parts taken from live performances, a discipline he maintains for his July and December EPs, extending as far as a complete EP built solely from live Neil Young material. The duo's debut EP "Price is Incidental" arrived in July; the freestyle series runs parallel as ongoing sparring work. Supreme Mathematics runs through Japreme's writing as structure, not decoration.

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Filthy Heir "AMAZINGRACE" [ALBUM]

 

Filthy Heir is the alias of Tha Soloist from Jersey City, New Jersey and anyone tracking the catalog knows this is one of the hardest-working artists in the entire underground. An early reviewer captured it precisely: one of the most hardworking in the underground, rarely letting a month pass without at least one EP or tape. The 2026 discography alone lists "THE MASTER STAYS CALM," "DRUDGERY," "Granted," "When God Turned Silent," "CRY OUT TO WHO?," "Death Loses Its Terror," "Let The Dead Bury The Dead," "Dwelling In Unapproachable Light" and "Grace." "AMAZINGRACE" extends that spiritually grounded title line the wordplay fuses "Amazing Grace" with the race of life itself. Twelve tracks run from 1:34 ("CERBERUS") to 5:47 ("GRACE PERIOD"), with titles like "DIE WITH HONOR," "GOD GIVES" and "THE SUN NEVER NEEDS EXPOSURE" that last one an entire underground philosophy compressed into a sentence: what truly shines needs no spotlight. "THIS MUST BE SLUGS" connects back to "There Will Be Slugs" from the "DRUDGERY" album, an internal catalog cross-reference for those paying attention. Individual production credits aren't listed; under the Filthy Heir alias, Tha Soloist has historically both self-produced and worked closely with A Dusty Cinema.

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Supreme Da Almighty "Smooth Operator" [VIDEO]

Supreme Da Almighty produces "Smooth Operator" himself the self-credit makes him MC and beatmaker in one. The track premieres on his own channel first, with the platform release to follow: classic mixtape-era sequencing translated into YouTube form, where the core community hears it before the wider rollout. No further credits or project context were available. The title itself carries the Sade echo that rap has long used as shorthand for controlled elegance.

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LOTMIX SHOW - S8 Ep06 [BoomBap Mixshow] by DJ LOTMIX

LOTMIX SHOW - S8 Ep06 by Dj LOTMIX
feat CRIMEAPPLE ft ESTEE NACK | DARKSIDE PREME ft 38SPESH | NEJMA NEFERTITI | AGALLAH THE DON | NAPOLEON DA LEGEND & more
Prod by IMPERETIV | BHRAMABULL & more
BROADCASTED WORLDWIDE over +65 radios on 🇺🇸 🇫🇷 🇩🇪 🇿🇦 🇬🇧 🇦🇺 🇨🇴 🇬🇷

The Grouch & Eligh "Got to Give" (Day Version) prod. DJ Matt Cassidy [VIDEO]

A correction is necessary from an earlier round. "Got to Give" is produced by DJ Matt Cassidy, with cuts by DJ Mike C credits that were absent from the original single metadata and are now confirmed through the video listing. Owl Green directs. The "Day Version" framing suggests an alternate mood exists elsewhere, though no verified "Night Version" has been confirmed. DJ Matt Cassidy in the producer role maintains the DJ-as-architect tradition that G&E have worked with throughout their catalog. Everything else in the earlier read stands.

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SUPERIOR & LET THE DIRT SAY AMEN "The Saint, The Servant, The Sinner" [ALBUM]

 

"The Saint, The Servant, The Sinner" lands on FXCKRXPRecords as catalog number FRR102. Superior produces, Let The Dirt Say Amen performs, Sapphyre Bardot joins as the sole guest. The three title positions are not separate characters but simultaneous states of one person: the saint seeking alignment upward, the servant extending grace without condition, the sinner locked in self-indulgence. The tracklist works specific biblical coordinates throughout "J.O.N.A.H.", "From Bozrah Dipped In Blood", "7 Churches", "Why The Prophet Weeps". Bozrah appears in Isaiah 63 as the site where God's vengeance begins and his garments are stained with blood a precise reference rather than general spiritual atmosphere. Eleven tracks, all under four minutes, compress the theological density rather than expanding it.

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MOAN & DanimaL "Ascension" prod. MACI [VIDEO]

MOAN and DanimaL state their position without ambiguity: classic hip-hop is the orientation. MACI produces "Ascension." 

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AK the Kid "Dead Zone" prod. SMG [SINGLE]

 

"Dead Zone" is the opening single from "Energy Exchange," the joint EP between AK the Kid and SMG. AK the Kid writes and performs, SMG produces. The project is framed as a proper EP rather than a loose singles campaign, and the title "Energy Exchange" positions the whole collaboration as a transfer of forces music as living transaction between the two artists. 

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Apache & DJ Kanzer "Black Label" [VIDEO]

"Black Label" comes from Apache's album "The 40s," with Psycho Woof and Santo Cerebro serving as executive producers. DJ Kanzer produces all instrumentals, mixes and masters the complete record. Faker handles recording at Santo Sonido Studio. NOFACE directs, operates the camera, edits and grades the color, while Jackreload manages graphic design and photography. The album title borrows from whisky vocabulary Black Label as a quality marker and DJ Kanzer's complete technical authorship gives the project an unusual internal consistency: one person responsible for the sonic and post-production architecture from beat to final mix.

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Showrocka "Stay Gold" [EP]

 

Jay Dubh produces the full album. PXGES executive produces, and Logikil at The Road to Audio handles mix and master. Grafh appears on "Confessions of a Dopehouse," Lyphe joins on "Outsidaz," and Spek Arson takes the remix of the Confessions track. The repeated return to that confessions frame tells you where the album's weight sits not spread across a wide guest list but concentrated into one central narrative line. "Stay Gold" as a title carries the S.E. Hinton echo from "The Outsiders," though it lands here in a street context where the gold is harder to hold. Seven tracks with no padding.

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DJ Hectik1 ft. UTK "Leimert Park Way" [VIDEO]

Leimert Park is a South Los Angeles neighborhood that functions as the historical center of Black LA cultural life jazz, spoken word, visual art, Afrocentric institutions. The World Stage, the Kaos Network, Vision Theatre, and a continuous tradition connecting Charles Mingus performances to Kendrick Lamar's early career all run through the same few blocks. DJ Hectik1 produces and co-directs alongside Big Bo, UTK writes the lyrics, Big Bo Visuals handles cinematography. Naming a track after a place this loaded is not incidental: it's a documentation act for a neighborhood fighting continuous displacement.

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Mac Yames "Masters of the Flying Guillotine" [EP]

"The Master of the Flying Guillotine" is a real 1976 Taiwanese martial arts film that became a cult touchstone its soundtrack influenced the Beastie Boys and GZA, and its imagery has moved through underground rap as a symbol of ruthless precision from a source others underestimate. Mac Yames takes that framework into seven tracks. No production credits or additional details were available. Choosing this title is already a positioning statement: blind master, deadly reach, no hesitation.

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Raz Fresco & Nicholas Craven "Don't Belong" [VIDEO]

"Don't Belong" comes from "Boulangerie Deux," the second joint album between Raz Fresco and Nicholas Craven. Craven produces throughout; Futurewave handles mix, master and cinematography; Raz Fresco edits the video himself. The "Boulangerie" universe is their own constructed world, running parallel to the music through the BKRSCLB platform and its associated community. Craven remains one of Canada's most reliable production voices, working with deep sample literacy and dust-first instincts. The record comes on vinyl through Lowtech Records. Raz editing his own footage is consistent with the self-contained approach both artists have maintained across the full collaborative run.

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John the Bap "Audience of One" [ALBUM]

 

"Audience of One" has lived in development since the late 2000s and arrives now as a completed personal statement. John the Bap produces the entire record himself, directing every song toward God rather than toward a congregation private conversation built into boom-bap architecture with worship samples, raw drums and soulful texture. Altar Flame Music joins on four tracks, Mas Messenjah opens the album. The project carries the particular tension of all genuine spiritual music: it is deeply personal and simultaneously available to anyone who has sat alone with a question too large for ordinary language.

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God & Gunnz (Eloh Kush & Left Gunnz) "Life Of A Thought Dealer" [VIDEO]

God & Gunnz are Eloh Kush and Left Gunnz, a duo running the "God N Gunnz Podcast" alongside their music. The "Thought Dealer" concept renames mental currency in street-market terms: ideas and facts move the same way product would. The freestyle format strips away album architecture and presents the duo directly, without production hiding anything. 

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EL Maryacho "Gunn & Friends" [ALBUM]

 

"Gunn & Friends" is EL Maryacho's full tribute remix album, produced entirely by him. Every track is credited to its original MCs: Westside Gunn across four cuts, Conway the Machine on three, Benny the Butcher on two, Mach Hommy, Estee Nack, Stove God Cooks, Boldy James and Sauce Walka filling the remaining slots. The project doesn't position EL Maryacho as a collaborator he stays off the mic and lets the tribute be honest. That choice matters: rebuilding someone else's performances over entirely new production without inserting yourself is a producer's act of respect rather than a co-sign play.

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Davodka "La Force d'une Ombre" [VIDEO]

"La Force d'une Ombre" is the opening transmission from Davodka's "Act I," scheduled for December 4th. SLG produces, LV2T Productions handles the video, Léo Htag directs, Gabriel de Swetschin operates the camera and Julien Kino manages the VHS treatment. The act structure signals an ongoing narrative rather than a finished statement, and the CD and vinyl pre-order reinforces the physical commitment to the project. The VHS texture serves the theme shadow, impermanence, footage that suggests memory rather than documentation.

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ORION x MOGLY "A Cruel Summer" [ALBUM]

"A Cruel Summer" covers seventeen tracks with mixed production, three credits named explicitly: the title track produced by DR, "Colada" by Last Run and "Cokeria" by Trey8. DJ Exes threads through three tracks as a recurring presence "Boom&Bang," "Sun Sets" and "You Can Have Anything" giving the record a sonic anchor across its shifts in production. Jesus Montana, Pro The Artist, Nick Garcia, Michael Mozart and Noemotion Goldmask fill out the guest spots. The two heaviest runtime slots arrive late: "Eleanor Rigbee" runs nearly five minutes and "Lost Boys" pushes past five, which is where an album usually reveals whether it has the writing to justify its length. The seasonal frame unusually cruel summer reads as honest mood-setting rather than borrowed branding.

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Indigo Phoenyx & BeatsByBoogie "Poseidon Paradox" [EP]

 

BeatsByBoogie provides the complete sonic frame while Jeremy Joshua handles mix and master. Indigo Phoenyx commands the project from a position the title already defines: Poseidon rules the ocean, and the paradox is maintaining power inside constant instability. OSVN joins on "Undertow," Griot Noy on "Luxe Legacy," but this remains Indigo's record through its vocabulary Black Waters, Sunken City, Tridents, Tidal Waves all pointing toward mythology used as survival code rather than decoration. Rugged Triad Records provides the release home. Five tracks across twenty minutes is the right scale for an idea this tightly imagined.

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Armani Caesar "The Liz Symphony" prod. Daringer [VIDEO]

Armani Caesar's legal name is Elizabeth, which makes the title the most direct possible statement. "The Liz Symphony" is her debut single under the joint Griselda Records and RocNation structure, built on Daringer production. Daringer is Griselda's tonal architect dusty loops, bone-dry drums, cinematic stillness and his involvement on a debut single rather than a deep album cut signals that this isn't a soft launch. The Ginger Rothstein reference positions Armani within the mob-film universe that Griselda has built its entire world inside: controlled, dangerous, glamorous and entirely in command. Chad Lawson directs.

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ƎИAꓘ ЯƎTƧIИIƧ & Serenity Kane "Super Sloth" [EP]

 

A correction to a previous entry is warranted. In covering "Compound Fractures," I suggested CK1 and Sinister Kane were likely personas of a single writer that reading was correct. "Super Sloth" introduces Serenity Kane as another voice in the same persona-driven architecture, all lyrics remaining credited to Citizen Kane MHB. The project is explicitly a diss EP aimed at an MC called Yak Towne, giving it a concrete target. CFK and Avalon Productions handle the beats, DJ Snatch That cuts throughout. Six tracks: two substantial songs surrounded by interludes and a skit, with titles like "Baby Ruths Are Chunky. But Chunkys Are Good Too." bringing nursery-rhyme ridicule to bear on a formal diss structure.

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Jazefa "Requiem Maudit" feat. Sowil [VIDEO]

"Requiem Maudit" is pulled from "Accords Nocturnes," Jazefa's album on Evil Venom Records, with production by L'undercover and Sowil adding a second voice. The title holds the tension of the whole project: a requiem for the damned, taking a liturgical mourning form and cursing it into street reality. L'undercover operates with its own established Bandcamp catalog, suggesting a working partnership rather than a one-off production deal. The album title nocturnal chords sets the temperature before a single track begins.

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Unc Doe "Pick Up What I'm Droppin'" [SINGLE]

 

Unc Doe comes from Youngstown, Ohio, a city tied to industrial decline and a hip-hop tradition that rarely travels as far as it should. He writes, performs and produces "Pick Up What I'm Droppin'" entirely himself. The title issues a direct challenge to the listener: catch everything being laid down each bar, each idea, each image. Self-production closes the loop on full authorship, and the Youngstown address means this record exists without any infrastructure outside Unc Doe's own effort.

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Nasty Nel x Kid Gotti "Hip Hop Hooray" [VIDEO]

 Following the release of “The Glades Project” by Nasty Nel and Kid Gotti, a final video has dropped. “Hip Hop Hooray”.

 

Nasty Nel & Kid Gotti Release New Collaborative Project, The Glades Project

Nasty Nel and Kid Gotti have released their new collaborative project, The Glades Project, available now on streaming platforms.

The release arrives alongside the official music video for “Reckless,” giving listeners the first visual from the new offering.

The Glades Project follows Nasty Nel’s recent Humidity EP, released in July 2026. The seven-track project featured collaborations with Tech N9ne, Stevie Stone, Krizz Kaliko, Cappadonna and Token, further establishing Nasty Nel’s place within independent hip-hop, whilst continuing to explore the overlap between rap, grunge and rock influences.

A Native American hip-hop and grunge artist, Nasty Nel is known for his direct lyricism, raw delivery and genre-blending approach. With The Glades Project, he now turns his attention to a new collaborative release with Kid Gotti.

The Glades Project is out now.

Listen to The Glades Project: Spotify

Watch “Reckless”: “Reckless” Official Music Video