International/national Hip Hop artist Rhyme Assassin releases the official video for "Be Mighty." The record features stic.man (Dead Prez), UK singer Wayne Gidden, and production by Deep Voice. The video captures an emotive vocal and lyrical performance that testifies on the importance of rising above, overcoming fears, and choosing power over pity. Smooth bass and guital strumming both resonate and amplify the message.
Prepare for a bold, bone-chilling, hair-raising
revolution!
How does one stay humble while struggling in the jungle? Reggae artist Scepta and BK's Skanks The Rap Martyr embody the how in the new single/video "Juggling." A captivating blend of reggae, soul, and classic NY bass heightens the lyrical tale. Shot in the streets of BK, the video captures being rushed by corrupt cops and government. Watch "Juggling" and connect with the duo below.
Esteemed underground Hip Hop duo Slik Jack and Vincent Pryce release their new collaborative album through 100Mad and 187er Records. 'The Pryce You Pay' serves as a follow-up to their 2025 album 'Everyone's Gotta Pryce', which took the boom-bap scene by storm.
Pryce stirs up a gritty, yet cinematic
backdrop looped with dusty soul, rock, and jazz chops. Jack spews cut-throat bars and razor-sharp wordplay. The duo’s unmatched, raw energy is sure to leave a lasting impression.
'The Pryce You Pay’ features Grea8Gawd, Estee
Nack, Pro Dillinger, Bub Styles, Daniel Son, Troy Dunnit, Mondo Slade, Nicholas
Craven, and cuts by DJ Kutkaper. Stream below and watch the accompanying videos.
Track List
01. Grand Opening
02. KRS Gun
03. Katch Me If You Kan feat. Bub Styles & Daniel Son
Ron Karona releases visuals for “Graveyard Dogs,” taken from
the album ‘Life or Death’ (produced by Antagonist Dragonspit). Distinct arrangements
blended with classic head-nodding bass and church-like memorial service melodies
set the stage. The record exudes a slight morbid vibe laced with personal truths,
yet an empowering hook captivates at the same time. Watch “Graveyard Dogs”
below.
Vetted Harlem rapper Money Stacks releases the official video for "Cold Dayz" taken from his new album 'Back To Da Streets 7.' The video shows Stacks spitting tight bars on a classic, drop-down mic. He conveys topics of the dope game, street steam, his skill set, and more through his signature, NY-style storytelling. Watch "Cold Dayz" and connect with Money Stacks below.
Esteemed West Coast rapper Fase 1 blends gritty storytelling and lyricism to depict his journey of struggles and triumphs in his new single "Addicted." The visuals directed by ChopTheChef mirror Fase 1's raw passion and authenticity, with no sugar coating. Watch "Addicted" and connect with Fase 1 below.
Tre-Dot, an established Adult Contemporary Hip Hop Artist/Entrepreneur delivers a boom bap serenade in his latest single/video "Love Story." Produced by Skii Sharp, the record is off Tre-Dot's upcoming EP 'Love Makes A Difference.'
Tre-Dot captures old school love by way of catchy rhymes and lyrical memoirs. He wears his heart on his sleeve while professing his love and mentioning mistake made along the way. Cinematic drums enhance his emotive performance, which awakens the senses. Is Tre-Dot's serenade to Hip Hop or a past love...audiences will decide. Watch the video and connect below.
Saint Soprano, MC & CEO of Black Forbes Entertainment presents his new video produced by DJ Cash (EPMD Manager). "What's That Aroma" embodies Soprano's role as chef, producing nothing but Grade A product; whether he's cooking up on the stove or cooking up in the lab.
Soprano mixes a superb blend of slick metaphors and gritty storytelling to stir the pot and leave a lasting impression. Press play for an emotive performance by the Pot Whisperer and vote for his several award nominations below.
Allentown, PA indie artist Mac Vill releases visuals for "Portside" taken from his new project 'Arted Mental.' Pilotkid offers a soulful backdrop with smooth soundscapes that encompass Mac's lyrical bout. Simply put, with no hook needed, Mac is geared up to leave the city and make a name for himself in the industry. Almost four minutes of confident spitting flows over a picture-perfect fall scene that transitions into city lights. Watch "Portside" and connect with Mac Vill below.
Money Stacks, esteemed rapper from NY, grinds on his "Harlem Shit." The video/single is taken from his new album "HU$TLA 2" out now on all streaming platforms. Stacks' delivers a gritty lyrical performance that solidifies his earned respect on the mic. He's no amateur to the game and not leaving anytime soon, “I’m on that Harlem sh*t f*ck what n*ggas thought I’m on that Harlem sh*t that’s how ya feel yeah I’m on that Harlem sh*t, big money in the trunk on that Harlem sh*t.” Watch the official video and connect below.
West Coast emcee/producer duo Mitchy Slick and Sir Veterano release the official video for "Gettin Money." The single follows the heels of their hit "Dago Nights." Funky melodies and hard basslines steer Mitchy's raw performance. His street-certified bars both intimidate and resonate. Watch the video and connect below.
Hip Hop artist/producer B.Dvine drops the official video for "We Spin" taken from his new 'Louvre Magnate' album, out now on all platforms. The Strong Island music vet takes audiences back to 2004 at a local record shop where he swept floors and rung up vinyl junkies. His storytelling flows over a hypnotic blend of jazz, soul, and boom bap melodies. Throughout the record, B.Dvine pays homage to Hip Hop legends who paved the way for him and paints a lyrical timeline of when it all started for him. Watch "We Spin" and connect below.
Jersey City, NJ acclaimed rapper Omen44 recruits Boot Camp Clik members Smif-N-Wessun, Rockness Monsta, and Ruste Juxx for his new single and video "The Package" with production by DJ Munari, Prawduk. The video features an appearance by Bernadette Price, wife to the late great Sean P.
Over boom-bap arrangements, Omen44 delivers visual storytelling that cross cultural boundaries, "I'm a joke bad joke that's a black
joke been in the black market making dough no joke bro I don't do
blanco no swine go ham like a blow." Following his impactful verse, Smif-N-Wessun drop matter of fact lyricism that depicts their continued influence on Hip Hop. Audiences are sure to embrace live DJ scratches, authentic bars, and graffiti murals which push the essence of Hip Hop back to the forefront. Watch "The Package" and connect below.
Mr. Scratch Hook, an esteemed DJ and producer representing the east coast, announces the release of his full-length album 'The Book of Mr. Scratch Hook.' The 13-track project includes guest features from Sadat X, Chris Rivers, Thirstin Howl The 3rd, King Magnetic, Mikey-D, DJ Heron, Shabaam Sahdeeq, Mic Mountain, and more Hip Hop vets, with the accompanied animated video "Droppin Bombs." Mr. Scratch Hook also known as DJ E.Rex, shows off an unparallel ability to provide listeners with a refreshing blend of boom bap cadencies, gritty tropes, and reminiscent NY bass and drums...This one is strictly for Hip Hop heads.
Watch the animated video for the lead single “Droppin Bombs”
Featuring Sadat X and Mic Mountain
In the video, audiences will become hypnotized by vibrant animation and emotive, lyrical verses that show and prove why the duo is unstoppable. "droppin bombs, keepin it raw" captures the premise of the record and is heightened by distinct arrangements and melodies.
{ALL PEOPLE CAN BE FOLLOWED VIA INSTAGRAM BY CLICKING ON THEIR NAMES}
"This joint is an instant classic 👌🏾and one of the hottest songs out this year."
says (Influence Getem), as he thanks the 2 awesome brother's of the same mother for the cameo. This more than phenomenal staple in time will be remembered for years to come, and is also one of several from the 2 brothers. All of their duos are incredible, namely the tribute to Smooth tha Hustler & Trigger the Gambler's "Broken Language" classic from the 90's.
Capital X, a 30+ years Hip Hop artist & producer, presents the official video for "Truth Be Told." The track serves as the first release from his upcoming 'Just Beats & Rhymes' album. In the in-depth interview below, X discusses his use of lyricism and storytelling to expose harsh truths, Hip Hop in the States versus overseas, his role as an activist, his upcoming album, and more.
MJ: When people hear the name Capital X there’s
a lot that comes to mind and resonates, from Hip Hop culture
to activism. Your career began in the late 70s and the
early 80s first as a breaker and then as MC. Talk about your entrance into Hip
Hop and your transition from breaker to MC.
X: Though I was from New York, I was actually
first introduced to what would become the culture of Hip Hop in Patillas,
Puerto Rico in 1977. I was visiting family and my cousin Flex was a member of
the Dynamite Kids, an Outlaw Rockin crew. I instantly fell in love with
everything about it. I get an adrenaline rush all over again just thinking
about it. Upon returning home to NY, I sought anyone that was into
Up-Rockin. I ended up getting down with the SepaRock City Crew. SepaRock was a
collective of MCs, DJs, and B-Boys in the South Bronx. They were all originally
from the West Indies. So I not only found a crew to throw down with, but I also
got to be around MCs and DJs doing their thing. I was also instantly drawn
towards the mic, but I loved Rockin so much, I stuck with it. We started
working on routines that we would perform locally and we also battled whoever
wanted it. I kept dancing till 1982/83. The last few years I was break dancing.
I started writing rhymes on the DL. I just pretty much naturally evolved. The
mic had a gravitational pull on me. I made my first professional demo as an MC
in 1983/84 while I was in California. I was out there breaking and the
opportunity presented itself. From that moment forward I considered myself
retired from break dancing. I divorced the floor and married the mic.
MJ: You are originally from Brooklyn, NY but
moved to Norway back in 2010. How is the Hip Hop scene overseas? How
does it differ from here in the States? Also, talk about
that major crossover and the decision that led up to it.
X: I was very fortunate to have started touring
in Europe around 2005. I was shocked at the Hip Hop scene out here. I
felt that the states being so oversaturated took the culture for granted
compared to Europe. In Europe, they appreciated every aspect of the culture
where everyone and their brother was out to be a rapper in the US and
everything else kind of got ignored. In Europe, they pay homage to the pioneers
and just have so much respect for the foundation that Hip Hop was built. France
and Italy had the best scenes in my opinion with Germany following close.
Touring through Italy and France felt like I was living Hip Hop in New York in
the 80s all over again. I eventually made my way to Scandinavia. I first rocked
in Denmark which also has a dope scene, then I got booked in Norway. There
was and still is something about Norway that just does it for me. Though the
Hip Hop scene in Norway falls short compared to other European
countries in my opinion, I fell in love with the
peaceful atmosphere and chill people. Coming from the hectic
background I was used to, Norway felt like I found paradise on earth. I
remember telling the promoter that booked me as I looked over a fjord for the
first time in my life, that if I lived in a place like this, I would become
Gandhi-like in no time. The opportunity presented itself for me to move to
Norway and it was a no-brainer. I was tired of the killing in the US on the
streets and by the states themselves. I was tired of being preyed upon by law
enforcement agencies. The stress was killing me for sure. Norway remedied all
that, and it healed many of the battle wounds I had sustained throughout my
lifetime.
MJ: You wear many hats as an MC, recording
artist, producer, graphic designer, and videographer, as well as CEO of your indie label. What are some challenges, if any, that come with being a
one-man army? What are the wins?
X: Great question. I love my freedom. Freedom
definitely comes at a high price though. The biggest challenge of being a
one-man army as you put it is time management. There just never seems to be
enough time in a day. I of course get/seek out help from time to time to
lighten the load but for the most part, I enjoy being independent. You have to
be good at rolling solo. Years spent in solitary confinement prepared me well
for that. The wins are first of all the freedom. Answering to no one but
yourself. Taking on all these different aspects truly hones one’s craft of
being a creator which is also a win. Not owing anyone anything is another huge
win. I remember signing my first deal back in the day. My crew all believed we
had made it when we got that check. I felt that yoke being locked around my
neck. For me, having less is actually having a lot more. I am not a commodity
anymore to anyone. Being this independent allows me to be a true creator. That
is the overall win for me.
MJ: Outside of music you are an activist, which
stemmed from your time in prison. During that time you lost out on
some major music deals. Upon your release, you went full throttle
into creating a lengthy music catalog including 2 albums, an EP, 20
singles, and 17 videos. Talk about the moment of empowerment you thrived on
fresh out of the gates, versus giving up on your career.
X: Though there was a time when I hoped to “make
it” I never really looked at what I do as a career. For me, this is a way of
life. Of course, getting paid to do what one loves is the ultimate goal for
many artists. But getting paid or not I love what I do. Not living Hip Hop was
never an option for me. During my last prison bid, I worked hard on
myself. I transformed myself into who I am today. I was inspired and motivated
by Malcolm X and how he transformed himself. I was so obsessed with the life of
Malcolm X for many years. Cats started calling me X while I was on Rikers
Island and I ran with it. I did look to get signed again when I first got out
from my last bid but as a solo artist. That was in 2002. I was quickly reminded
of how shady the industry is. I was spitting conscious lyrics and
they offered me a deal if I would rather write gangsta raps. I wasn’t about to
compromise myself so I walked. Meeting rappers such as Slug of Atmosphere,
Ill Bill, and Immortal Technique motivated me to be an independent artist. I
started out well, but relocating to Norway leveled me off for some years. Now
that I have my feet firmly planted, things are once again starting to pick up.
But I never stopped being/living Hip Hop no matter what.
MJ: This leads us to your new
single/video “Truth Be Told” which is taken from your
forthcoming album ‘Just Beats & Rhymes.’ You hold no punches when
it comes to exposing harsh truths on how Social Media brainwashes and turns
humans into robots, attacking capital punishment, calling out rappers who use
their music to glorify violence, drugs, and street life, and you even, so
boldly, exploit the music industry…Take us through the journey of “Truth Be
Told” from the thought to creation, to production, to the final canvas, and to
what audiences can expect to take away from the video.
X: When I get on a mic I feel I need to be
saying something. One of my biggest influences when it comes to being an MC is
Melle Mel. Melle Mel’s verses back in the day hit me so hard, that I can still
feel the impact. I can’t rhyme just to be rhyming. There are plenty of lyrical
acrobats out there that are way better at doing that than I ever will be. But
there aren’t many slanging truths. I always loved the MCs that challenged my
mind with what they were saying. Kool Moe Dee, KRS ONE, Rakim, Wise
Intelligent, Chuck D, Guru they made me want to seek knowledge and I did, and
still do. What better way to share knowledge and wisdom than in a rhyme? I once
lived blindly and I see multitudes of people living that way today and it’s
painful to watch. The microphone is where I speak the truth, you can take it or
leave it. During the pandemic, I got back into production. I had toyed around
with production back in the day. I actually sold my E-mu SP-1200 to help me
move to Norway. After producing a few tracks for the legendary Lifers Group
which is now out and doing their thing, I decided to self-produce an
entire album for myself. Truth be Told was one of the first tracks
that came to me. I love that you said I “boldly, exploit the music industry”.
That’s how it should be, and not the other way around. With so much information
out there I find it hard to believe how many artists are still willing to sign
deals. To be owned. The demise of so many rappers in the last few years was
definitely a motivating factor behind the track. I have also kind of grown
tired of hearing the coke and gun bars as well. I lived that life for real and
paid dearly for it. Our communities are nearly looking like when the crack
epidemic hit back when and I feel as though as artists we can be doing better.
Aside from what I have spent on equipment which isn’t much honestly, the
recording, release, and video for Truth be Told didn’t cost me a
dime. I want artists to know that. I shot the video using my old
Samsung Galaxy S9+. I edited it in an outdated version of Adobe Premiere Pro
that I jacked from a friend like 15 years ago. Making something from nothing is
what Hip Hop is all about. That’s what it was in the beginning and should still
be, not no million-dollar budgets. I hope that one person is moved by what I am
saying enough to take action at least in their own lives. If I move one person,
I am good.
MJ: Some might consider the video to be
controversial, some might consider the video difficult to digest, some might
want to sweep it under the rug, and for some, it might open eyes. What do you
think about the adverse reactions you might receive?
X: I am used to adverse reactions to all the
music I put out. For well over a decade I only spoke about the death penalty,
the prison industrial complex, and the crooked criminal justice system. I got
more hate mail than fan mail and more death threats than I could count on my
fingers and toes. Either way, it goes, I provoke thought and spark up dialogue.
I’m good with that. I think it was Plato that said “No one is more hated than
he who speaks the truth”. I believe our history reflects that. The bottom line
is I would rather be hated and despised for speaking the truth than be loved
for spreading lies.
MJ: Does “Truth Be Told” set the tone or theme
for the upcoming self-produced album ‘Just Beats & Rhymes?’
X: Actually it doesn’t. Though there are other
tracks that sit well next to Truth be Told, “Just Beats & Rhymes” goes in a
few different directions. A few tracks are older rhymes I dug up and felt they
still deserved to be heard as they are still very much so relevant. So I
created beats for them. The newer rhymes are definitely more about current
social issues and topics. I also have a couple that touches upon my personal
growth coming into Knowledge of Self. There are even a couple of tracks where I
am just having fun with it. But you will still find a gem within those tracks.
Overall the album is just what it says it is, Just Beats & Rhymes. No
collaborations, no fancy production. I even went as far as using no vocal
effects on nearly all the tracks. It’s just straight-up dry vocals not even a
hint of reverb. Just Beats & Rhymes will drop later this year.
MJ: As a vetted artist living his life true to
the culture, elements, and essence of Hip Hop for over decades, what are two
essential gems you can share with the newer generation of Hip Hop?
X: Two gems I would drop here is one: learn the
history of Hip Hop. Embrace the roots of this culture we all love so much.
Without roots, there will be no real growth. Knowing the true history of Hip
Hop is empowering to say the least. Secondly: be yourself. If you have yet to
learn who you truly are, work on that, and find out. Dig deep till you reach
the real you. Those in our culture that are now in their late 40s, 50s, and 60s
are still active, is because they are true to themselves. They are the ones to
look up to. It’s not about who has the biggest bank account trust me.
MJ: Is there anything else you would like to
share with the world?
X: In closing, I would like to say I love this
culture of ours. It has given me everything I lacked coming up. It gave me a
history, an identity, a purpose, and a reason to live. I don’t have a mansion
or fancy cars. I am far from being rich, but because of Hip Hop, I am as
wealthy as they come. I don’t have multitudes of fans, but I have some real
die-hard supporters and I love every one of them. By society’s standards, I
ain’t shit, never was and never will be. But “Truth be Told” I have lived Hip
Hop for over four decades. To me, in “My World”, I am a huge success. Never
allow others to define who you are, are what your success is, or should be.
Peace be unto you all.
North Shore Massachusetts native and conscious lyricist J. Vybe announces the release of his new video "Thoughts Are Things." The video shows J. Vybe in his element rhyming and dropping thought-provoking gems while he's strolling on the beach and on the boulevard. Natural arrangements blended with moody keys and striking drums sway during his emotive performance. Minutes of inspiration and empowerment mesmerize as J.Vybe reminds us to speak our truths into existence, no matter what obstacles we may endure or no matter how the chips may fall. For him, one thing is certain, “No weapon against me shall prosper.” Watch "Thoughts Are Things" and connect with the rising artist below.
NY's Jus-P drops "Foul Language" video from his new, critically acclaimed album 'Black Canvas.' Over a distinguished backdrop laced with East Coast bass and drums, Jus-P delivers minutes of intimidating bars while rocking Polo gear. His lyrical declaration is aimed at soft, weak folks who try to make moves on his path. However, he makes it more than known that his jab and hook, whether he's on or off the mic, hits differently. A catchy hook echoes and solidifies his message. Watch "Foul Language" below.
HaveTo flows over a catchy fusion of funk, soul, and boom bap in his new video "Gospel Game" produced by McG. In the video we see HaveTo showing off his pimpin, mack of the year status. He's surrounded by eye-appealing women, bottles, and of course stacks of money. After pressing play it's fair to say that HaveTo is blessed with game. Watch "Gospel Game" and connect below.
Snooze Daily recruits Rhyrmrcka and JalishaSings for his latest video "Beast and Wolverine." The single produced by Fantom of the Beat (Haas G of The UMCs) is presented by WhoMag? and Fantomusic.
A red warning message instantly pops up when the video starts, proclaiming what's to come for Hip Hop in the year 2250. Audiences then see Snooze and Rhymrcka in lab coats conjuring up lyrical bombs to annihilate that warning. Their intense bars flow over a NY-influenced backdrop with heavy basslines. To ease the destruction, JalishaSings offers a smooth, melodic hook. Watch the official video for "Beast and Wolverine" below.
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