Mike Titan and Tali Rodriguez have been building a mythos since 2022, and "Mother Boxes" confirms the architecture is holding. The second single off "The New Gods III" — due April 29th — leans fully into the Jack Kirby cosmology the series is built on: Mother Boxes as spiritual conduits, as weapons, as metaphors for power and connection in the hands of MCs who live and rap from the ground up. Tali Rodriguez's production stays in its lane — heavy drums, dark tonal palette, a cinematic weight that serves the concept without being theatrical about it. Titan holds his position as the project's anchor: gritty, precise, Bronx-rooted. G Fam Black and P-Ro of Knuckle Dragguz slide in as natural extensions of the crew rather than cosigned guests — this collective has enough shared history across releases that the chemistry sounds lived-in. "Black Vykins" already set the tone. "Mother Boxes" keeps it moving.
Xoul City has been building quietly out of Soul City, North Carolina since 2018, and "The Saga Continues" is their reminder that the long stretches between releases don't represent stagnation — they represent craft. The promo single arrives ahead of "Xoul Food," the trio's third full-length, and it does exactly what a teaser is supposed to do: Noble Vessel, SaeLah, and Preppy Beats show up fully formed, no warm-up lap needed. Preppy's production stays true to the framework the group built its name on — warm sample-based construction, measured drums, the kind of boom bap that nods to Native Tongues and the Little Brother school without mimicking either. All three MCs come with bars that balance personal testimony with broader social and spiritual conviction, threading the needle between introspection and declaration. For a crew that moves with this much intention, the hiatus only sharpened the pen. "Xoul Food" is on the way, and this single is the appetizer.
"Hangin' On" serves as a poignant anchor for Jo-DBL’s Pockets of Freedom EP, channeling a gritty yet soulful essence that feels both timeless and urgent. The sonic backdrop is built on a foundation of dusty loops and stripped-back percussion, allowing his narrative-driven lyricism to take center stage without distraction. There’s a palpable weight to the delivery; it’s the sound of resilience captured in a booth. Jo-DBL eschews flashy metaphors for a grounded, rhythmic transparency that resonates with heads who value substance over spectacle. It’s a masterclass in atmospheric restraint, proving that sometimes the quietest voices carry the most gravity in the underground circuit.
Jizzm High Definition has been operating in the underground long enough to know what he's doing and quiet enough to not need to announce it. "Lucid Dreamscape," his latest full-length alongside producer HardMoney, continues a partnership that functions like a well-worn collaboration rather than a transaction — both sides clearly pushing each other without overreaching. HardMoney's production is measured and deliberate: loops that carry weight without overcrowding the pocket, drum patterns with real swing and space, the kind of beatmaking that trusts the MC rather than burying him. Jizzm, a longtime figure in L.A.'s underground — rooted in the Illasophic ecosystem, with ties to the Cypher at the Blowed scene, Abstract Rude, AWOL One — brings a technical proficiency that reads as second nature at this point. His delivery is controlled, his rhyme architecture multi-layered, and the subject matter moves between hard-earned personal clarity and the specific weight of life on the margins. Nine tracks, no fat. For heads who want their hip-hop direct and uncompromised.
Natural Elements have been holding down a very specific corner of New York hip-hop since the nineties — the kind where bars matter more than budgets and longevity is measured in craft, not clout. "InfiNitE ShiNE" arrives as the lead visual off "AligNmEnt," their forthcoming Fat Beats LP, and it confirms the trio — Swigga, A-Butta, and Mr. Voodoo — is operating with full command. The production, handled by Charlemagne, the crew's founding beatmaker, does exactly what it needs to do: a locked-in boom bap framework with drum hits that carry real weight and just enough space for three MCs to breathe and flex. No clutter. The track's theme runs along the lines of mental clarity and inner alignment — fitting for a project that seems to position itself as a deliberate, unhurried statement from a group that never chased trends. Directed by Probe for Mediascheme, the visual keeps the focus where it belongs: on the MCs and the message. The full 17-track album drops via Fat Beats on April 17, available on vinyl, CD, and cassette.
"Dreams Of Freedom" is a classic boom bap track, elevated by Africanemcee’s powerful vocals and the visuals of DMT Media Brothers. ethemadassassin and Africanemcee deliver lyrics centered around themes of freedom and self-determination. The production by D.R.U.G.S. Beats creates a fitting sonic landscape, while DMT Media Brothers’ videoclip provides a visual interpretation that amplifies the track’s mood. A track for those who value authenticity and lyrical depth.
"RNDD" is a raw and unfiltered track, showcasing the energy of Raw Buck and the lyrical precision of Cory Gunz. The production is stripped-down and focused on the groove, creating a no-frills listening experience. A track for those seeking authentic, unadulterated rap.
"Agua Turbia" is a dark and atmospheric track, brought to life by the visuals of Delsurestilo and Palmer Films. FRANE and MALANDRO deliver lyrics exploring the darker aspects of life, set against a soundscape crafted by Delsurestilo’s production. Palmer Films’ videoclip provides a visual interpretation that amplifies the track’s mood. A compelling listen for those seeking something beyond the mainstream.
"Al Borde Del Filo" is a high-octane track that embodies the raw energy of Colombia’s street rap scene. Shabyfondoblanco and Hard Crew deliver verses brimming with grit and authenticity. Produced by Naick B, the beat is a driving force that demands attention. A track that proudly represents the Colombian rap movement.
"Scriptures" is a raw and introspective offering from LABRONX JAMES, delving into themes of struggle and resilience. Produced by BamBeatz, the track features a minimalist and atmospheric soundscape that perfectly complements the lyrical content. The visuals, directed and edited by New Vegas Films, enhance the track’s mood with a stark and evocative aesthetic. A compelling listen for those seeking substance beyond the surface.
Farma G delivers a powerful and introspective track with "Till I'm Gone," a testament to his journey and resilience. Produced by Relense, the beat is a brooding and atmospheric foundation, anchored by deep bass and evocative samples. Farma G’s lyrics are raw and unfiltered, offering a candid reflection on the realities of street life and the unwavering determination to transcend them. Physical formats, including limited edition vinyl and cassette, are available for those seeking a tangible connection to the music.
"Thunder Rumble" explodes from the speakers, a raw and uncompromising boom bap track that sets the stage for "The Relentless Two." The production is a masterclass in minimalist sound design, built around a sample that immediately grabs your attention. Halfcut and Cole The God deliver visceral verses, stripped of any unnecessary embellishment, radiating a street-level authenticity. The cuts are sharp, the drums hit hard, and the overall vibe is undeniably relentless. A statement of intent for an album poised to shake the underground hip-hop landscape. Vinyl available for those who appreciate the tangible.
Amsterdam-based MC Mad Rev links up with Utrecht producer Propo’88
for “Shenaniganz”, the second single taken from Ground
Beef Platter Vol. 3, out now on Ground Beef Records.
The track is part of the latest installment in the Ground Beef
Platter series, bringing together artists and producers from the
Dutch scene.
Check out the official video for
“Shenaniganz”, shot in Amsterdam and Utrecht, the
Netherlands.
DOPESICKFLY’s brand-new single “Side2Side” is a high-energy track that encourages listeners to let loose, get on their feet and move their bodies.
The song blends the best of Funk, Soul, Disco, and HipHop to create an upbeat anthem about living life to the fullest and dancing the night away.
With its unique blend of genres, catchy hooks, and infectious beat, “Side2Side” is the perfect soundtrack for anyone looking to add some excitement and motivation to their daily routine. The lyrics reflect the band’s commitment to living life on their own terms.
"We're excited to share this new single with the world," says Ant Thomaz, the band’s frontman. "We hope it brings people together, gets them moving, and inspires them to chase their dreams.”
This single drop is ahead of their new EP "I Woke Up On My Good Side” due out Summer 2026.
"Gorgeous songwriting the uplifting dance epic We Are One" Tom Robinson - BBC Radio 6
"DOPESICKFLY fusion reminds me of a little Seal with a hint of Lenny Kravitz and Gregory Porter" Fresh On The Net
About DOPESICKFLY
DOPESICKFLY is a band built on friendship, chance encounters, and a deep love of groove and soul.
Frontman Ant Thomaz, a singer-songwriter with Creole heritage, is known for his eclectic musical style. Nearly a decade ago in Glasgow, he met singer Wendy Rae at an open mic and was struck by the power and feeling in her voice. When they sang together, the chemistry was instant. What began as friends playing small shows quickly felt like family, with Ant and Wendy sharing lead vocals and a musical bond that reached beyond the stage.
As momentum grew, DOPESICKFLY emerged as a genre-blurring collective, blending soul, funk, hip hop, folk, and rock into a sound rooted in groove and emotional honesty. Within two whirlwind years, they were performing alongside artists they had grown up idolising, including Roy Ayers, Kool & the Gang, Sugarhill Gang, and Big Country.
After burning bright, the band paused as life pulled people in different directions, but the connection between Ant and Wendy never faded. Years later, at a birthday gathering, Ant posed the question: what if they brought the band back?
More chance meetings led to a new lineup: Gary Mulligan on bass, Ross Alexander blending funk grooves with indie rock on guitar, genre-hopping drummer Asim Rasool bringing power and global rhythm, and Jonni Slater adding rich textures on keys. Together, they began shaping new material that honours their roots while pushing forward.
Today, DOPESICKFLY remains what it was always meant to be — a collective driven by friendship, spontaneity, and fearless fusion.
Reel Wolf and Mr. Hyde deliver a potent remix of Resin's "Nothing's Insane," breathing new life into a track originally featured on "SOULLESS." Sentury Status' production provides a dark and impactful foundation, perfectly complementing Mr. Hyde's ferocious lyricism. The track maintains the original's core essence while elevating the energy and intensity. A well-executed revival that underscores the enduring appeal of classic boom bap aesthetics. No physical release is anticipated, but the track’s digital presence is undeniable.
Jizzm High Definition delivers a concise and impactful track with “Art Never Ends,” produced by Link One. The song celebrates the boundless nature of art and the necessity of creative expression. A minimalist approach that highlights the core essence of the track.
Psych Major returns with “Kickin’ Flows,” a raucous head-nodder of a single/video for boom-bap purists. DJ Enyoutee’s masterful scratch work elevates the track, showcasing a strong collaboration. The single is available across all digital platforms and marks a continued commitment to the classic boom bap sound. Psych Major has also recently released several tracks with Young Zee of Da’ Outsidaz, with more collaborations on the horizon.
Reks and DJ Mickey Knox deliver a focused and introspective track with “Vision Board,” a powerful statement about purpose and the art of visualization. Over Knox’s soulful and gritty production, Reks delivers a calculated and deliberate performance, offering a blueprint for success rooted in real-life manifestation. The beat blends classic boom bap with a modern edge, creating a soundscape that’s both nostalgic and forward-thinking. “Vision Board” is more than just a song—it's a motivational tool for anyone grinding towards a bigger vision.
Richpockets delivers a raw and honest perspective with “Can’t You See,” exploring themes of ambition, pressure, and the desire to be understood beyond surface-level success. His confident cadence rides the beat with a balance of raw emotion and calculated delivery, making the record both relatable and aspirational. The production creates a cinematic feel, allowing his voice and story to take center stage while still maintaining a modern appeal. The single reinforces Richpockets’ position as an artist building momentum through consistency, vision, and independent hustle.
"Nautica Nagas" is a standout track from Planet Asia and DirtyDiggs’ latest album, delivering a dark and atmospheric soundscape that explores the depths of the underground hip-hop scene. DirtyDiggs’ production creates a driving beat layered with complex samples, providing a gritty foundation for Planet Asia, Rogue Venom, Young Chizz, Hus Kingpin, and Rozewood's lyrical prowess. A must-listen for fans of raw, underground hip-hop.
SC Static and raminbeatz, featuring TIMBO KING, deliver a raw and gritty track with “Cold Game,” capturing the atmosphere of a harsh urban environment. raminbeatz’s production is minimalist and stripped-down, placing the focus squarely on the lyrical prowess of SC Static and TIMBO KING. A stark and honest track that explores the realities of street life.
Westside Ward and Jake Palumbo reimagine an existing track with “Dying In Designer (Slowed & Chopped),” transforming it into a dreamy and melancholic soundscape. Jake Palumbo’s slowed and chopped production creates a hazy atmosphere, offering a fresh perspective on familiar material. A compelling take on the slowed and chopped aesthetic.
Action Figure 973 and Artificer deliver a raw and powerful track with “What Would Harley Race Do?,” embodying the essence of classic boom bap. The production is gritty and impactful, the lyrics are direct and unfiltered. A strong track for fans of underground rap, bolstered by a visually compelling music video directed by KarshCapa.
TriState and Midaz The Beast deliver an energetic track with “Sauce And Jay,” the first visual release from their collaborative project, “Operation Scale Flip.” The track highlights the synergy between the two rappers, showcasing a strong start to the project, with a video edited by Izznyce.
Beat Clinic and Maddog Mcgraw join forces on "Reckless," a high-octane display of Michigan’s underground grit. Produced by Beat Clinic, the track is built on a foundation of haunting, industrial-leaning loops and punishing percussion that mirrors the rugged landscape of Lansing. Maddog Mcgraw commands the mic with a visceral, gravelly flow, delivering bars that feel earned and urgent. There is a distinct lack of polish here, and that’s precisely the point—the record thrives on its raw, confrontational energy and cohesive aesthetic. It’s a standout example of the "Midwest Monster" sound, where technical aggression meets a cold, atmospheric production style that refuses to compromise for mainstream sensibilities.
Sayzee marks the 10th installment of his "I Hate Mondays" campaign with "Do Better," a stark preview of the forthcoming Blood On The Moon EP produced entirely by Fludust. The track thrives on its stripped-back aesthetic—haunting loops and understated percussion that allow Sayzee and the ever-commanding Asun Eastwood to trade bars with surgical precision. It’s a study in focused intensity; neither MC feels the need to over-perform, instead letting the weight of their lyricism and the murky texture of the production do the heavy lifting. As Sayzee continues his relentless release schedule, this collaboration stands as a testament to his ability to maintain high-tier output without sacrificing the raw, independent spirit that defines the current Toronto-to-Buffalo connection.
Jus-P returns with "Black Menace Magic," the second single from his upcoming The 50 Pack, offering a gritty, unfiltered glimpse into the psyche of a Brooklyn veteran. Produced by Mike Martinez, the track is anchored in a haunting, Wu-Tang-esque soundscape that provides the perfect tension for Jus-P’s narrative of survival and defiance. It’s a record forged in adversity, where technical rhyme schemes meet raw street-realism to frame resilience as a mystical force. Between the murky atmosphere and the authoritative delivery, Jus-P reinforces his standing in the underground circuit, proving that the lineage of the Lo-Lifes and Brooklyn Zu remains as potent and uncompromising as ever.
Dezmatic returns with DANIEL, a robust exhibition of East Coast lyricism and gritty sonic architecture. Primarily steered by the production of Locust (Plain Old Mike), the album breathes through dusty crates and neck-snapping drum patterns. The standout "Cypher" featuring Homeboy Sandman, Anwar HighSign, and Moses Rockwell serves as a masterclass in modern-day verbal sparring, proving that the collective energy of the Pig Food Records circle is as sharp as ever. Dezmatic navigates the soundscapes with a veteran’s poise, balancing introspective moments on tracks like "Daughter Gloam" with the rugged, bar-heavy aesthetics of "Heavy Artillery." It is an uncompromising record that prioritizes substance, flow, and the raw essence of independent Hip-Hop.
Gustavo Louis and Jazzylionman join forces on EASTERDAY YAE, a brief yet potent exploration of the outer fringes of Lo-Fi Boom Bap. The project leans into a hazy, almost hallucinogenic sonic palette, where soul fragments and gritty loops are stitched together with minimal structural filler. Tracks like "MOONLIGHT" and "KOKEKANE" highlight a preference for vibe over polish, offering a raw canvas for the featured lyricists to navigate. It’s an exercise in creative spontaneity, reflecting Gustavo Louis’s staggering work ethic and commitment to the underground’s DIY core. For listeners who appreciate the murky, unquantized swing of contemporary tape culture, this release serves as a "golden egg" of atmospheric depth.
Taiyamo Denku and Son Em' All set the stage for the Bad Mutherfuckaz album with "We Bless You," a rugged exhibition of Midwest lyricism fueled by the consistent production of BoFaat. The sonic landscape is built on a foundation of heavy kicks and soulful, yet gritty chops that define the CyphaDen aesthetic. RamBunxious and Urban Legend provide additional firepower, creating a cipher-like dynamic that highlights the group's collective chemistry. It’s an unfiltered display of Boom Bap fundamentals—sharp wordplay, rhythmic precision, and a sonic texture that honors the golden era without feeling anchored in the past.
9of0ne’s The Razor Tongue is an expansive showcase of technical prowess and raw storytelling, spanning 19 tracks of unapologetic Hip-Hop. Functioning as both a compilation of his recent top-tier work and a cohesive autobiographical journey, the album thrives on its self-produced grit. While Rheezo contributes to the sonic palette on select tracks, the core of the record is 9of0ne’s own architecture—hard-hitting drums paired with intricate, multi-syllabic rhyme schemes. Tracks like "Mic Cheq 1Two" and "Starvin' Artist" exemplify a commitment to the craft that feels timeless rather than dated. It is a dense, high-frequency output that balances personal reflection with the competitive spirit of the booth, all while maintaining the sovereign independence of a true DIY creator.
Komba and Soul AM link up with the legendary Granuja for "I GOTTA GO," a masterclass in atmospheric Colombian Boom Bap. Soul AM’s production is the anchor here, utilizing a haunting, slow-burning loop that creates a dense sonic fog, perfectly suited for the lyrical weight on display. Granuja brings his signature gravelly tone and street-hardened perspective, providing a gritty contrast to Komba’s fluid and precise flow. The track thrives on its understated intensity—it’s a moody, cinematic slice of the Medellín underground that prioritizes texture and authentic storytelling over flashy aesthetics. It’s raw, heavy, and serves as a reminder that some of the most compelling Boom Bap right now is being forged in South America.
Phreekz Uv Naychur bridge the gap between Canada and Australia on Long May It Remain, a focused four-track EP that leans heavily into soulful, melodic Boom Bap. Richard Emu handles the production with a deft touch, providing a backdrop of lush samples and steady percussion that allows Princy and Lowdown to showcase their grounded, thoughtful lyricism. There’s a distinct maturity in the arrangements, particularly on standout cuts like "Enough Uv It," where the vocal dynamics feel lived-in and authentic. It’s a testament to the global reach of the independent scene, prioritizing sonic warmth and cohesive songwriting over fleeting trends.
Skip The Kid keeps the momentum high with Call It Whatever U Want 5, a collection of 14 tracks that define the "less is more" philosophy of current underground Hip-Hop. The project thrives on brief, impactful vignettes where dusty soul samples and lo-fi percussion create a cohesive, smoky backdrop. Skip’s selection of collaborators, including Lync Lone and Ant Kelly, seamlessly blend into the project's gritty, stream-of-consciousness energy. It’s a raw display of prolific creativity, favoring mood and texture over polished song structures. For those who track the evolution of the modern tape circuit, this is a essential study in brevity and atmospheric consistency.
Iñigo a.k.a. Zimaboo channels the spirit of the Chef on "A Lo Raekwon," a gritty self-produced piece coming straight out of Lima, Peru. Handling everything from the boards to the final master, Zimaboo leans into a cinematic, low-fidelity soundscape that mirrors the murky corridors of mid-90s Shaolin. The track thrives on its stripped-back approach—no flashy hooks, just focused bars and a relentless, hypnotic loop. It’s an authentic display of international Hip-Hop solidarity, stripping the genre down to its core elements: a raw beat, a steady flow, and a narrative shaped by the shadows of the concrete jungle.
Stay Tuned — Ichiban, InkLine and Mane Rok — build this three-track project entirely around Panik of The Molemen, which is the right way to structure a short-form release: one production voice, three MCs, a cohesive sound from start to finish. Panik and Polished Assassin built The Molemen into one of Chicago's most important underground production outfits, with a dense, rugged approach to Boom Bap that sat at the harder end of the Midwest spectrum and influenced a generation of producers operating in that space. Having him behind all three beats means the project doesn't fragment — the atmosphere holds, the drum pattern stays consistent, and Stay Tuned gets to focus on the lyricism rather than adjusting to different sonic environments. DJ AWHAT!!! handles the cuts, InkLine mixes, M. "The Mexican" Garcia masters. At three tracks the project doesn't overstay its welcome, which is exactly the discipline a release like this requires.
Here's a new track called "WATER." by Kahlee. Produced by Digital Martyrs, with the talented Ash the Author on the hook. We ain't in the club or the street corner on this one. Just authentic sound, grown-up stuff you can rock out to. Available on Bandcamp.
What are you getting each time you turn on your favorite radio station? The answer is simple... a bunch of the same empty messages with no substance. He is here to change that. Relatable content with a message that will have extra wrinkles in your brain in no time. Nothing fabricated. God gives gifts, and talents. It's a difference when the rhymes are on "purpose".. Take a listen...
Out of Style, Out of Service marks the first full-length collaboration between Gel Roc and vocalist, musician, and producer Ariano.
Built from breakbeats, samples, and live instrumentation, the album blends introspective lyricism with organic arrangements, incorporating guitar, bass, and saxophone throughout. Ariano known first for his vocal work approaches production from a performer’s perspective, shaping a sound that feels human, warm, and lived-in.
“This record came together quickly and naturally,” says Gel Roc. “Working with Ariano opened space for things to breathe differently. His mixing, the live instrumentation, and the overall emotion all became part of the identity of the album.”
Featuring guest appearances by Brevi, Pigeon John, Mestizo, Zane One, and DJ Awkward of The Cloaks.
Wavy Da Ghawd is the sole producer in The Walkers crew, which includes Rome Streetz, Rim, Eddie Kaine, Bub Rock, and more. If you ain't familiar with this buzzing beatmaker, it's about time. His new single features none other than Bub Rock, who has been on a mean run this lately.
From hickory, nc by way of Atlantis, day tripper spent his whole life in the pusuit of enlightenment through music. his journey has taken him from the lowest of lows to the highest of highs. he hopes to one day achieve peace of mind.
06. Victory Is In My Luggage (prod. by EvillDewer)
07. Streets Desire (prod. by EvillDewer)
08. Tequila Neat (prod. by William Wallace)
09. Romeo Must Die (prod. by EvillDewer)
10. Mansa Musa $$$ (prod. by EvillDewer)
11. Neo’s Soul (prod. by EvillDewer)
12. The Jazz In My Head (prod. by EvillDewer)
13. Ayatollah Echo (prod. by EvillDewer)
14. Morticia Lives (prod. by EvillDewer)
Brings a genuine flavor to Hip-Hop by experimenting on all levels of music. Subject wise & sound wise, Magno isn't afraid to express himself & show the world the man he represents in life. Although inspired by the likes of classical, soul, jazz, blues, rock, basically any type of music genre and many Hip-Hop artists, Magno Garcia tends to still give us a unique MC and individual, on & off the mic.
01. Where They All Go? (prod. by B1 The Architect)
02. Free Your Mind (prod. by B1 The Architect)
03. No Release (prod. by B1 The Architect)
04. No Stopping It (prod. by B1 The Architect)
05. Reach For The Stars feat. E.Smitty (prod. by B1 The Architect)
06. Hunger (Intermission) (prod. by 6th Floor)
07. Another Win (prod. by B1 The Architect)
08. Wake Up To The Madness (prod. by B1 The Architect)
09. Everything Is Gone Now (prod. by B1 The Architect)
10. Walk With Me (prod. by B1 The Architect)
11. …I Think It’s Worth It (prod. by B1 The Architect)
Bonus Tracks
12. Hardcore (Nicholas Craven Remix)
13. Hell In A Cell 97 feat. Action Figure 973 (Nicholas Craven Remix)
14. Aroma (Nicholas Craven Remix)
"All Things Considered.." is the first collaborative project from Canadian MC/Vocalist/Producer/Audio Engineer: B1 The Architect & Dayton/Ohio based Lyricist: Young Reese Dude. Together, B1 & Reese find contrast & harmony in both their differences and similarities, creating a cohesive record that details their personal struggles, triumphs, as well as grander and more existential ideas, over a bed of psychedelic boom bap beats, provided primarily by B1 The Architect. Both MC's provide countless examples of memorable wordplay, and relatable poetry within a canvas of varied and atmospheric musicality. "All Things Considered.." is equally arthouse, street, conscious, hype, and psychedelic, and all of it's elements come together to form a very strong artistic statement.
MSJ.jpg)
MSJ.jpg)
MSJ.jpg)
MSJ.jpg)
MSJ.jpg)
MSJ.jpg)
%20-%20EP%20(2026)MSJ.jpg)
