A year ago, tall can was released from prison. At that time, the last music he had recorded with Christian Molenaar before his incarceration — "pilostyles wildflower" — was released. Now, one year later, "no toques las megarhyssa" arrives — his first album of entirely new material since release, again produced by Molenaar. The circumstances behind the album are remarkable. The final portion of his sentence was spent in a California fire camp, fighting the Palisades blaze — the news footage in the "land's end" video isn't stock material but actual documentation of his work there. He already released "Sky Burial Atop The Devil's Dancefloor" while incarcerated. "no toques las megarhyssa" grapples with fatherhood in a world whose future is uncertain, and the question of what can be done to shape that future. Fourteen tracks, dark, hypnotic beats, complex flow patterns. The epic-length closer "correct" is dedicated to those who dragged his name through the mud while he was locked up: "Most confusing days of my life / thinking I'm doing what's right." Snail Cage/Apollo's Crotch/420 Noize. An album whose biographical density makes it a rare artistic document.
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