Apollo Brown x Skyzoo "Hear Me Out" [VIDEO]

 Apollo Brown and Skyzoo - Hear Me Out

Skyzoo:

"With 'Hear Me Out', when I first heard the beat, it sounded like something out of NY in the mid 80's, a time of learning how to survive on the fly. 

It felt gritty and nostalgic while still being 2026. 

Lyrically it's a bar fest, but with a message as always; me figuratively telling the corner store and all the surrounding parts that when I leave to make it away from it, I will be making it proud at the same time, hear me out". 

 

 

Hear Me Out is out now - https://ffm.to/apolloskyzoohearmeout 

 

The new studio album “Luxury Tax” is out Friday 25th September - https://ffm.to/luxurytax 

 

For more information on Skyzoo:

https://writtenbyskyzoo.com/

https://www.instagram.com/SkyzooTheWriter

https://x.com/Skyzoo

https://www.facebook.com/therealskyzoo/

https://www.youtube.com/user/SkyzooTV 

 

 

For more information on Apollo Brown:

https://apollobrownmusic.com

https://escapismrecordings.com/ 

https://www.instagram.com/apollobrown 

https://www.facebook.com/ApolloBrown/ 

https://x.com/ApolloBrown

 

P-Ro x Hues "HUEROGLIPHICS" [ALBUM]

 

HUEROGLIPHICS pairs two fixtures of the Massachusetts underground into a tight two-man operation. P-Ro, the Boston emcee and producer behind years of Knuckle Dragguz output and a steady run of collaborations with G Fam Black, handles every non-beat element himself here, performance, recording, mixing, mastering, even the artwork. The beats belong entirely to Hues, a producer whose credit sheet runs from Ski to Fashawn to Lojii, and whose reputation for warm, sample-driven boom bap carries the record. The title folds Hues' name into hieroglyphics, and the project leans into that idea, trading ancient symbols for tone and color, with each track carrying its own sonic shade. Across ten cuts the drums stay dry and swung, the samples worn just enough to breathe, and P-Ro's delivery sits low and unhurried in the mix, more concerned with pocket than volume. Guest turns from G Fam Black, Mike Titan, Tali Rodriguez, OGBenGrimm, and James Mitchell stay brief, functioning as color commentary rather than competing verses, while Gold Midas steps in for a co-production credit on one cut. Nothing here reaches outside the boom bap lane it is built in, and that restraint is the point.

Content & research created independently by HHHeadz. AI tools are strictly used for translation and language refinement.

Heaven’s Tank "Vendetta Ride 2" (feat. Boom Bap Benny) [VIDEO]

Ras Kass and Ab-Soul on one track that’s not a regular feature, that’s a meeting of two of the West Coast’s most cerebral voices. “Latency” comes from Ras Kass’ album “Leopard Eats Face,” produced by Genre & S Class. Dina Rae handles the hook. Gifted Glitch directed, filmed and edited the video locations: LACMA in LA, a pyramid structure, and Las Vegas. Ras Kass brings his usual density, Ab-Soul his existential wordplay layer. Soulspazm distributes. “Leopard Eats Face” is Ras Kass’ first album in five years and carries a deliberately political title. Album features include Inspectah Deck, Coast Contra and Onyx. “Latency” is one of the most metaphysical moments on it. Two generations, one track, no compromise on the standard.

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Heaven’s Tank "Vendetta Ride 2" (feat. Boom Bap Benny) [SINGLE]

Heaven’s Tank and Boom Bap Benny deliver “Vendetta Ride 2.” The title makes the intent clear: this is the sequel, and it’s about focus and payback. Short track, no detours. Two MCs who carry the assignment in the name and approach it accordingly.

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The Koreatown Oddity "Yahtzee" [VIDEO]

The Koreatown Oddity announces his new album “Purdy” with “Yahtzee,” out October 2nd on Stones Throw. Alfredo Lopez shoots and directs. Oddity stays with what defines him: off-kilter, funny, observational, never predictable. Stones Throw still fits that approach as a label. “Yahtzee” is the first taste if you know Oddity, you know this isn’t a standard rap single.

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Mooch & Real Bad Man "Terminator Shit" [ALBUM]

 

It was already announced, now “Terminator Shit” is fully up on Bandcamp. Mooch from Rochester (Da Cloth) and Real Bad Man deliver ten tracks. The guest list holds what was promised: Estee Nack and Boldy James on “Chrome Nickle,” Your Old Droog on “Things that We Lost,” plus Deener on “Got Nowhere to Go.” Real Bad Man produces everything. “Mercy (Take Mine)” was the preview, “Clouds” already has a video. Futuristically hard beats, Rochester pressure the album is here.

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Gangrene (The Alchemist & Oh No) "Gas Factory" (feat. Rome Streetz) [VIDEO]

Alchemist and Oh No as Gangrene, Rome Streetz as feature, New High Filmz on the video. “Gas Factory” comes from “Better Than McDonalds.” Gangrene sounds as usual: dirty, off-kilter, trippy, organized chaos. Rome Streetz fits like he was built for these beats. After “King Taco” with Ab-Soul, this is the next visual cut from the album. The chemistry between the two producers and Rome remains one of the most reliable recipes in the current underground.

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Joey Majors x Black Soprano Family "Red Wolf" [ALBUM]

Joey Majors drops “Red Wolf,” a 14-track album under the Black Soprano Family banner. The format is expansive, the sound stays in familiar BSF territory: hard, disciplined, street-rooted. Majors uses the label connection to make a full statement. 14 tracks are a declaration enough room to show where he stands inside the extended BSF universe.

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QB Rap P "QBC Effects" [VIDEO]

After “QBC What’s Missing,” “QBC Effects” arrives as the next visual from QB Rap P’s project “QBC Bklyn Queenz Day,” which he produced entirely himself. Queensbridge sits in the name and the sound. QB Rap P holds mic and boards in one hand and delivers unfiltered neighborhood realism. Cause and effect on the QB blocks the title already says it.

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Tone Chop & Frost Gamble "Missing Links Vol. 1" [EP]

 

Links Vol. 1” opens the vault: tracks from different chapters, some almost a decade old, others from the years leading up to “Beautiful Foundations.” Awful P features on “We Up,” Pa Pa Fresh cuts on “No Doubt.” Six tracks. Vol. 2 drops October 20, Vol. 3 November 24, 2026. The series is for the fans who followed from the beginning. Great music doesn’t always arrive on the original schedule these links were never meant to stay hidden.

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H.N.S "WAR" [VIDEO]

H.N.S are Halabi, Neality and S.P.O.T. “WAR” comes via Down2Earth Records and leaves little room for interpretation. Three MCs, one aggressive track, no frills. The trio locks the voices together and goes straight forward. Underground from the lowest floor, exactly as the label name promises.

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Starvin B "Jabba the Heart" [SINGLE]

Starvin B remains one of the smoothest and most technically reliable MCs out of Queens. “Jabba the Heart” is his current single wordplay in the title, delivery clean as usual. No big feature cast, no sprawling context. Just Starvin B doing what he’s done for years: delivering bars.

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Ricky Lix "From Da Bronx To EA" [VIDEO]

Ricky Lix drops the video for “From Da Bronx To EA” from the album “Lucid Nightmares.” King Street Blues produces, Lieu directs. The title stretches from the Bronx to EA Lix uses the geography for a narrative that stays in the city’s shadows. Gangsta Hippy presents. The track holds the dark atmosphere the album carries in its name.

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Johnny Ciggs & Miguel con Hache "The Metro EP" [EP]

 

Johnny Ciggs and Miguel con Hache deliver three tracks: “Good to Meet You L.A.,” “Gas Station Politics” and “I Beg For Mercy.” Ciggs writes, performs, records and mixes at Izzy’s Glam Room Studios. Miguel con Hache produces and does the cover. John Canada masters, Ciggs handles the photos. Short format, clear roles, Gritty City handwriting. “Gas Station Politics” already sounds in the title like what Ciggs does best: watching everyday life and pressing it into bars.

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Rahiem Supreme x The Architect "Splash!" [VIDEO]

After “Stressamy Street,” “Splash!” arrives as another visual from the album “Flying Guillotine,” produced entirely by The Architect and dropping this month. Shot and edited by @lvrdmeel in Japan. Rahiem Supreme and The Architect hold the line: D.C. flow over sharp production, Japanese backdrop as visual contrast. Two videos from the same album, both in Japan that’s not coincidence, that’s concept.

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The 17th Cipher x Beedie x DOE BOY Philly "Lost To Time" [SINGLE]

The 17th Cipher brings Beedie and DOE BOY Philly together, plus Rique Wit Da Wickz and Liym Capital. “Lost To Time” continues the Cipher approach: different cities, one stage, focus on bars. After “CHICAGOSPEL,” “Prolific Immortality” and “Supervillains,” this is the next piece in a network that’s growing systematically.

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Jon Regul x Myster DL "Graffiti Jam" [VIDEO]

Jon Regul grew up on graffiti flicks and boom bap. Here he holds down two of the five elements: he raps and he writes on walls. Myster DL produces the track and shoots the video for ILL Mannered Films. The clip bridges Regul’s graffiti past with his current music. No overloaded concept, just the link between the can and the mic.

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Black Silver "An Evolved Experience" [ALBUM]

 

Black Silver drops “An Evolved Experience,” his second full-length of 2026. The feature list is heavy: Rakaa, KRS-One and Ras Kass on “Basic Needs,” Too Short and Ice-T on the “Out There (remix),” Kool Keith, Myka 9 and El Da Sensei on “Planet Fitness,” Prince Po and Main Flow on “Monstaaas,” Otherwize and Gizmo, Ras Kass again, plus a remix of “Basic Needs” with KRS-One, Rakaa and Prince Po. Ten tracks, out internationally 09/11/2026. Black Silver stays the narrator at the center even while the guests write history.

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Big Nothing & Julianí "The Son Rises In The East" [VIDEO]

Julianí and Big Nothing drop the video for “The Son Rises In The East” from their “LEGION QUEST” EP. Produced by Diamond D. That’s D.I.T.C. weight behind two voices that don’t overcrowd the beat, they use it. A track built on craft rather than effects.

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Lt Headtrip x Rich Courage "Patch Transmissions" [ALBUM]

Lt Headtrip and Rich Courage deliver “Patch Transmissions,” eleven tracks of abstract New York underground. The album leans on unconventional structures and dense writing. Anyone familiar with Headtrip’s earlier work knows this isn’t classic boom-bap comfort territory it’s chopped textures and off-kilter cadences. Eleven tracks give the duo enough room without overstretching the format.

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Blu & Sndtrak "Jesus" [VIDEO]

Blu has already done full albums with Exile, Madlib and Nottz. Now Sndtrak from Oakland and the Soul Council handles the entire production for “LA.” “Jesus” is the visual centerpiece: Sndtrak layers gospel melodies over trunk-rattling bass while Blu paints his West Coast messiah. The album is out on digital, CD and vinyl with features from Volume 10, Thurz, MED, Iman Omari, Trizz, ICECOLDBISHOP, Like of Pac Div and Propaganda. New High Filmz directs the video and deliberately keeps the Hollywood gloss out of the frame.

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Hieroglyphics "All Said And Done" [ALBUM]

All Said And Done, the latest chapter of Hieroglyphics is here! The third official full-length album from the Oakland, California super-crew is now available via streaming, vinyl and CD editions (links below). A legendary amalgamation of hip-hop entities, Hieroglyphics is composed of Casual, Souls Of Mischief (a quartet composed of A-Plus, Opio, Phesto and Tajai), Del The Funky Homosapien, Domino, DJ Toure and Pep Love.

Recorded over a nine-month period in 2025, All Said And Done (the first official Hieroglyphics release since 2013 mixtape The Kitchen) is a fully self-produced affair (with tracks handled by A-Plus, Domino, DJ Toure with the only additional assistance from multi-instrumentalist Jim Greer and cuts on one track by DJ D-Styles of The Beat Junkies). Speaking on the album title, Casual stated that “it refers to this album being the skill level that we would like to be remembered for.” He also says that the album track “Uplifted” is a personal highlight that will “last to tell the story of HIero if no other song does.”

Listen to All Said And Done full playlist: Here

The crew also just completed a North American run promoting the release of the album, which culminated in the 2026 edition of the annual Hiero Day celebration in San Francisco. However this Saturday (September 12) will be the launch of the first Hiero Day Canada (to take place at the Commodore Ballroom in Vancouver).

Stream/Purchase LP/CD All Said And Done: https://hieroglyphics.com/

Omen44 "I Need Love" [SINGLE]

 

International hip-hop artist Omen44 continues building momentum toward his forthcoming u.s. album with the release of his third single, "I NEED LOVE". Known for blending thought-provoking lyricism with global influence, Omen44 takes a more reflective approach on this latest release, delivering a record that speaks to the need for unity, compassion, and genuine human connection in today's world.

With heartfelt lyrics and a soulful backdrop, "I NEED LOVE" showcases another side of the internationally respected emcee, proving his ability to balance powerful messages with undeniable musicality. The track follows the strong reception of his previous singles and offers another glimpse into the depth and vision behind his upcoming u.s. project.

Over the years, Omen44 has built a reputation as a worldwide hip-hop force, collaborating with respected artists across the globe while staying rooted in the culture's core values of truth, awareness, and authenticity. On "I NEED LOVE", he delivers a timely message that resonates far beyond borders, making this one of his most personal and impactful releases to date.

As anticipation grows for his forthcoming u.s. album, "I NEED LOVE" stands as another compelling chapter in Omen44's ongoing international journey.

Masta Killa x Kurupt x Rakim "DPG WU-TANG, WU-TANG DPG" [VIDEO]

We already know the single. What's new now is the official video via Masta Killa's channel, directed by WESTLYFE_. Nothing changes about the core configuration — Kurupt and Masta Killa up front, Rakim producing with Nick Wiz — but videos for tracks of this historical weight are more than mere addition. They're the visual lock-in of what's already been established sonically. The title stays a tongue twister and a statement. Dogg Pound and Wu-Tang not just side by side, but rhythmically interlocked. For "The Godbody" album, dropping 09.18.2026, this is one of the previews that makes the East-West concept most tangible. Kurupt's West Coast technique meets Masta Killa's calm, economical precision. Rakim holds the strings in the background. WESTLYFE_ delivers images that do justice to the historical weight of these three names without overwhelming with unnecessary effects. Exactly right for a track that lives off its configuration and doesn't need visual overkill.

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A-F-R-O & MotionPlus "Foundational" (feat. StrataG) [VIDEO]

Sometimes the right answer to a crowded album is a single clear track. A-F-R-O just delivered 20 tracks and dozens of features on "Trap Door 2." "Foundational" is the counter-move — a cut with MotionPlus and StrataG, again fully produced, mixed and mastered by A-F-R-O himself. MotionPlus directs, Rico Sterns shoots. The title is the mission: foundation, base, what remains when you strip away every ornament. After the massive cast show of "Trap Door 2," this feels like a return to essentials — fewer voices, clearer roles, more room for everyone involved. That can be exactly the right move after such a big album. Anyone who's listened through all 20 Trap Door tracks knows A-F-R-O can curate. "Foundational" shows he can also do the opposite: reduce instead of accumulate.

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Emerg_Da_Mc "Resurrection Of Lazarus" (prod. Bobo Production) [EP]

 

The Lazarus reference is a strong choice. Resurrection, second run, back from what should have been the endpoint. Emerg_Da_Mc — already covered with "BROOKLYN FINEST" — builds a compact six-track project from that over Bobo Production. What stands out: the tracklist doesn't separate street rap from spiritual themes, it mixes both. "Father, Sun And Holy Spirit" with Baby Israel and King Bobo opens the spiritual layer, "YG And OG 'Connection'" with DjG1 works through the hierarchy between young and older, "Gun To SUN" folds in a Malcolm X reference. That's the EP's real strength: resurrection here isn't just biblical rhetoric. It's the question of how you climb back out of hard conditions, and what carries you — faith, connection, aggression, all at once. Six tracks are enough to see it through without diluting the motif. Bobo Production holds the sonic frame together.

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SEVENCA "WWC 2" (feat. KORY, KENEVEN, BALDUR, HURT GLOCK, MYAN & TREMXR) [VIDEO]

Seven MCs on one track is always a gamble. SEVENCA brings in KORY, KENEVEN, BALDUR, HURT GLOCK, MYAN and TREMXR for "WWC 2" — with that many voices, choreography decides success or failure. Who comes in when, how much space each gets, whether the beat carries the mass. Francisco Barco films, SEVENCA produces alongside Rostro Beatz and handles the mix and master. The 2025 stamp in the post suggests the cut itself isn't brand new — this is a video being added to an older track. Still: large posse formats have become rare in the Spanish-language underground. Most opt for compact two- or three-MC setups. That SEVENCA gathers six guests and rolls this out with an official video shows an investment in collective energy you rarely see. Whether it lands depends on verse order — and that's exactly what makes or breaks a good posse cut.

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The Hoodies "xoxo (Hello)" (prod. P) [VIDEO]

The Hoodies belong to the 845 Upstate circle, the same network where Flames Dot Malik operates with "WE FROM UPSTATE." "xoxo (Hello)," produced by P, looks almost too light on first glance for this corner — kisses and a hello? In a region otherwise known for hard street reality? That's exactly the trick. Either it's irony, or it's a deliberate counter-move against the cold baseline that defines Upstate rap. The track itself has to show which reading holds.

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Dj Safe "Sacrifices (Chapitre II : Rituels sanglants)" [ALBUM]

 

Take a moment to picture it: 32 tracks, dozens of producers, dozens of voices, all held together under the concept of a sacrifice ritual. "Sacrifices Chapitre II: Rituels sanglants" isn't a loose compilation, it's a fully composed work that takes the skits as seriously as the songs. "La vraie nature du sacrifice," "Mais où est la magie noire?," "Cercles sataniques," "Le rite du sacrifice" — the interludes carry the dramaturgy while the tracks themselves become the individual rituals. The name list reads like a cross-section of everything currently mattering in the French-language underground. Saï x Djar One x Dj Safe open with the title cut, followed by names including Rocé, Lucio Bukowski & Oster Lapwass, Grems, Mani Deïz, Ol'Kainry, Karlito, Hyacinthe, Mysa, Guezess, Jeune Mort, Parental, Secro Star. Producers rotate track by track: Madizm, OffMike, Linkrust, Kyo Itachi, Corben Wallace and many more. This could easily fall apart. That it doesn't comes down to Dj Safe as curator — the skit sequencing holds everything together like a thread through a dark room. What makes this special: it's not a PR compilation. Not a "Best of 2026" grab bag. It's a deliberate selection painting a picture of the French underground that outsiders can't get anywhere else in this concentrated form. Cover by Saï (Cezure Communication). If you want to explore the scene beyond the familiar names, this is the densest entry portal currently available. Impossible to absorb in one sitting — but designed exactly that way.

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Jae'zus "Back Alley Craps" [VIDEO]

"Back Alley Craps" doesn't need a long explanation. The title already does half the work. Dice in the alley, illegal bets, everything moves faster than it should. Jae'zus skips the big feature routine and lets the track ride on atmosphere. That's the appeal: craps is gambling, and in the alley you usually lose. When the metaphor carries itself, you don't have to spell it out — the image does the work.

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STARKER "UNTITLED" (feat. YL, prod. Lord Unknown) [VIDEO]

Sometimes calling a track "UNTITLED" is the right move. Not out of laziness, but because the sound speaks for itself. STARKER links with YL — one of the most distinctive New York MCs of recent years — and lets Lord Unknown produce, the same name that helped shape al.divino's "ICHIBAN VINO VOL. 1000." Kicky Steezy shoots and edits. "Big Brooklyn Big LTD Shit" sits large in the post, and that posture carries the record. This isn't an overproduced album single with a rollout plan — it's a moment between two MCs who know what they're doing, over a beat that knows where to sit. YL doesn't bring extra baggage, just real chemistry. That's why an untitled track is enough. If you want to know what it's about, you have to listen — not read the title.

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Da Great Deity Dah "To Take Hip-Hop Back PT2" [EP]

 

Da Great Deity Dah doesn't treat the title as an empty slogan. The second installment of a series that spells out its mission in the name — and the tracklist shows this isn't about nostalgia, it's about active movement. "Live from Beijing" with Nasty Ray opens, "Bogotá Freestyle" with Celtik and DJ Muf comes later. In between: remixes, collaborations, original cuts. This isn't a clean concept album with a unified production signature — more like a collection of moments showing how far the journey goes when you take hip-hop seriously as global practice instead of a local format. Chicos Son from Sons of Light appears on "Narcotics (Cocaine Cowboys RMX)," Sti6s Williams on "Refuse God." "Bless the Dead" gets a Korean Mix, "Redrum" an Xnoe Mix. Da Great Deity Dah builds a portrait from freestyles and remixes that feels more like a travel journal than a finished long-player. And that's exactly the point: taking hip-hop back doesn't mean winding it back to a specific era. It means carrying it to wherever it's needed.

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LOTMIX SHOW is BACK : LOTMIX SHOW - S8 Ep01 [Boombap Mixshow]

LOTMIX SHOW S8 Ep01 by Dj LOTMIX
feat BUSTA RHYMES | TERROR VAN POO ft RUSTE JUXX | NEJMA NEFERTITI | 38 SPESH | AGALLAH THE DON | NEMS | ROME STEETZ ft WESTSIDE GUNN | RAKIM x HUS KINGPIN more

Prod by SNOWGOONS | IM'PERETIV | VINNY IDOL | J DILLA &more

BROADCASTED WORLDWIDE over +65 radios

🇩🇪 🇺🇸 🇸🇰 🇫🇷 🇿🇦 🇬🇷 🇦🇺 🇨🇴 🇬🇧 

🇺🇸 KSHZ | GCR RADIO | BLAZE1RADIO | IGR MIAMI RADIO | THE RAW UNDERGROUND | WNRV1081/Nervedradio | WE ROCX R920 | STREET TAKEOVER | ON THE RISE RADIO | GROUND UP RADIO | LIVE SIDE RADIO | KAWON J MEDIA | 216 THE BEAT RADIO | QSM RADIO | DALLAH RADIO | HUSH Music Radio | DPS Radio | PUSO 82.3FM | BIG SHOT RADIO | KDUB RADIO | HUSH Music Radio | 168Radio | Dream Team Promo | Power904 Radio | THE HILLTOP RADIO SHOW | BLAZIN MICS FM | RICH RADIO BKNY | Urban REALITY Radio | LEGAL CRIME Radio | Radio JLR | BEATS LAB Radio | DCN COMPANY Radio | MEDIA MADE MUSIC Radio | DIS n DAT Radio | BREAKING TRACKS Radio | BUSHWICK Radio | WHN NY Radio | MIXAPE HEAD radio | MOTION 95 | Rebellion 91FM | MECCAH MALOH Radio | MY DETROIT HUSTLE Radio | 94.4FM JAMS VALDOSTA | INFINITE PLUG Radio | WBX 107.1 Radio | WE BLAZIN HIPHOP | LOUD LAB Radio | LLR OHIO Radio
🇫🇷 APOLLO RADIO | RADIO RAPTZ | STREET HITS WEBRADIO | MUSIC ADD ROUEN | BPM WEB TV | RADIO KLAN-D | PUNCH RADIO | VYBZ FM | STAYHIGH Radio | RADIO LASER | PUNCH Radio
🇩🇪 DIGITAL MEDIAVERSE | PELIONE Radio 
🇿🇦 UBUNTU FM HIPHOP
🇬🇧 INTERNATIONAL FLEET RADIO | LWR Radio
🇦🇺 KLR RADIO | TUNE1OZ
🇨🇴 WARRIOR FAM
🇬🇷 GHOST12 Radio | DREAM CITY Radio

The 17th Cipher, Rufus Sims & IAMGAWD "Supervillains (Deluxe)" [SINGLE]

 

The deluxe version of "Supervillains" brings two sides functioning like a classic A-side/B-side vinyl structure. Side A: "Supervillains" over six minutes, produced by Scripz The L.O.T, with Panamera P, Jae Haze, Vic Spencer and Philmore Greene featuring alongside Rufus Sims and IAMGAWD. Side B: "Welcome to Chicago" nearly five minutes, produced by True Cipher, with IAMGAWD, Rufus Sims, Panamera P and Ju Jilla. Vic Spencer, already covered with "Doin' Ya Thing," gives "Supervillains" additional weight his presence alongside Panamera P, Jae Haze and Philmore Greene shows how deep The 17th Cipher's Chicago network now runs. Both tracks clearly exceed the four-minute mark, which is necessary given six to seven voices per track, ensuring every rapper gets enough room. This is the consistent continuation of the Chicago strategy already visible through "CHICAGOSPEL," "Prolific Immortality" and the "Changes" video: The 17th Cipher systematically builds a network of Chicago-adjacent MCs strengthening each other through cross-features. "Supervillains (Deluxe)" is the densest manifestation of this approach so far two extended cyphers showing how much lyrical substance the city currently has to offer, beyond the drill-dominated outside perception.

Transparency Note: Content & research created independently by HHHEADZ. AI tools are strictly used for translation and language refinement.

Recognize Ali x D-Styles "Bad Mon" [VIDEO]

D-Styles, as a Beat Junkies member, ranks among the most technically accomplished turntablists and producers on the West Coast. "Bad Mon" is the first single from Recognize Ali's upcoming album "ALL SHALL PERISH." Ali writes and performs, D-Styles produces and scratches. Vinyl available via Perpetual Stew, plus dedicated merch from Recognize Ali and digital downloads directly through D-Styles' Bandcamp. The album title "ALL SHALL PERISH" carries an apocalyptic weight fitting the known D-Styles sound conceptually dense, technically precise, never arbitrary. This combination of Recognize Ali's narrative power and D-Styles' Beat Junkies craft promises an album operating at a high level both lyrically and production-wise.

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Bad Lungz "Healing Collective" [VIDEO]

Following the single mention, the official video with full context is here now. The self-description is precise: "Raw truth from the concrete" a therapeutic breakdown through dusty loops, heavy atmosphere, and unvarnished lyricism. Bad Lungz turns scar tissue into art, delivering dark, sample-heavy boom bap for anyone carving a path out of the shadow. Bad Lungz writes, performs and produces himself complete self-control. Francisco A. Rodriguez mixes and masters, L & F Records as label. This confirms the initial impression from the bare single mention: "Healing Collective" is indeed conceived as a collective healing process, the title a deliberate program rather than arbitrary word choice.

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Blazy Green "sECOND hAND sMOKE" [EP]

 

Blazy Green, recently covered with "Los Antonios 2" and "Meet The Greens" (with Mad1ne), delivers a standalone album here. Eight tracks, production split between Who Cares (twice), Blazy Green himself (twice), Abibeats (once) and Ruler Why (three times). "Devine Lesson," "High Regards," "Night and Day," "No Compare," "Cant SEE me," "Back Again," "Tidal Wave," "Blood Pools" the titles move between self-reflection and hard imagery. The title "sECOND hAND sMOKE" with its unusual capitalization suggests a concept of collateral damage something you catch without being the source yourself. Ruler Why's triple production involvement shows how close this connection has become the same producer already appeared with Leo Jonez and other Wu-adjacent projects.

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OT The Real "All Bad" [VIDEO]

Following the "HEAT" single, "All Bad" arrives as the next video from the same album. Condido Verona directs, Nickel Plated produces. OT The Real stays true to his hard Philadelphia street perspective, for which he's known in the local underground. The title "All Bad" is a blunt state description no embellishment, direct statement.

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Mike Shabb "Mr. Triggerman!" [VIDEO]

Following "Reminisce!," "Mr. Triggerman!" arrives as another visual from Mike Shabb's "Sewaside 4." XTRM_MOOD directs the video. The title sets a more aggressive, direct self-presentation than the more introspective "Reminisce!" the triggerman role is explicitly claimed here, no hint, a clear statement: "I'm the Triggerman." The Montreal underground gets another chapter from an album apparently designed to show multiple different facets of Shabb's personality.

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Shaolin Munk Productions "Revizited II (Test)" [ALBUM]

 

"Revizited II (Test)" carries the "Test" designation right in the title a sign this might be a preliminary or working version before the final release. Ten tracks: "Tha Way It Iz," "Tremendous," "Eyez May Shine," "The Natural," "Duel Of The Iron Mic," "Beneath The Surface," "Dedicated," "Rock On," "Imagine Dat," "At All Costs." The name Shaolin Munk Productions clearly places the project in the Wu-Tang-adjacent production environment. Thonny Tru provides the artwork.

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UUuTANG x Crip Jesus x CHECC IN "DOOM-TANG" [VIDEO]

The title "DOOM-TANG" obviously combines MF DOOM and Wu-Tang into a new concept name. UUuTANG, Crip Jesus and CHECC IN release the album "DOOM-TANG," already available on Spotify. What's interesting about the post itself: it includes a promotional code for Dehancer color-grading software a sign of how much visual post-production has become part of underground artists' self-marketing, artists who simultaneously work as video editors.

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Killah Dilla "WORK" (prod. Frizzy Astro) [VIDEO]

Following "Bad Choices," "WORK" arrives as the next Killah Dilla track with Frizzy Astro, this time from the "Muckleberry Finn" project a title deliberately playing on Mark Twain's "Huckleberry Finn" while weaving in the name of producer/director "The Muckman." The title "WORK" is self-explanatory: labor as foundation, as proof, as what counts when nothing else does.

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Fubar x MagiCXbeats "No Savior Coming" [EP]

 

"No Savior Coming" is a seven-track concept album about what happens when you stop waiting for something outside of yourself to fix what's broken. Fubar examines different forms of false or incomplete salvation across the project, including religion and institutions, physical escape, emotional suppression, success, work, composure, and control, along with the damage that can remain underneath them. The album's central idea is simple: external rescue cannot substitute for internal confrontation and integration. That doesn't mean people, relationships, faith, art, or community can't help. It means none of them can do the internal work in your place. The album moves from betrayal and inherited trauma through buried anger, anxiety, and survival mechanisms before arriving at something less like perfect recovery and more like acceptance. "The Air Has Edges" features Eclyse already covered multiple times in the program with his own "Uncanny Phantasmagoria" album. MagiCXbeats supplies production, Fubar mixes and masters himself. Titles like "Ghosts in the Foundation," "Fire Under Snow," "Above It, Not Beyond It" and "Human Resources" show the thematic range between personal trauma work and institutional critique. Healing begins when you stop waiting to be rescued and start confronting, understanding, and integrating what you've been carrying all along.

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NorthSide Lord "ARETHA" [VIDEO]

NorthSide Lord, previously featured on Sky Soprano's "Its Offish," releases "ARETHA" as his own track. The title presumably references Aretha Franklin the Queen of Soul as an image for respect, voice and authority. Without further detail, the track stands as a self-contained visual statement further solidifying NorthSide Lord's position in the BSF-adjacent environment.

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Fewch & AV-8 "After Me?" [VIDEO]

"After Me?" poses an open question: what comes after me, who follows, what remains. AV-8 produces, Fewch raps, Xuriy shoots. The track comes from the joint album "Crooked Knights" a title already suggesting a broken, morally ambivalent chivalry. The question in the song title functions as a legacy thought: succession, responsibility, what remains when you yourself are gone.

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Six O'clock "Silver Lining" (feat. Julox) [SINGLE]

 

"Silver Lining" the classic English image of hope even in dark times. Six O'clock brings in Julox for this single. Without detailed producer credits, the track stands as a self-contained statement whose optimistic title already sets a clear emotional direction.

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Nickelus F "Sporting Life" [VIDEO]

Following "Trick Dice: Expanded Edition," "Sporting Life" arrives as a video from Nickelus F's album "Hardbody." The title invokes the classic phrase "sporting life" a life combining risk, gambling and street culture, a term with long tradition in American vernacular. Nickelus F stays true to his Richmond aesthetic: abstract imagery, dark humor, pop-cultural references that never feel merely decorative.

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Sky Lex x BhramaBull x Freeworld E "Night Terrors & Fiend Fever" [VIDEO]

The track "Night Terrors & Fiend Fever" was already in the program with Sky Lex and BhramaBull now the lineup expands with Freeworld E, and the video gets a professional directing team: Gryndfest Music Group in connection with Checkeout. BhramaBull continues producing, his dark late-night aesthetic remains the frame. With three voices instead of two, the track becomes a genuine cypher moment within the same dark sonic universe BhramaBull has built across multiple collaborations.

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Tha Trickaz "Cahier De Rimes Vol.1" [ALBUM]

 

"Cahier De Rimes" (Rhyme Notebook) describes the album as a collection moving track by track through different guests: Guezess on "Yujiro," Prince Fellaga on "33° Celsius," Ra-Fal on "Carter," FRS TAGA on "Black Rock," Og Brax on "Le 6 T'Aime," Obia Le Chef on "Rush Hour," WEARE on "12 Glocks," OKS on "Tengu," S.R.I. on "Attali," Kaiman L'Animal on "Découpe Les." Tha Trickaz composes, mixes and masters everything himself and also handles artwork and layout complete self-control over ten completely different collaborations. Buster Call Records as label. The title "Yujiro" presumably references the manga character from "Baki," "Tengu" points to Japanese mythology two more signs of how deeply pop-cultural and mythological references are anchored in the French-language underground. A single producer-MC bringing ten different guests under one coherent sonic roof shows real curatorial skill.

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Lethal Ferguson & Blaq Medici "Matar Con Bombas" [VIDEO]

"Matar Con Bombas" (Kill with Bombs) tells the story of how Pitfall Jorge became a legend taking on the devious Estevez brothers, whose influence spans from the Tijuana cartel to the heart of Mexico City. Nobody crosses Pitfall and lives to tell the tale. The track releases September 2, 2026 from the upcoming album "LEGEND OF PITFALL JORGE" by Lethal Ferguson & Blaq Medici, in connection with Maison de Funk. This is narco storytelling as ongoing saga, not standalone track Pitfall Jorge is explicitly established as a recurring figure whose legend grows across multiple songs. This narrative strategy echoes classic coke-rap concept albums but consistently shifts the geographic stage to Mexico and its cartel-shaped reality.

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