Naming your track after Rory Sparrow a guard who suited up across half of New York in the eighties without ever being a star tells you these writers love basketball history's footnotes. That deep-cut sensibility runs through the whole record: Miami's Shottie holds court, Tali Rodriguez (who also engineered) and Sankofa flank him, and all three stack hoops references like game tape. August Fanon supplies the right foundation menacing, spare, with that signature Fanon refusal of anything decorative. Jesse Reno painted the cover, vinyl exists. Rap for people who read basketball almanacs and liner notes with equal devotion.
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