Ten tracks, two New York originals: Nems, the Coney Island bulldozer with the "Gorilla" ethos, and Ron Browz, the Harlem producer whose catalog carries two of the heaviest credits in New York history – Nas' "Ether" and Big L's "Ebonics". The "TOO" in the title marks this as a sequel – meaning the chemistry between these two is already proven. The compact ten-track format points toward compression over sprawl: Nems' bully energy works best with nothing standing between the punches.
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