Wednesday, May 6, 2026
Vstylez x NaztyWrk "My Prime" [VIDEO]
Cookin Soul & Estee Nack "Telex Free Trap" (feat. Yung Beef) [VIDEO]
ANKHLEJOHN x V Don "No Specifics" [VIDEO]
Siberian Bear Suits (Charles Herron x Chuck Chan) "Siberian Bear Suits" [ALBUM]

Charles Herron and Chuck Chan have been building their collaborative identity through a series of singles and sessions before committing it fully to album form with Siberian Bear Suits. Chuck Chan's affiliation with the DITC.com infrastructure places this squarely within an extended lineage of crate-based New York underground hip-hop – his recent collaborative LP with Staten Island's Squeegie Oblong was released through Apple Dizzle and DITC.com, and his production approach reflects the dusty-drums-and-vocal-chops tradition that DITC built its reputation on. Herron provides the primary lyrical voice, and the interplay between the two creates the kind of mutual accountability that marks the best MC-producer partnerships. The CD bonus EP "The Gulag" extends the project with seven additional tracks for committed listeners. The cast of supporting voices – Kil Ripkin, Dynas aka The AlumNY, Boogz Tha Architect, General BackPain, among others – forms a tight underground network rather than a cameo parade, each voice adding weight without diluting the project's identity.
AZ "Uniqueness" [VIDEO]
Benny the Butcher & Fuego Base "Big Shirley" [VIDEO]
Rogue Gallery (Columbo Black) "Next 12 Summers" [ALBUM]

Columbo Black has been building a catalog of considerable density with minimal external attention, which is arguably how he prefers it. Born in Hollywood and raised in Compton, his work combines a West Coast sensibility with a lyrical approach that values precision, wit, and philosophical grounding over trap-era conventions. Next 12 Summers, at 52 tracks, is an ambitious statement of sustained creative output – each track averaging around 90 seconds to two minutes, the album functioning more like a collection of sharp portraits than a traditional long-player. His 2024 project Rouge Gallery (note the intentional spelling) demonstrated similar ambitions with a 33-track structure. The title's time horizon is the key statement: this is an artist thinking in cycles, not in singles. The Compton origin is audible throughout – a ground-level realism that doesn't romanticize its source but doesn't apologize for it either.
Nowaah The Flood "Iron Decree" [ALBUM]

Nowaah The Flood's output is, by any measurable standard, extraordinary: eleven studio albums in 2024 alone, each maintaining a specific identity while building on a larger thematic architecture that mixes street realism with biblical imagery and philosophical weight. Iron Decree, a nine-track project, demonstrates the depth of his production relationships – Stu Bangas, whose boom bap-forward approach has found a natural home in Flood's catalog through multiple prior collaborative albums, leads alongside The Mali Empire, who anchors three tracks here and brings a cinematic quality that complements Flood's storytelling. Names like The Custodian of Records, Circa 97, and Stinky J round out a roster of underground producers who have built real rapport with this MC over multiple projects. Flood's gift is for narrative specificity – he raps about people, events, and places with enough detail to make the world feel populated and real, without reducing it to cliché. Iron Decree operates in that same mode.
Lil Supa "Lince" / "Jungle" ft. Big Noyd [VIDEO]
Benny Watts & Fuego Base "Band Chasing" [VIDEO]
Wych Hazle x Watkinz Da General "Microphonology 2" [ALBUM]

Wych Hazle occupies a specific and largely unoccupied corner of underground hip-hop – a Tucson-based MC, fiction writer, and cultural visionary whose approach he has described as thematic avant-garde boom bap, and whose catalog refuses to repeat itself from project to project. His collaboration with North Carolina producer Watkinz Da General, who developed his craft in the Raleigh housing project environment before building out his Gift of Life Studios operation, traces back to the original Microphonology EP and the mixtape that followed. The sequel deepens the framework. Hazle's stated influences run from Rakim and Kool G Rap through Nas to Divine Styler – the last name is instructive, pointing toward the kind of left-of-field conceptual ambition that drives Microphonology 2 beyond genre convention. Watkinz's ASR-X production provides the sonic architecture: dense, textured, rooted in boom bap but not flattened by it. The Inspiration credit to Dr. James Allen and executive production under the BLKWIZFLIX banner signal that this is a complete creative ecosystem operating entirely outside the mainstream pipeline.
Bobby J From Rockaway "Ungrateful" ft. Haile Supreme (Prod. Statik Selektah) [VIDEO]
Myrts Son x Sean Wrekless "Day Trip 2026" [VIDEO]
UllNevaNo x Philth Spector "Stephon Barbury" [ALBUM]

UllNevaNo has been operating Baltimore's underground with quiet persistence for over a decade – his concept-driven catalog, which includes Kev Brown and Evidence instrumentals mixtapes and albums with producers like MANHE (Shammgod, 2018), has always prioritized craft over visibility. On Stephon Barbury, he connects with Dan Brightcliffe, better known as Philth Spector, a Philadelphia producer and co-founder of that city's Flip-A-Beat Club chapter whose methodology is rooted in meticulous crate archaeology – he has spent years working chronologically through the Philadelphia International Records catalog as a discipline in sample literacy. The alliance works because both parties share the same foundational principles: no shortcuts, no filler, drums that breathe and samples that ache. Lead single "Yellow Jackets," complete with surgical cuts from Maryland's own DJ IllMEASURED, channels the aggressive multi-MC energy of Wu-Tang's "Triumph" and frames UllNevaNo's position in the culture plainly – his time and pen come at a premium. "Flowers Given" operates on a different frequency, pulling the listener inward with a reflective look at Baltimore roots, old friendships, and the debts you carry from early days in the scene. The project title itself speaks a larger language: Stephon Marbury, like UllNevaNo, represents the kind of talent that operates on fundamentals when spectacle would have been easier. This album is eleven tracks of exactly that.
Mic Bles, Graffroots & Merge Beats "For The Culture" (feat. DJ Romes) [VIDEO]
Tuesday, May 5, 2026
LMNO x Digmanybeats "The Ghost Hunters" [ALBUM]
Black Silver x HardMoney "Fire and Ice" [SINGLE]
Jizzm High Definition x Chop Lui "Play That" (feat. DJ Izloh) [SINGLE]
Bernadette Price x Stu Bangas "Fvck You" (feat. Terror Van Poo) [VIDEO]
Mickey Blue "Villains For Hire" (feat. M-Dot, Celph Titled, Starvin B & Tone Spliff) [SINGLE]
TABLEEK x DJ RODDYROD “Black Jack” (feat. Boogie Field) [SINGLE]
B1 The Architect "To The Heavens" (feat. Roshin, 9th Uno. D-Sisive & DJ K-Flip) [SINGLE]
93Vintage "The FLY" [ALBUM]
Bill Sykes "Slime" [ALBUM]
Prefects & Black Dot "Joy and Pain" [ALBUM]
Xcelence, Ju Jilla, Rufus Sims & Purple Box Videos "Put That On EveryThing" [ALBUM]
Bloodblixing & Lync Lone "The Botanist (Gangsta Edition)" [ALBUM]
EL Maryacho "Planted Seeds II" [ALBUM]
Knowitall & Skip The Kid "Music Saved Me 3" [ALBUM]
HyroGlyphX "Swords By The Sphinx" [ALBUM]
MC Bravado "The Living Game (Transplants)" [ALBUM]
NOAH23 X FRESH KILS "MILLION DOLLAR DEAL" [SINGLE]
“Million Dollar Deal” is the lead single off Tuff Racket, the upcoming collaboration album by Canadian hip hop staples Noah23 & producer Fresh Kils. The track is reminiscent of Outkast with its electric guitar, bounce beat, and intelligent triplet flow. The 6/8 time signature also provides the single a unique feel to the flow. With its creativity and unmatched technical prowess, “Million Dollar Deal” proves how powerful a duo these two are. There’s no denying that the boys are coming out the gate extremely strong in preparation for their summer album release on Hand'Solo Records, and this is just the first salvo.
Written and performed by Noah23
Produced by Fresh Kils
Monday, May 4, 2026
MAD1NE x FLACKO "KINGS IGNITION" [EP]

Mad1ne has been working the underground since 1988 — a San Antonio MC whose catalog runs through collaborative pairings with producers across different regional aesthetics: The Architect out of Oakland on Madman Architecture, Ruler Why on Penzel Washington, and now Flacko on Kings Ignition. Three tracks, none crossing two minutes. The brevity isn't a concession — it reflects a veteran approach to the format: get in, deliver, exit. Flacko's production stays raw and unpolished in the best sense, keeping the instrumental skeletal so Mad1ne's bars carry the structural weight. Force Of Crazy, Mandoe, and Masked Bandits move with the controlled economy of an MC who doesn't need to explain himself at length. As the label copy puts it, an uncanny elixir — veteran lyricism over beats that don't ask for anything more than what they are. Kings Ignition adds another chapter to a career that refuses to slow down.
TWO TON HALO (UNKNOWN MIZERY & REX SESHUNZ) "AFTERLIFE" [VIDEO]
UNCANNY HATCHET MEN "KNIVES OUT" [ALBUM]

Knives Out functions less as a conventional album and more as a wide-ranging document of Uncanny Hatchet Men's material under Half Breed Productions — twenty-six tracks spanning originals, remixes, alternate mixes, and reworks. The inclusion of a 2026 Mix of Gone alongside older-vintage remixes suggests the project is designed to present the group's work across time rather than as a single cohesive moment. G-Six appears across multiple cuts, including Minority Report (Remix), Check It Out (Orphan Mix), and The Telegram (Agent Orange 2), suggesting a core collaboration at the heart of the project. Super Lyrical and BazilleDX round out the feature roster. A West Coast Mix of One, Two and the breadth of alternate versions across the tracklist indicate a group invested in the process of revision and reframing — the material is being shown from multiple production angles. At 26 tracks, Knives Out demands patience, but rewards listeners interested in the architecture behind the songs.
BULLET BRAK "THE CONNECTION (REMASTERED)" [ALBUM]

The Connection originated as a collaboration between Bullet Brak and producer Gus, built around flipped classic Greek samples and a roster of features drawn from Greece's hip-hop community — Taki Tsan, Constantine the G, Empne, Sadomas, and Supreme among them. The remaster reframes that original project for a current context. Brak's DMV roots inform a delivery that draws from East Coast hard-rhymes tradition — Big Pun and Noreaga are named influences — but the Greek sample source material gives the production a specific sonic palette distinct from standard boom-bap fare. Tracks like Flight To Athens, My Greek Customs, and Pita Barz make the cultural framing explicit rather than decorative. Brak has continued to build internationally — The Word Traveler (2025) pushed that global sensibility further — and the remaster positions The Connection as a foundation worth revisiting, with audio quality that matches the project's ambitions.
ILL GORDON "CLICK CLACKS" [VIDEO]
PRETTY BULLI & KIDD CALLED QUEST "REMEMBER" [SINGLE]

Pretty Bulli and Kidd Called Quest have built one of the more consistent artist-producer relationships in Upstate New York's underground — the Then & Now album in 2024 was a full demonstration of that chemistry, and their recent Ferocious collaboration with RJ Payne proved the formula travels beyond their home circuit. Remember scales that back to its essentials: just Bulli on the mic, tracing her own journey. Kidd Called Quest, whose production draws explicitly from the skills-first, no-gimmicks boom-bap tradition, keeps the instrumental grounded and focused. Mixed by Midnitebeatz. The single carries the same clarity that has made Pretty Bulli a name beyond the Buffalo city limits — direct delivery, no performance layer between the bars and the listener. A clean addition to an already cohesive catalog.
MONEY MOGLY "A LONE WXLF" [ALBUM]

Money Mogly stakes out his territory across nineteen tracks, turning A Lone Wxlf into a full accounting of the Miami underground perspective he operates from. The WvtchWxlvez crew ties the project together at its core — Wolfy appears on the opening cut and returns for $tory Time — but the album reaches well beyond internal network, pulling in Don Murda, Clyde Marley, Mr Beleaf, NoEmotion Goldmask, and DJ Exe$ across a wide cast. Production is pluralistic by design: Bailey Daniel handles the album's more emotional territory on Feel The $ame and the closing Thi$ I$ Not Goodbye, while shorter tracks like Rune$ and High Deaf keep the pace lean. The dollar-sign substitutions in the tracklist read less like a gimmick and more as part of a consistent aesthetic signature. A Lone Wxlf consolidates a lot of collaborative energy into a single solo statement.
STARZ COLEMAN "LARRY FISHBURN" [SINGLE]
A-F-R-O "A-F-R-O DILLA EP" [EP]

A-F-R-O has named J Dilla as a foundational influence for years — this EP makes that debt explicit and consequential: all proceeds go directly to the J Dilla Foundation. Seven tracks produced from Dilla's catalog, mixed by A-F-R-O, mastered by EKYM1536 for Dolomyte Sounds. The California MC brings the same syllabic density he has deployed since the R.A. The Rugged Man co-sign launched him into wider circulation, but here the context demands precision rather than showmanship — navigating Dilla's fluid, syncopated rhythms requires a different kind of pocket-sense than riding a standard boom-bap grid. Man 101 and Blue Steel hit and exit without overstaying; Love 2 da Fam and the sprawling Puddin' in da Proof closer open the format up. The charitable angle doesn't pad the material — it earns its own weight by keeping the project honest in scope.
SIXPENCE "ARCHANGEL" [EP]

ARCHANGEL arrives as Melbourne's Sixpence continues to establish himself as one of the more self-sufficient voices in the Australian underground. Every beat, every mix on this nine-track set is his own — no outside producers, no committee. The production carries a focused, atmospheric weight: drums that sit deliberate and purposeful, samples handled with restraint rather than spectacle. Caligula strips things to bare essentials at just over two minutes, while Ghost Dog and Taxes & Tombstones occupy the more expansive territory. Shantael Raphael's presence on Soliloquy of Dreams echoes her contribution to PORTRAITS, suggesting an ongoing creative dialogue rather than a one-off cameo. Mastering by Isaac Underwood adds a consistent sonic identity across the run. As a solo statement, ARCHANGEL shows an artist tightening his own frame.








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