“The Vandal” works because it understands the power of a title and doesn’t waste time arguing around it. A vandal leaves evidence, damage, intrusion, authorship through disruption — and the record carries exactly that posture. MMX gives Comet MadMen a production frame that feels rough-edged without becoming shapeless, and the track does what a strong album single should do: establish attitude, sharpen identity, and leave enough of the larger project still in shadow. As a piece from “MadMen Unknown,” it doesn’t over-explain itself. It marks territory and moves.
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