Masta Killa x Kurupt x Rakim "DPG WU-TANG, WU-TANG DPG" [VIDEO]

We already know the single. What's new now is the official video via Masta Killa's channel, directed by WESTLYFE_. Nothing changes about the core configuration — Kurupt and Masta Killa up front, Rakim producing with Nick Wiz — but videos for tracks of this historical weight are more than mere addition. They're the visual lock-in of what's already been established sonically. The title stays a tongue twister and a statement. Dogg Pound and Wu-Tang not just side by side, but rhythmically interlocked. For "The Godbody" album, dropping 09.18.2026, this is one of the previews that makes the East-West concept most tangible. Kurupt's West Coast technique meets Masta Killa's calm, economical precision. Rakim holds the strings in the background. WESTLYFE_ delivers images that do justice to the historical weight of these three names without overwhelming with unnecessary effects. Exactly right for a track that lives off its configuration and doesn't need visual overkill.

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A-F-R-O & MotionPlus "Foundational" (feat. StrataG) [VIDEO]

Sometimes the right answer to a crowded album is a single clear track. A-F-R-O just delivered 20 tracks and dozens of features on "Trap Door 2." "Foundational" is the counter-move — a cut with MotionPlus and StrataG, again fully produced, mixed and mastered by A-F-R-O himself. MotionPlus directs, Rico Sterns shoots. The title is the mission: foundation, base, what remains when you strip away every ornament. After the massive cast show of "Trap Door 2," this feels like a return to essentials — fewer voices, clearer roles, more room for everyone involved. That can be exactly the right move after such a big album. Anyone who's listened through all 20 Trap Door tracks knows A-F-R-O can curate. "Foundational" shows he can also do the opposite: reduce instead of accumulate.

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Emerg_Da_Mc "Resurrection Of Lazarus" (prod. Bobo Production) [EP]

 

The Lazarus reference is a strong choice. Resurrection, second run, back from what should have been the endpoint. Emerg_Da_Mc — already covered with "BROOKLYN FINEST" — builds a compact six-track project from that over Bobo Production. What stands out: the tracklist doesn't separate street rap from spiritual themes, it mixes both. "Father, Sun And Holy Spirit" with Baby Israel and King Bobo opens the spiritual layer, "YG And OG 'Connection'" with DjG1 works through the hierarchy between young and older, "Gun To SUN" folds in a Malcolm X reference. That's the EP's real strength: resurrection here isn't just biblical rhetoric. It's the question of how you climb back out of hard conditions, and what carries you — faith, connection, aggression, all at once. Six tracks are enough to see it through without diluting the motif. Bobo Production holds the sonic frame together.

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SEVENCA "WWC 2" (feat. KORY, KENEVEN, BALDUR, HURT GLOCK, MYAN & TREMXR) [VIDEO]

Seven MCs on one track is always a gamble. SEVENCA brings in KORY, KENEVEN, BALDUR, HURT GLOCK, MYAN and TREMXR for "WWC 2" — with that many voices, choreography decides success or failure. Who comes in when, how much space each gets, whether the beat carries the mass. Francisco Barco films, SEVENCA produces alongside Rostro Beatz and handles the mix and master. The 2025 stamp in the post suggests the cut itself isn't brand new — this is a video being added to an older track. Still: large posse formats have become rare in the Spanish-language underground. Most opt for compact two- or three-MC setups. That SEVENCA gathers six guests and rolls this out with an official video shows an investment in collective energy you rarely see. Whether it lands depends on verse order — and that's exactly what makes or breaks a good posse cut.

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The Hoodies "xoxo (Hello)" (prod. P) [VIDEO]

The Hoodies belong to the 845 Upstate circle, the same network where Flames Dot Malik operates with "WE FROM UPSTATE." "xoxo (Hello)," produced by P, looks almost too light on first glance for this corner — kisses and a hello? In a region otherwise known for hard street reality? That's exactly the trick. Either it's irony, or it's a deliberate counter-move against the cold baseline that defines Upstate rap. The track itself has to show which reading holds.

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Dj Safe "Sacrifices (Chapitre II : Rituels sanglants)" [ALBUM]

 

Take a moment to picture it: 32 tracks, dozens of producers, dozens of voices, all held together under the concept of a sacrifice ritual. "Sacrifices Chapitre II: Rituels sanglants" isn't a loose compilation, it's a fully composed work that takes the skits as seriously as the songs. "La vraie nature du sacrifice," "Mais où est la magie noire?," "Cercles sataniques," "Le rite du sacrifice" — the interludes carry the dramaturgy while the tracks themselves become the individual rituals. The name list reads like a cross-section of everything currently mattering in the French-language underground. Saï x Djar One x Dj Safe open with the title cut, followed by names including Rocé, Lucio Bukowski & Oster Lapwass, Grems, Mani Deïz, Ol'Kainry, Karlito, Hyacinthe, Mysa, Guezess, Jeune Mort, Parental, Secro Star. Producers rotate track by track: Madizm, OffMike, Linkrust, Kyo Itachi, Corben Wallace and many more. This could easily fall apart. That it doesn't comes down to Dj Safe as curator — the skit sequencing holds everything together like a thread through a dark room. What makes this special: it's not a PR compilation. Not a "Best of 2026" grab bag. It's a deliberate selection painting a picture of the French underground that outsiders can't get anywhere else in this concentrated form. Cover by Saï (Cezure Communication). If you want to explore the scene beyond the familiar names, this is the densest entry portal currently available. Impossible to absorb in one sitting — but designed exactly that way.

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Jae'zus "Back Alley Craps" [VIDEO]

"Back Alley Craps" doesn't need a long explanation. The title already does half the work. Dice in the alley, illegal bets, everything moves faster than it should. Jae'zus skips the big feature routine and lets the track ride on atmosphere. That's the appeal: craps is gambling, and in the alley you usually lose. When the metaphor carries itself, you don't have to spell it out — the image does the work.

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STARKER "UNTITLED" (feat. YL, prod. Lord Unknown) [VIDEO]

Sometimes calling a track "UNTITLED" is the right move. Not out of laziness, but because the sound speaks for itself. STARKER links with YL — one of the most distinctive New York MCs of recent years — and lets Lord Unknown produce, the same name that helped shape al.divino's "ICHIBAN VINO VOL. 1000." Kicky Steezy shoots and edits. "Big Brooklyn Big LTD Shit" sits large in the post, and that posture carries the record. This isn't an overproduced album single with a rollout plan — it's a moment between two MCs who know what they're doing, over a beat that knows where to sit. YL doesn't bring extra baggage, just real chemistry. That's why an untitled track is enough. If you want to know what it's about, you have to listen — not read the title.

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Da Great Deity Dah "To Take Hip-Hop Back PT2" [EP]

 

Da Great Deity Dah doesn't treat the title as an empty slogan. The second installment of a series that spells out its mission in the name — and the tracklist shows this isn't about nostalgia, it's about active movement. "Live from Beijing" with Nasty Ray opens, "Bogotá Freestyle" with Celtik and DJ Muf comes later. In between: remixes, collaborations, original cuts. This isn't a clean concept album with a unified production signature — more like a collection of moments showing how far the journey goes when you take hip-hop seriously as global practice instead of a local format. Chicos Son from Sons of Light appears on "Narcotics (Cocaine Cowboys RMX)," Sti6s Williams on "Refuse God." "Bless the Dead" gets a Korean Mix, "Redrum" an Xnoe Mix. Da Great Deity Dah builds a portrait from freestyles and remixes that feels more like a travel journal than a finished long-player. And that's exactly the point: taking hip-hop back doesn't mean winding it back to a specific era. It means carrying it to wherever it's needed.

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LOTMIX SHOW is BACK : LOTMIX SHOW - S8 Ep01 [Boombap Mixshow]

LOTMIX SHOW S8 Ep01 by Dj LOTMIX
feat BUSTA RHYMES | TERROR VAN POO ft RUSTE JUXX | NEJMA NEFERTITI | 38 SPESH | AGALLAH THE DON | NEMS | ROME STEETZ ft WESTSIDE GUNN | RAKIM x HUS KINGPIN more

Prod by SNOWGOONS | IM'PERETIV | VINNY IDOL | J DILLA &more

BROADCASTED WORLDWIDE over +65 radios

🇩🇪 🇺🇸 🇸🇰 🇫🇷 🇿🇦 🇬🇷 🇦🇺 🇨🇴 🇬🇧 

🇺🇸 KSHZ | GCR RADIO | BLAZE1RADIO | IGR MIAMI RADIO | THE RAW UNDERGROUND | WNRV1081/Nervedradio | WE ROCX R920 | STREET TAKEOVER | ON THE RISE RADIO | GROUND UP RADIO | LIVE SIDE RADIO | KAWON J MEDIA | 216 THE BEAT RADIO | QSM RADIO | DALLAH RADIO | HUSH Music Radio | DPS Radio | PUSO 82.3FM | BIG SHOT RADIO | KDUB RADIO | HUSH Music Radio | 168Radio | Dream Team Promo | Power904 Radio | THE HILLTOP RADIO SHOW | BLAZIN MICS FM | RICH RADIO BKNY | Urban REALITY Radio | LEGAL CRIME Radio | Radio JLR | BEATS LAB Radio | DCN COMPANY Radio | MEDIA MADE MUSIC Radio | DIS n DAT Radio | BREAKING TRACKS Radio | BUSHWICK Radio | WHN NY Radio | MIXAPE HEAD radio | MOTION 95 | Rebellion 91FM | MECCAH MALOH Radio | MY DETROIT HUSTLE Radio | 94.4FM JAMS VALDOSTA | INFINITE PLUG Radio | WBX 107.1 Radio | WE BLAZIN HIPHOP | LOUD LAB Radio | LLR OHIO Radio
🇫🇷 APOLLO RADIO | RADIO RAPTZ | STREET HITS WEBRADIO | MUSIC ADD ROUEN | BPM WEB TV | RADIO KLAN-D | PUNCH RADIO | VYBZ FM | STAYHIGH Radio | RADIO LASER | PUNCH Radio
🇩🇪 DIGITAL MEDIAVERSE | PELIONE Radio 
🇿🇦 UBUNTU FM HIPHOP
🇬🇧 INTERNATIONAL FLEET RADIO | LWR Radio
🇦🇺 KLR RADIO | TUNE1OZ
🇨🇴 WARRIOR FAM
🇬🇷 GHOST12 Radio | DREAM CITY Radio

The 17th Cipher, Rufus Sims & IAMGAWD "Supervillains (Deluxe)" [SINGLE]

 

The deluxe version of "Supervillains" brings two sides functioning like a classic A-side/B-side vinyl structure. Side A: "Supervillains" over six minutes, produced by Scripz The L.O.T, with Panamera P, Jae Haze, Vic Spencer and Philmore Greene featuring alongside Rufus Sims and IAMGAWD. Side B: "Welcome to Chicago" nearly five minutes, produced by True Cipher, with IAMGAWD, Rufus Sims, Panamera P and Ju Jilla. Vic Spencer, already covered with "Doin' Ya Thing," gives "Supervillains" additional weight his presence alongside Panamera P, Jae Haze and Philmore Greene shows how deep The 17th Cipher's Chicago network now runs. Both tracks clearly exceed the four-minute mark, which is necessary given six to seven voices per track, ensuring every rapper gets enough room. This is the consistent continuation of the Chicago strategy already visible through "CHICAGOSPEL," "Prolific Immortality" and the "Changes" video: The 17th Cipher systematically builds a network of Chicago-adjacent MCs strengthening each other through cross-features. "Supervillains (Deluxe)" is the densest manifestation of this approach so far two extended cyphers showing how much lyrical substance the city currently has to offer, beyond the drill-dominated outside perception.

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Recognize Ali x D-Styles "Bad Mon" [VIDEO]

D-Styles, as a Beat Junkies member, ranks among the most technically accomplished turntablists and producers on the West Coast. "Bad Mon" is the first single from Recognize Ali's upcoming album "ALL SHALL PERISH." Ali writes and performs, D-Styles produces and scratches. Vinyl available via Perpetual Stew, plus dedicated merch from Recognize Ali and digital downloads directly through D-Styles' Bandcamp. The album title "ALL SHALL PERISH" carries an apocalyptic weight fitting the known D-Styles sound conceptually dense, technically precise, never arbitrary. This combination of Recognize Ali's narrative power and D-Styles' Beat Junkies craft promises an album operating at a high level both lyrically and production-wise.

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Bad Lungz "Healing Collective" [VIDEO]

Following the single mention, the official video with full context is here now. The self-description is precise: "Raw truth from the concrete" a therapeutic breakdown through dusty loops, heavy atmosphere, and unvarnished lyricism. Bad Lungz turns scar tissue into art, delivering dark, sample-heavy boom bap for anyone carving a path out of the shadow. Bad Lungz writes, performs and produces himself complete self-control. Francisco A. Rodriguez mixes and masters, L & F Records as label. This confirms the initial impression from the bare single mention: "Healing Collective" is indeed conceived as a collective healing process, the title a deliberate program rather than arbitrary word choice.

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Blazy Green "sECOND hAND sMOKE" [EP]

 

Blazy Green, recently covered with "Los Antonios 2" and "Meet The Greens" (with Mad1ne), delivers a standalone album here. Eight tracks, production split between Who Cares (twice), Blazy Green himself (twice), Abibeats (once) and Ruler Why (three times). "Devine Lesson," "High Regards," "Night and Day," "No Compare," "Cant SEE me," "Back Again," "Tidal Wave," "Blood Pools" the titles move between self-reflection and hard imagery. The title "sECOND hAND sMOKE" with its unusual capitalization suggests a concept of collateral damage something you catch without being the source yourself. Ruler Why's triple production involvement shows how close this connection has become the same producer already appeared with Leo Jonez and other Wu-adjacent projects.

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OT The Real "All Bad" [VIDEO]

Following the "HEAT" single, "All Bad" arrives as the next video from the same album. Condido Verona directs, Nickel Plated produces. OT The Real stays true to his hard Philadelphia street perspective, for which he's known in the local underground. The title "All Bad" is a blunt state description no embellishment, direct statement.

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Mike Shabb "Mr. Triggerman!" [VIDEO]

Following "Reminisce!," "Mr. Triggerman!" arrives as another visual from Mike Shabb's "Sewaside 4." XTRM_MOOD directs the video. The title sets a more aggressive, direct self-presentation than the more introspective "Reminisce!" the triggerman role is explicitly claimed here, no hint, a clear statement: "I'm the Triggerman." The Montreal underground gets another chapter from an album apparently designed to show multiple different facets of Shabb's personality.

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Shaolin Munk Productions "Revizited II (Test)" [ALBUM]

 

"Revizited II (Test)" carries the "Test" designation right in the title a sign this might be a preliminary or working version before the final release. Ten tracks: "Tha Way It Iz," "Tremendous," "Eyez May Shine," "The Natural," "Duel Of The Iron Mic," "Beneath The Surface," "Dedicated," "Rock On," "Imagine Dat," "At All Costs." The name Shaolin Munk Productions clearly places the project in the Wu-Tang-adjacent production environment. Thonny Tru provides the artwork.

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UUuTANG x Crip Jesus x CHECC IN "DOOM-TANG" [VIDEO]

The title "DOOM-TANG" obviously combines MF DOOM and Wu-Tang into a new concept name. UUuTANG, Crip Jesus and CHECC IN release the album "DOOM-TANG," already available on Spotify. What's interesting about the post itself: it includes a promotional code for Dehancer color-grading software a sign of how much visual post-production has become part of underground artists' self-marketing, artists who simultaneously work as video editors.

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Killah Dilla "WORK" (prod. Frizzy Astro) [VIDEO]

Following "Bad Choices," "WORK" arrives as the next Killah Dilla track with Frizzy Astro, this time from the "Muckleberry Finn" project a title deliberately playing on Mark Twain's "Huckleberry Finn" while weaving in the name of producer/director "The Muckman." The title "WORK" is self-explanatory: labor as foundation, as proof, as what counts when nothing else does.

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Fubar x MagiCXbeats "No Savior Coming" [EP]

 

"No Savior Coming" is a seven-track concept album about what happens when you stop waiting for something outside of yourself to fix what's broken. Fubar examines different forms of false or incomplete salvation across the project, including religion and institutions, physical escape, emotional suppression, success, work, composure, and control, along with the damage that can remain underneath them. The album's central idea is simple: external rescue cannot substitute for internal confrontation and integration. That doesn't mean people, relationships, faith, art, or community can't help. It means none of them can do the internal work in your place. The album moves from betrayal and inherited trauma through buried anger, anxiety, and survival mechanisms before arriving at something less like perfect recovery and more like acceptance. "The Air Has Edges" features Eclyse already covered multiple times in the program with his own "Uncanny Phantasmagoria" album. MagiCXbeats supplies production, Fubar mixes and masters himself. Titles like "Ghosts in the Foundation," "Fire Under Snow," "Above It, Not Beyond It" and "Human Resources" show the thematic range between personal trauma work and institutional critique. Healing begins when you stop waiting to be rescued and start confronting, understanding, and integrating what you've been carrying all along.

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NorthSide Lord "ARETHA" [VIDEO]

NorthSide Lord, previously featured on Sky Soprano's "Its Offish," releases "ARETHA" as his own track. The title presumably references Aretha Franklin the Queen of Soul as an image for respect, voice and authority. Without further detail, the track stands as a self-contained visual statement further solidifying NorthSide Lord's position in the BSF-adjacent environment.

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Fewch & AV-8 "After Me?" [VIDEO]

"After Me?" poses an open question: what comes after me, who follows, what remains. AV-8 produces, Fewch raps, Xuriy shoots. The track comes from the joint album "Crooked Knights" a title already suggesting a broken, morally ambivalent chivalry. The question in the song title functions as a legacy thought: succession, responsibility, what remains when you yourself are gone.

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Six O'clock "Silver Lining" (feat. Julox) [SINGLE]

 

"Silver Lining" the classic English image of hope even in dark times. Six O'clock brings in Julox for this single. Without detailed producer credits, the track stands as a self-contained statement whose optimistic title already sets a clear emotional direction.

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Nickelus F "Sporting Life" [VIDEO]

Following "Trick Dice: Expanded Edition," "Sporting Life" arrives as a video from Nickelus F's album "Hardbody." The title invokes the classic phrase "sporting life" a life combining risk, gambling and street culture, a term with long tradition in American vernacular. Nickelus F stays true to his Richmond aesthetic: abstract imagery, dark humor, pop-cultural references that never feel merely decorative.

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Sky Lex x BhramaBull x Freeworld E "Night Terrors & Fiend Fever" [VIDEO]

The track "Night Terrors & Fiend Fever" was already in the program with Sky Lex and BhramaBull now the lineup expands with Freeworld E, and the video gets a professional directing team: Gryndfest Music Group in connection with Checkeout. BhramaBull continues producing, his dark late-night aesthetic remains the frame. With three voices instead of two, the track becomes a genuine cypher moment within the same dark sonic universe BhramaBull has built across multiple collaborations.

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Tha Trickaz "Cahier De Rimes Vol.1" [ALBUM]

 

"Cahier De Rimes" (Rhyme Notebook) describes the album as a collection moving track by track through different guests: Guezess on "Yujiro," Prince Fellaga on "33° Celsius," Ra-Fal on "Carter," FRS TAGA on "Black Rock," Og Brax on "Le 6 T'Aime," Obia Le Chef on "Rush Hour," WEARE on "12 Glocks," OKS on "Tengu," S.R.I. on "Attali," Kaiman L'Animal on "Découpe Les." Tha Trickaz composes, mixes and masters everything himself and also handles artwork and layout complete self-control over ten completely different collaborations. Buster Call Records as label. The title "Yujiro" presumably references the manga character from "Baki," "Tengu" points to Japanese mythology two more signs of how deeply pop-cultural and mythological references are anchored in the French-language underground. A single producer-MC bringing ten different guests under one coherent sonic roof shows real curatorial skill.

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Lethal Ferguson & Blaq Medici "Matar Con Bombas" [VIDEO]

"Matar Con Bombas" (Kill with Bombs) tells the story of how Pitfall Jorge became a legend taking on the devious Estevez brothers, whose influence spans from the Tijuana cartel to the heart of Mexico City. Nobody crosses Pitfall and lives to tell the tale. The track releases September 2, 2026 from the upcoming album "LEGEND OF PITFALL JORGE" by Lethal Ferguson & Blaq Medici, in connection with Maison de Funk. This is narco storytelling as ongoing saga, not standalone track Pitfall Jorge is explicitly established as a recurring figure whose legend grows across multiple songs. This narrative strategy echoes classic coke-rap concept albums but consistently shifts the geographic stage to Mexico and its cartel-shaped reality.

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THR Cru2 "AMENAZA" [VIDEO]

"AMENAZA" (threat) is the title THR Cru2 chose for their current push. The hashtag "Viva la X" in the post suggests a collective identity extending beyond the individual track X as a symbol standing for the entire crew. Without detailed producer or feature credits, focus stays on the group energy THR Cru2 carries as a unit.

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Sinister Kane "Nothing Left To Bury" [ALBUM]

 

Sinister Kane, one of Citizen Kane's numerous roles within the MHB universe, delivers "Nothing Left To Bury" as the character's densest work to date. Twenty positions, many of them short skits and interludes structuring the album like a fully composed audio-drama experience: "Are You Scared Yet?," "Black Silence Doctrine," "Severe Head," "Ear to Ear," "Dialogue," "Look Mom No Hands." Between these fragments sit the complete tracks "No Witness" and "Graves With Names Scratched Out" each featuring Cruella Deville, "Raise the Dead," "Room Stays Clean," "Ghost Chair." A hidden track "Still here when it Ends" and the final nine-second closer "Bury the Name......Never" show how much Kane plays with structure and timing not every element needs to be a complete song, some are pure atmosphere. CFK and Avalon Productions produce as usual. Within Kane's growing persona universe (Shadow Hawk, Black Belt Jones, Polo Black, Muerta), Sinister Kane might be the most consistent horror persona "Nothing Left To Bury" confirms that with its largest tracklist yet.

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Garcia Vega "Mr. Vegatron" [VIDEO]

The production details alone make the track interesting: shot on an iPhone 15 in Guaynabo, Puerto Rico, with a beat from Drayyard out of Belarus. That's a geographic distance that's become normal in today's underground beats travel across continents without anyone having to physically relocate. Garcia Vega writes himself. "Mr. Vegatron" as title suggests an exaggerated, almost mechanized self-presentation the name becomes machine, becomes brand, becomes character.

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Darko the Super "How To Play Basketball in the Rain and Not Get Wet" [VIDEO]

Darko the Super earns his name the rapper and producer from the experimental East Coast underground has built a reputation over years with dark, often apocalyptic subject matter. On "How To Play Basketball in the Rain and Not Get Wet" out everywhere October 20th, timed for the NBA season opener he shrinks that ocean of dread down to the puddles collecting on the local court. Instead of leaning into the surrounding horror, the album focuses on acceptance: learning to live with the shit-storms raining down upon us. The soundtrack matches that shift: eased funk-lifted soul, contorted in a fashion only Darko can pull off hypnotic buzzing bass and guitar licks, keeping everything stylish yet laid back and digestible. Not driving the lane, but lackadaisically rolling over to the rim. That's exactly the right frame for his reference-heavy, dizzying lines and Barry White-boy delivery, especially alongside collaborators Marcus Pinn and ialive. The ultimate basketball tribute to help you dribble across the bullshit.

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Bronze Nazareth & Kevlaar 7 "Elysian" [ALBUM]

 

Bronze Nazareth Wu extended family producer and MC, recently also featured on Cas Metah's "Bruce Wayne" takes exclusively the rap side here, while Kevlaar 7 handles the complete production. "Elysian" references the Elysium of Greek mythology that paradisiacal place for the blessed of the underworld, an image of peace after struggle. Thirteen tracks, framed by "Elysian Invocation" and "Elysian Benediction" with Sunez Allah invocation and benediction as bookends around the entire album. In between: Hollywood Dots on "Lupus," Salute Da Kidd on "Bad Boys '04" and "House of Legends," Lord Jessiah on "My Dead Brother Superhero," So7o on the track of the same name. "Adesanya" presumably references UFC champion Israel Adesanya, "All I Could Do (I'm Open 2)" points to and continues an earlier work, "Jacob's Ladder" picks up a biblical image of the stairway to heaven. Kevlaar 7 also Wu extended family, known from Wisemen and Kinetic 9 collaborations gives the album a unified, atmospheric production line. The combination of Greek mythology, biblical imagery and street narrative ("Bad Boys '04") shows the typical Wu extended family method: different knowledge systems aren't played against each other but fused into a shared cosmological language. For listeners following Bronze Nazareth's catalog, "Elysian" is another dense chapter in a body of work that has consistently mediated between spirituality and street reality for years.

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United Kingdom "UK/NY/BK" (feat. Timbo King, Holy Smokez, Dreddy Kruger & Hell Razah) [VIDEO]

United Kingdom was originally assembled in the late '90s/early 2000s and now returns under the curation of Shaka Amazulu The 7th with Timbo King, Hell Razah, Dreddy Kruger and Holy Smokez. The title "UK/NY/BK" connects the group United Kingdom with the country England and with New York/Brooklyn in one phrase a deliberate wordplay exploiting the geographic and nominal double meaning. Particularly notable: Dreddy Kruger's return to the microphone after a long time. The track is not from the already-completed forthcoming United Kingdom album, but instead serves as the first teaser for "Brotherhood of the Wulf III (Omega)" the final chapter of a trilogy. Saïd Kanoun directs, Shaka Amazulu The 7th produces the same curator overseeing the Reverend Willy Burke projects and the Black Knights of the Northstar series. For Wu extended family diggers, this is a historic event: a formation over two decades old actually reuniting, not as nostalgia gimmick but as an active chapter of an ongoing trilogy project.

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Bub Styles x Wino Willy "Concrete Conqueror" [ALBUM]

Following the ongoing "Outerwear Szn" series (currently part 6 with "New Duffels" feat. Crimeapple), Bub Styles builds a standalone album here with Wino Willy the same producer recently involved with doseone's "sighting." "Concrete Conqueror" promises a different focus than the clothing-centered Outerwear series: concrete as territory that must be conquered. Ten tracks as a full album format, entirely with a single producer a unified sonic vision rather than the rotating beatmaker lineup Bub Styles otherwise favors.

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Cas Metah "Bruce Wayne" (feat. D.V. Alias Khryst, Jerry Brown & Bronze Nazareth) [SINGLE]

 

"Bruce Wayne" uses the Batman figure as an image for the dual identity that shapes many street rap narratives the billionaire by day, the masked avenger by night. Cas Metah brings in D.V. Alias Khryst (who also features on Inspectah Deck's "Dragon's Breath"), Jerry Brown and Bronze Nazareth the latter one of the most prominent Wu extended family producers and MCs, whose own album "Elysian" also appears in this list. From the album "Genuine Art I Kill." SoulSeize supplies the beat, Seth Rock the artwork, Don Johnson mixes and masters, Cooley The Curator is executive producer. The configuration of D.V. Alias Khryst, Jerry Brown and Bronze Nazareth anchors the track deep in the Wu-Tang extended universe, while Cas Metah as central voice holds the different perspectives together.

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M.O.U.F ft. Bad Seed x Honey Dinero "Honey got a Bad Mouf" [SINGLE]

 

The title cleverly plays with the involved artist names: M.O.U.F, Bad Seed and Honey Dinero merge into "Honey got a Bad Mouf" a wordplay fitting all three participants into one sentence. Nam Nitty produces the same producer recently covered with Duck City Music feat. John Jiggs and his own "OUT DA MUDD." The self-description is blunt: "Real raw rap #Barz #barz #Barz." No claim beyond what the hashtag promises direct, unfiltered bars.

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M-Dot "All The Same" [VIDEO]

Following "A Notebook with No Light" and the feature "Different Look," "All The Same" arrives as another visual statement from M-Dot. The title suggests a disillusioned reckoning the observation that little changes beneath the surface no matter how circumstances shift. M-Dot remains one of the sharpest technical pens in the Boston underground and continues his active output rhythm.

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Hell Razah x 88 ULTRA "Cut from the Cloth" (feat. Raekwon & Your Old Droog) [SINGLE]

Following "The Flames" with Aceyalone, the next Hell Razah x 88 ULTRA single arrives, this time with an even heavier feature configuration: Raekwon and Your Old Droog. The title "Cut from the Cloth" points to shared origin and tradition. Raekwon as Wu-Tang icon immediately gives the track historical weight, while Your Old Droog as one of the most technically accomplished Brooklyn MCs of the last decade adds a younger but equally respected perspective. 88 ULTRA holds the production together. This combination Sunz of Man spirituality, Wu-Tang core and modern Brooklyn technique shows how permeable the generations have become in the New York underground. Not a pure legacy feature, but a genuine encounter between different eras of the same city.

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DJ Dysfunkshunal x $cąlpą, Nova, Syph & The Real Jak Frost "Came From A Long Way" [SINGLE]

 

DJ Dysfunkshunal produces a track gathering four MCs $cąlpą, Nova, Syph and The Real Jak Frost. Nearly five minutes runtime suggests an extended cypher format where each participant gets enough room for a complete verse. The title "Came From A Long Way" carries a classic underground narrative: the long road traveled to reach this point. 2026 noted as production year directly in the title.

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Leanah Cane feat. Bernadette Price "Love Me Like You Do" [VIDEO]

Leanah Cane, already covered with "City On Fire" and Terror Van Poo, brings in Bernadette Price for "Love Me Like You Do" from her album "Sample Gang 5." Bernadette Price whose album "Kissing the Ground for Sinners" was produced entirely by Stu Bangas, and whose connection to Sean Price's legacy shapes her music without defining it meets another strong female voice of the underground here. Sdee mixes. Two women who've both established themselves in the hard, male-dominated New York underground, on one shared track that's a statement in itself. The title "Love Me Like You Do" suggests a more emotional register than the harder Cane and Price tracks previously covered.

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Raz Fresco "Things We Do" (feat. Estee Nack) EP [EP]

Raz Fresco ranks among the most reliable names in the Canadian boom bap underground, with an extensive catalog and rotating producer partnerships. "Things We Do" with Estee Nack featuring brings together two geographically separate but stylistically related underground schools Nack's presence on Canadian projects again confirms his role as one of the most networked MCs in the scene, moving between US regions and international connections. Four tracks as EP format keep the project compact and focused.

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Lyrikill & EF Cuttin "Winners Win" [ALBUM]

 

EF Cuttin produces the complete album, Lyrikill mixes himself for Eupham Multimedia a clear two-person division of labor. Eleven tracks, from "Pocket Watchin" through "Ruins," "Talkin," "Easy" to "City Boys Up." The features are precisely placed: Lito the Gawd on "A Righteous Pimp," BE!NASTY! on "The Real," and as closer RJ Payne on "PayneKillers" a wordplay on Payne's own name, who's appeared multiple times recently in the program (including on Inspectah Deck's "Dragon's Breath" and his own EP "My Prediction Is Payne"). The title track "Winners Win" as second-to-last song sets a clear message: winning isn't luck, it's a consequence of posture. The one-producer format gives the album a unified sonic identity, while the three targeted guests bring different facets of the underground without diluting the core axis between Lyrikill and EF Cuttin.

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L.I.V "L.I.V 4" [ALBUM]

 

"It's been 7 years since we dropped the last album" L.I.V makes the return itself the subject, with a 23-track album that immediately justifies the wait: the next album will come much faster, they promise. The producer list is unusually wide: Barz Fury (who also mixes and masters and additionally appears multiple times as MC/producer), NAR, Spawn Zero, drmln1000, eyesluvsu, Dolce Vita, BeatmasterBoyce, Zicabitz, Bop Phrases, Big Shamu. Features from Gardfeez, Söze and GLUCO. Track titles like "Quiet Quitting," "ANOTHER DAY IN HELL," "Soul Calibur," "The Morgue" and "Battle Axe" show a range from contemporary work themes to gaming references and hard street metaphor. Two interludes ("Purpose," "Bang") structure the extensive format. Artwork by conora112. At 23 tracks and ten different producers, this is an album betting on diversity rather than a unified sonic image a deliberate counterpoint to the many one-producer albums currently defining the underground.

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Shabaam Sahdeeq x Es-K "Been there done that" [VIDEO]

"Been there done that" is the third visual offering from Shabaam Sahdeeq and Es-K off the album "Outside The Lines." Sahdeeq who recently featured on John Jiggs' "No Acetone" and comes from the Soundbombing/Lyricist Lounge era stays consistently productive. That a third video already follows from the same album shows a deliberate, staggered rollout strategy: not a one-time album drop, but continuous visual presence across multiple weeks.

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Horror City "Clap your Hands" [SINGLE]

"Clap your Hands" reads doubly in rap vocabulary: applause as celebration, but also slang for gunfire. Horror City uses that ambivalence for a single that stands as a self-contained statement without further detail. The artist name itself already sets a dark, horror-adjacent baseline mood that sharpens the title's double meaning further.

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Kama Kamakazi "Own Lane (RICO Remix)" feat. Daniel Son, Milano, Saipher Soze, Konrad Brzos, Agallah, Big Twins, Pro Dillinger [SINGLE]

 

This is a posse cut on a scale that's become rare. Kama Kamakazi, a Polish MC, assembles an impressive cast for the RICO remix of "Own Lane": Daniel Son, Milano Constantine, Saipher Soze, Konrad Brzos, Agallah The Don, Big Twins and Pro Dillinger. Seven minutes runtime are needed to fit that many voices. RICO produces, DJ Bulb and Soul Intellect supply scratches and cuts, Finest Sound Studio mixes and masters. That a Polish label Rappropaganda brings together such an internationally stacked East Coast lineup shows how globally networked the hard boom bap underground has become. Agallah and Big Twins bring New York street authority, Daniel Son cold Toronto precision, Milano Constantine and Saipher Soze further East Coast heavyweights. Paweł Duda handles graphics and video. Released 09.04.2026 via Rappropaganda Label. For collectors of international posse cuts, this is essential this configuration won't repeat itself easily.

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Hieroglyphics "The Way That It Be" [VIDEO]

Following the album release "All Said And Done," the official video for "The Way That It Be" arrives now. Casual, Pep Love and Tajai perform, A-Plus produces three of the nine Hieroglyphics members directly on the mic, a fourth on the boards. Bakari Pilgrim directs, Aaron Brown shoots and edits. The description emphasizes the coastal and city landscapes serving as backdrop cliffs, sweeping city overlooks, a deliberate connection between Hiero hip-hop energy and natural landscape. The full crew comprises A-Plus, Casual, Del the Funky Homosapien, Domino, DJ Toure, Opio, Pep Love, Phesto Dee and Tajai. That not all nine appear on this single track is normal for a collective this large "The Way That It Be" shows a core configuration from the album. The visual signature deliberately favors high-quality outdoor footage over studio performance clips, giving the track additional cinematic depth.

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JMorr UpOne "All Playas Go To Heaven" [EP]

"All Playas Go To Heaven" deliberately plays with the image of a heavenly outcome for figures who didn't always play by the rules in life a classic street rap inversion of expectation and redemption. Nine tracks, available without detailed producer or feature credits. JMorr UpOne builds a compact album statement that already carries moral ambivalence through the title alone: playas as flawed but ultimately human figures entitled to the same grace as everyone else.

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4-IZE "49th Birthday" [ALBUM]

 

Following the preview single "4Eva Chemicals," the complete album is here. Twelve tracks, half produced by D.R.U.G.S. Beats and half by K-Rec out of Canada. 4-IZE from Atlanta celebrates his 49th birthday at a time when hip-hop turns 53 and ageism in rap is a hot topic the album is his direct response. The features are notable: Xzibit and Bruiser Wolf on "Witness," Legendary Baller on "Ya Blind," AOS on "Freestyle On The Titanic," Dillon on "Dressed Up," Scar on "That's That BS." DJ Wickit supplies scratches. The album is described as "adult contemporary hip-hop" packed with fun-filled bars of wisdom and introspective, grown-man lyrics. Exactly what traditional rap fans have reportedly been looking for. The production split between D.R.U.G.S. Beats and K-Rec gives the album two clearly distinguishable sonic colors, while 4-IZE's verses were recorded at Mudnoc Studios the same place where mixing and mastering happened. Artwork by Mr. Soul. Executive produced by 4-IZE and Mudnoc, co-executive by K-Rec and Shauna Pina. This is an album positioning maturity not as weakness but as a standalone strength within the genre.

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CHUNG "Best Of Chung Mixtape Vol. 1" [ALBUM]

 

27 tracks is a serious format for a "best of" compilation. Chung, already covered multiple times with "Perdu In Peru 2," draws a wide arc through his catalog here. The feature list reads like a map of the networked underground: Mike Shabb (twice, also on "What's The 514"), Jimmie D, Kevin Nash on "Disappearing," Passport Rav on "All Of That," Flames Dot Malik on "Few Things," King Shadrock on "Chung Shui," Boy6lue on "Next To Pop," Uza and Santana Fox on "More Than A Lova," and as the peak Styles P on "1 2 3." A LOX member on a Chung compilation is a strong signal of the respect Chung has earned in the underground. Troy Dunnit appears on "Too Far," Obia Le Chef on "Le Plug." The titles show a bilingual, partly French-inflected aesthetic "Statut Du Reine," "Douce Amere" pointing toward Chung's connection to the Canadian (likely Montreal-adjacent) underground. As a retrospective on an extensive catalog, this mixtape is a solid entry point for listeners not yet fully familiar with Chung's work.

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