Monsta Luther King releases visuals for his latest single “Walk
With Me” produced by Milton Garris (video shot by Ledoox2).
The Atlanta-based lyricist invites communities, brothers, and sisters to walk with him on a path of perseverance. There’s a reason why this King has a strong mind with third eye vision. He’s seen it all, lived through it, and most importantly survived. He’s now focused on building a legacy pushing all distractions to the side. You can either walk with him or get left behind. Watch the video and connect with Monsta Luther King below.
ATL’s own Cuudy Broun releases “Groovestick Benefits” produced
by Spittzwell and shot by Eink Signature. The single/video is taken from his
new album ‘Groovestick’ available now on digital platforms.
Simple and straight to the point over a blend of smooth yet groovy cadences…Cuudy Broun’s new grind comes with many schemes that will test his state of mind, however with ten toes forward he can’t be stopped. When he leaves the house it’s all about getting his money. Watch the video and connect with Cuudy Broun below.
JungleBaby is stirring up the pot in his new single/video “Off
the Floor” produced by Terex Productions (video shot by Ledoox2).
It’s no holds barred for this Atlanta lyrical bandit as he
goes in on industry rats. Over hard, gritty bass JungleBaby depicts the blatant
differences between himself and those rats, both in the streets and in the
industry. The cinematic vibe intensifies JungleBaby’s kingpin deliverance.
Stream/download the single here on preferred platforms and watch the video below.
R&B sensation J. Waiters and Hip Hop heavyweight John
Jigg$ unite for a chilling, air gasping video. “Walk
a Mile” is produced by Poetic Killa with video production by
Footprint the Movement.
While wearing a t-shirt that reads “get your knee off our
necks”, J. Waiters sets a gripping scene with raw emotion. The intro speaks
volumes of truth that pushes the underlying issue of not knowing what it is to
be a black man in America.
The duo describes their personal everyday struggles as well
as societal struggles. From racism and injustices to violence and murder, from
lack of support and children to educate, J. Waiters and John Jigg$ unleash a
compelling blend of vocals and lyricism hopeful to ignite a revolutionary
spark. How can you overcome life’s distressing genocides while living black?
Watch “Walk a Mile” and connect with J. Waiters below.
James
Jwaiters Monticue (facebook.com)
https://www.instagram.com/jwaitersmusic/
https://twitter.com/JWaitersMusic?s=09
“This song had to be made to become proactive in shaping our collective future, because the rebellion that happened on January 6, 2021, in Washington D.C. was the curtain being pulled back on race, lies, and darkness in America,” Speech explains. “It’s obvious that about half of America is living in a fictitious bubble and are responding accordingly. That’s why I wanted to share facts about the lawlessness and hypocrisy that was occurring. We may be at the start of another Civil war and a lot of bloodshed.” -SPEECH
Atlanta, GA…Like millions of other Americans, Grammy Award-winning artist
Speech of the legendary Afro-centric Hip Hop group Arrested Development watched
in horror as a swath of die-hard Trump loyalists stormed the U.S. Capitol
building in Washington D.C. As the dedicated MC he is, Speech put the pen to
paper and spit out the single “A Different World,” an anthemic call-to-action
that both preserve his artistic integrity and passion for socio-political
issues.
“On the night of the terrorist attack that already killed five people, I did a YouTube post, I posted various things on social media, but none of it seemed adequate, especially from a music documentation perspective,” he said of the song’s evolution. “So, I went into the studio, pulled out my Beat Thang, sampler, etc. The jazz/boom bap energy for this song was intentional, meant to be a throwback energy from the ‘90s-type approach. In my opinion, those sensibilities lend themselves to reflection, grooves, and hope, while still showing the urgency of this moment. I also purposely rhymed with a higher pitch, cuz I wanted my emotions of helplessness, rage but also engagement to come through.” -SPEECH
