NY rapper Kendu 718 and Back Block Music Group LLC announce the release of his new single "Gritty." Produced by Juxx Diamondz, the record hits with true NY flavor; aggressive and intimidating. Although his message is simple, he's writing bars and putting out heat, his signature blend of lyricism and storytelling looped with slick metaphors annihilates. Get to know Kendu 718 below and stream "Gritty."
MJ: Before we jump into your new single
"Gritty," take a moment to let the world know who Kendu 718 is.
Kendu 718: Kendu 718 is someone who really lives what he talks about. I
come from the pain of the ghetto—both my mother and father struggled with drug
addiction, and growing up, all I saw was crime, poverty, and hardship. That was
my environment. But through God’s grace, I was able to change my life. I left
the streets behind 17 years ago, and I’ve been clean and abstinent from drugs
and alcohol ever since.
MJ: When I think of gritty New York Hip Hop, you fit
the mark. Define your lane in Hip Hop.
Kendu 718: I’m part of the culture, this isn’t something I picked up,
it’s something I’ve lived. Hip-hop is a lifestyle, not just something you do in
the studio. I’m not chasing trends or trying to fit into what’s popular. I
represent authenticity, experience, and real New York energy. I’ve been doing
this for years, and my lane is staying true to the essence of the culture.
MJ: Let’s talk about the new single
"Gritty." What can listeners expect once they hit play?
Kendu 718: The truth. Straight up. Real-life stories that reflect what
I’ve been through and what I’ve seen in the streets. It’s raw, it’s honest, and
it shows survival. When you hit play, you’re stepping into reality—no gimmicks,
no filters. “Gritty” is my story. It’s everything I lived and everything I
witnessed. But more importantly, it’s a message—just because we come from
struggle doesn’t mean we have to stay there. We can grow, change, and build
responsible, productive lives.
MJ: How did you link up with Juxx Diamondz and Back
Block Music Group LLC?
Kendu 718: That connection goes back. I met Juxx
through a mutual friend—rest in peace to the OG Benny Hill from Harlem, who
managed both of us around 2011–2012. That foundation built real chemistry, and
from there, everything developed naturally.
MJ: Can audiences anticipate a visual to
"Gritty?"
Kendu 718: Definitely. Me and Juxx Diamondz are
currently putting the treatment together now. The visual is going to match the
energy of the track—raw, authentic, and true to the story.
MJ: What is next for Kendu 718? What are you
currently working on?
Kendu 718: Right now, I’m working on my EP
titled From God’s Mouth to Y’all Ears: The Sermon. It’s produced by myself
and Juxx Diamondz, with additional production from SaulyOBeats, SkullzAngels,
and my guy Dreadful Krueger. Everybody brought heat to the project. We also
have some dope features on it.
MJ: Give audiences a little more insight into the
sound and movement behind the project.
Kendu 718: We’re putting this out independently through Back Block Music
Group, with distribution through Roc Nation. The project is a combination of
strong lyricism, real-life storytelling, and powerful features. We represent
that golden era sound—we’re keeping that foundation alive. And we’re always
boots on the ground, staying connected to the people and the culture.
MJ: Let everyone know where they can find your music
and stay connected.
Kendu 718: You can find my music on all digital streaming platforms.
Follow me @Kendu_718 on Instagram to stay locked in. This is just the
beginning—it’s going to be a hot summer. Peace.
Chuck Platinum, a critically acclaimed, and mutli-award-winning producer, DJ, and Hip Hop artist ends the year with a new single. "Goodbye '25" closes a chapter and opens a new one for Chuck. Tap in below for more on the record, its resonating power, and what fans can expect from Chuck in 2026!
MJ: Let's dive right into the new single, "Goodbye ‘25."
This track exhilarates smooth, laid-back melodies. But it hits with a distinct
message. Talk about the importance of that message.
Chuck: The message has many layers to it. One is saying
goodbye to the year, which is the obvious one, but it’s also symbolizing
goodbye to the old me, goodbye to everything that I was going through, goodbye
to anything that’s not aligned with my purpose which explains the cover of the
mold being broken. There’s a lot of changes happening behind the scenes.
MJ: As an artist, producer, DJ, and radio personality, how
did 2025 add to your accolades and was that tied into the new record?
Chuck: This year was all about progression and quiet
branding and rebranding and restructure. I didn’t really perform this year, but
I did release 3 projects and a single, so I just focused on being present with
the music while structuring my label Ayanna Records to infiltrate in 2026. I
don’t think it was tied to this record, but after I started writing it, it gave
it a new purpose.
MJ: Your lyrical flow on this record resonates and exudes a
spoken word vibe. Share your secret for being consistently
versatile.
Chuck: At this point in my rap career, I don’t have much to
say so it’s more of me talking to you than rapping to you. My bars have always
been simple yet with double entendres and metaphors, but I proved my validity
as a rapper I been doing it over 30 years. This next chapter in my rap bag is
conversation and truth not just rapping to be rapping. I’m moving more into the
business side of things, but I still must feed the fans.
MJ: What can fans look forward to from Chuck Platinum in
2026?
Chuck: 1st quarter we are dropping a new collaboration
project with Kony Brooks produced by me called Genius Level Rap Vol. 2 which
drops on Jan 16th, I am going to complete the Beats in The Attic series by
releasing volumes 4&5 which will close out the series, I might have a
couple of surprises as far as projects are concerned but I don’t want to
confirm yet, I got a few artists I’m doing full projects with, continuing with
the CrateRunner DJs, and also just leveling up the label with more catalog. We
have a lot in store too much to name...
Mo Rukuz, a compelling force in the underground hip-hop scene, has carved out a niche with his dark, atmospheric beats and complex lyrical themes. Known for his collaborations with producers like Bofaatbeatz and his impactful projects such as "Prime Imperium" and "Behemoth," Mo Rukuz's music resonates deeply with fans of hardcore hip-hop. His ability to blend raw lyricism with intense production has earned him a dedicated following. Today, we delve into the mind behind the music to explore his inspirations, creative process, and vision for the future.
The Interview
1. **Background and Influences**
HHHEADZ:
Can you tell us about your early life and how you got into hip-hop?
Mo Rukuz:
My early life was hectic. My mother is an addict & my pops was up top my early life was chaos. I got into hip hop as a fan when my father came home, he gave me my first cd - Wu Tang 36 chambers.
HHHEADZ:
Who were your major musical influences growing up, and how have they shaped your style?
Mo Rukuz:
Styles P, Sean Price & MF DOOM. I’m a fan of the hardcore & abstract. You got to live it. My main goal once I started taking ky art serious was to craft my own distinct style & sound.
2. **Creative Process**
HHHEADZ:
What is your typical process for creating a new track or album?
Mo Rukuz:
Im a mad scientist with it man, as far as a song I put a beat on and tap in. The beat generates a feeling in me. In my minds eye different experiences I had flood in and I just tap into all that and draw some filth out the ether of my own shadowy past.
HHHEADZ:
How do you approach writing your lyrics, and what themes do you often explore in your music?
Mo Rukuz:
I usually write scrolls just mad bars and polish it down to refined grime by studio time. The themes i explore are villainous & a reflection of my experience. You know street shit, pain loss tragedy & triumph. I talk about cocain & harlots a lot two things I have alot of real life experience with.
3. **Collaborations and Projects**
HHHEADZ:
"Prime Imperium" with Bofaatbeatz received a lot of attention. How did that collaboration come about?
Mo Rukuz:
Originally me & Bo Fatt connected through the Meta verse years back, first song we cooked was fire and it just built from there peace & abundance to the hood brotha.
HHHEADZ:
Can you share some insights into the making of the "Behemoth" album and working with artists like G Fam Black and Daniel Son?
Mo Rukuz:
BEHEMOTH was a long process got pushed back multiple times. I nearly lost my life & freedom on multiple occasions over this 3 year process. Made a fortune lost it, crashed vehicles & dodged the fuzz. Shit ain’t just music I was in the mix man. G Fam and me connected years back on the Meta verse and the synergy artistically was immediate. Same thing w/ me and Daniel Son it’s all frequency man some shit just makes sense.
4. **Musical Style and Themes**
HHHEADZ:
Your music is known for its dark and atmospheric beats. What draws you to this particular style?
Mo Rukuz:
It’s a reflection of the darkness with in me and the things I experienced in this lifetime. But the music helps me alchemize that darkness and inspire others, my personal life is a lot different now.
HHHEADZ:
Are there specific messages or emotions you aim to convey through your music?
Mo Rukuz:
I want people to feel like their that motherfucking boy when they play Rukuz. Hardcore hip hop should empower the listener. I think I’m one the greatest I want my fans to feel that same way.
5. **Industry and Underground Scene**
HHHEADZ:
How do you view the current state of the hip-hop industry, particularly the underground scene?
Mo Rukuz:
Hip hop is as good or greater than it’s ever been. Peace to all the homies creating high caliber art on a consistent basis, word.
Yeah
HHHEADZ:
What challenges have you faced as an underground artist, and how have you overcome them?
Mo Rukuz:
Most of my challenges were of my own making. There’s alot of weird energy though, the little bit of love or recognition causes envy in some it’s bugged out
6. **Future Plans**
HHHEADZ:
What upcoming projects or collaborations are you most excited about?
Mo Rukuz:
You catch me on ScamRock x Daniel Sons EP “Rosetta Stone” on the track frostbite ft CRIMEAPPLE & Daniel son. I got 2 albums in the cauldron right now announcements will be made soon enough.
HHHEADZ:
Where do you see your music evolving in the next few years?
Mo Rukuz:
Next two projects I got have a very different feel. The themes are the same but the ambiance as far as production is ambient soulful & experimental. Shit is a wave beloved the people will see you can’t put Ruk in a box.
7. **Fan Interaction**
HHHEADZ:
How do you connect with your fans, and what has been the most memorable interaction you've had with a listener?
Mo Rukuz:
Best way to connect is at live shows man. First time someone asked me to sign a cd I’ll never forget that.
HHHEADZ:
What advice would you give to aspiring hip-hop artists trying to make their mark?
Mo Rukuz:
You have to live it bruh you nah mean
8. **Personal Insights**
HHHEADZ:
Outside of music, what are your other passions or interests?
Mo Rukuz:
Living life man I’m passionate about life. I’m a weird dude. I’m passionate about audiobooks. Anything of a mysterious nature intrigues me, I’m passionate about helping people man I spent a long time destroying shit.
HHHEADZ:
How do you balance your personal life with your career as an artist?
Mo Rukuz:
Meditation is the key.
Thank you, Mo Rukuz, for sharing your insights and experiences with us today. Your unique voice and dedication to your craft continue to inspire many in the hip-hop community. We look forward to hearing more of your innovative work in the future.
Rhyme Assassin returns with another banger, this time bringing in M.O.P and Ruste Juxx. The international Hip Hop artist/producer will drop "Run Em Up (Told Ya)" on April 19th everywhere music is sold. Check out the interview below for some inside scoop on the record.
MJ: You're back
with brand new music, still sharing mics with legends of the game. This time
around for your new single, dropping everywhere April 19th, you have M.O.P and
Ruste Juxx in "Run Em Up (Told Ya)" with production by Arcitype.
How did this link-up come into play?
Rhyme Assassin:
Approximately 2 years ago I purchased a few beats from the Arcitype and when I
heard the beat, I used for Run Em Up all I could hear on it was M.O.P crushing
the instrumental so when I considered a feature it had to be M.O.P. It took me
some time to get the feature in place but super excited it worked out.
MJ: From the
cover, we can already assume there will be grittiness, tough bars, and even
some intimidation. Without giving too much away before April 19th, talk about
the concept of the record.
Rhyme Assassin:
All I can say it’s grimy and gritty, with raw bars and metaphors at the same
time. It will have your head nodding like crazy. A special shout out to
Arcitype, I told him the direction I wanted to take with the song, and he
didn’t take long to whip out his bag of sonic magic tricks. He sent a beat that
matched the exact mood I was aiming at, exactly what the song needed. It’s
gonna be crazy everybody gotta keep the 19th clear for “Run Em Up.”
MJ: Why M.O.P and
Ruste Juxx for the features?
Rhyme Assassin:
Well, I have been always a fan of M.O.P and they are legends in the game so
it’s an honor to have them on the same track. That’s why the opening was “I am
on a track with legends”. Like I explained earlier they bring the right
energy that the beat needed, and they annihilated the track with punchlines and
metaphors. Juxx is a veteran MC and I worked with him on a few tracks, and he
poses great skills and energy that would complement M.O.P on the same track, so
I felt he would be the perfect match.
MJ: Is this
record leading fans and audiences into something forthcoming
from you?
Rhyme Assassin:
Rum ‘em Up (Told ya) is the second single from my forthcoming album ‘Dedicated
to Self’ which will drop this year but currently no date has been set yet. I
will potentially drop one more single and 2 videos and then drop the album.
MJ: Can we expect
visuals? Again, without giving too much away, what is your vision for the
video?
Rhyme Assassin: I
am currently in discussion of the potential of getting a video done with M.O.P
and Ruste Juxx for this single. I have hopes of making the video because I know
fans are going to love this offering. As a fan of M.O.P it would be a personal
accomplishment and achievement to have them on video. As for the concept I will
discuss with the team if everyone is on the same page to get one done.
MJ: Let everyone
know how they can connect with you and keep up to date with new music, videos,
tours, etc.
Rhyme Assassin: Anyone can contact me on the following email
– unclerhymez@gmail.com and Rhyme
Assassin on all media platforms like Spotify, YouTube, Instagram, and Facebook.
Indie Hip Hop artist & Richmond, Indiana native Sharoyce releases his new single "WOAT Inferno." The record, out now on all platforms features and is produced by A-F-R-O. A compelling backdrop looped with cuts and scratches heightens Sharoyce's lyrical performance. His high-impact energy embodies his drive to claim a name for himself in the industry. The vibe is one that old and new schools of Hip Hop can embrace while the hook echoes.
Sharoyce aka Da Woat, chops it below about the single, linking with A-F-R-O, the Hip Hop scene in Indiana, what's coming next, and more.
MJ: Before we jump right into your brand-new hit
single "WOAT Inferno" introduce yourself to those who might not be
familiar (shame on them).
Sharoyce: Tis all good. I'm still a baby out here.
I'm Sharoyce a.k.a Da WOAT (acronym for "Wackest of All Time"). I’m
trying to peddle my garbage to the masses one track at a time.
MJ: You are based out of Richmond, Indiana. Tell us
about the Hip Hop scene there, I know each coast or city has its own flow and
mantra.
Sharoyce: Richmond is a small community with roughly
about 34,000 people in it. Everyone kind of knows everyone, so the communal rhythm
is like that of the Heaven's Gate cult. I like the fact that the cost of living
is so cheap, but the Hip Hop scene is non-existent.
MJ: You're not an up-and-coming artist, you are
seasoned. Talk about that progression in your career.
Sharoyce: It's been pretty much a trial by error journey
since I started jotting lines back in 2003. I bought a little Pro Tools set up
back in 2009, where I cut my teeth on the ins-and-outs of the DAW. In 2012, I
started to book sessions at professional studios. It took me some time, but I
gradually learned how to construct a record over the years, but I'm still
garbage.
MJ: Let's get down to the new single. Take us through
the process from idea to creation to production to final canvas.
Sharoyce: I'd been listening to A-F-R-O since I
caught wind of him back in 2014. The fact that one of the best rappers to ever
grace the mic took him under his wing instantly sold me on the young guy. Over
the years, I'd been reaching out to some of my favorite MCs for features and I
decided to hit him up on IG. He showed love on the production (w/scratches) and
he even laid a verse down for me. I swiftly laid my mumble rap down and sent
the session files over to my engineer.
MJ: Some Hip Hop legends coin A-F-R-Oas an indie G.O.A.T, do you concur?
Sharoyce: For a legend, he's humble. All's I had to
do was reach out to him on social media. I gave him his flowers and we
proceeded to get the work done. He sent me back the verse in less than a few
hours.
MJ: What are your expectations for the single, and
what can fans expect?
Sharoyce: I just want the fans to know that even a
low-tier amateur such as myself isn't afraid to step on the track with the
greatest. I expect to be crowned the worst to do it after they hear this one.
MJ: Is the single taken from a released project or
one that is forthcoming? Will there be an upcoming video for the single?
Sharoyce: I have no plans of releasing an album
anytime soon. A video isn't totally out of the question, but for now there are
no plans for that either.
MJ: Where can fans and audiences catch you this
summer? Are any performances or events, or collaborations in the works?
Sharoyce: They'll be able to catch me at open mics
and events within the area. I have upcoming collabs with Big Rube (Dungeon
Family/Society of Soul), Mark Battles, T-Rell (Empire), Honey-B-Sweet,
Sadzilla, Rx The Rapper and many others. I'd like to work with Elzhi and Kool
Keith as well, so I'm working on lining those two up too.
MJ: Before we wrap up, can you share three essential
gems you live by to ensure your success continues to move forward?
Sharoyce:Never be quick to modify your art due to
criticism, drink lots of water, and don’t fall behind on child support because
they’re locking n*ggas up for that.
MJ: Is there anything else you want to share with the
world?
Sharoyce: Sharoyce is WOAT. You Betta know it,
family. I'll be dropping new music on Bandcamp soon and you can be on the Lookout
for Ghostface Monkeypaw w/ me and Copywrite, as well as RhymeTyme Freestyle w/
Houston's Viper The Rapper.
Stream “WOAT
Inferno” on Bandcamp and preferred platforms
Capital X, a 30+ years Hip Hop artist & producer, presents the official video for "Truth Be Told." The track serves as the first release from his upcoming 'Just Beats & Rhymes' album. In the in-depth interview below, X discusses his use of lyricism and storytelling to expose harsh truths, Hip Hop in the States versus overseas, his role as an activist, his upcoming album, and more.
MJ: When people hear the name Capital X there’s
a lot that comes to mind and resonates, from Hip Hop culture
to activism. Your career began in the late 70s and the
early 80s first as a breaker and then as MC. Talk about your entrance into Hip
Hop and your transition from breaker to MC.
X: Though I was from New York, I was actually
first introduced to what would become the culture of Hip Hop in Patillas,
Puerto Rico in 1977. I was visiting family and my cousin Flex was a member of
the Dynamite Kids, an Outlaw Rockin crew. I instantly fell in love with
everything about it. I get an adrenaline rush all over again just thinking
about it. Upon returning home to NY, I sought anyone that was into
Up-Rockin. I ended up getting down with the SepaRock City Crew. SepaRock was a
collective of MCs, DJs, and B-Boys in the South Bronx. They were all originally
from the West Indies. So I not only found a crew to throw down with, but I also
got to be around MCs and DJs doing their thing. I was also instantly drawn
towards the mic, but I loved Rockin so much, I stuck with it. We started
working on routines that we would perform locally and we also battled whoever
wanted it. I kept dancing till 1982/83. The last few years I was break dancing.
I started writing rhymes on the DL. I just pretty much naturally evolved. The
mic had a gravitational pull on me. I made my first professional demo as an MC
in 1983/84 while I was in California. I was out there breaking and the
opportunity presented itself. From that moment forward I considered myself
retired from break dancing. I divorced the floor and married the mic.
MJ: You are originally from Brooklyn, NY but
moved to Norway back in 2010. How is the Hip Hop scene overseas? How
does it differ from here in the States? Also, talk about
that major crossover and the decision that led up to it.
X: I was very fortunate to have started touring
in Europe around 2005. I was shocked at the Hip Hop scene out here. I
felt that the states being so oversaturated took the culture for granted
compared to Europe. In Europe, they appreciated every aspect of the culture
where everyone and their brother was out to be a rapper in the US and
everything else kind of got ignored. In Europe, they pay homage to the pioneers
and just have so much respect for the foundation that Hip Hop was built. France
and Italy had the best scenes in my opinion with Germany following close.
Touring through Italy and France felt like I was living Hip Hop in New York in
the 80s all over again. I eventually made my way to Scandinavia. I first rocked
in Denmark which also has a dope scene, then I got booked in Norway. There
was and still is something about Norway that just does it for me. Though the
Hip Hop scene in Norway falls short compared to other European
countries in my opinion, I fell in love with the
peaceful atmosphere and chill people. Coming from the hectic
background I was used to, Norway felt like I found paradise on earth. I
remember telling the promoter that booked me as I looked over a fjord for the
first time in my life, that if I lived in a place like this, I would become
Gandhi-like in no time. The opportunity presented itself for me to move to
Norway and it was a no-brainer. I was tired of the killing in the US on the
streets and by the states themselves. I was tired of being preyed upon by law
enforcement agencies. The stress was killing me for sure. Norway remedied all
that, and it healed many of the battle wounds I had sustained throughout my
lifetime.
MJ: You wear many hats as an MC, recording
artist, producer, graphic designer, and videographer, as well as CEO of your indie label. What are some challenges, if any, that come with being a
one-man army? What are the wins?
X: Great question. I love my freedom. Freedom
definitely comes at a high price though. The biggest challenge of being a
one-man army as you put it is time management. There just never seems to be
enough time in a day. I of course get/seek out help from time to time to
lighten the load but for the most part, I enjoy being independent. You have to
be good at rolling solo. Years spent in solitary confinement prepared me well
for that. The wins are first of all the freedom. Answering to no one but
yourself. Taking on all these different aspects truly hones one’s craft of
being a creator which is also a win. Not owing anyone anything is another huge
win. I remember signing my first deal back in the day. My crew all believed we
had made it when we got that check. I felt that yoke being locked around my
neck. For me, having less is actually having a lot more. I am not a commodity
anymore to anyone. Being this independent allows me to be a true creator. That
is the overall win for me.
MJ: Outside of music you are an activist, which
stemmed from your time in prison. During that time you lost out on
some major music deals. Upon your release, you went full throttle
into creating a lengthy music catalog including 2 albums, an EP, 20
singles, and 17 videos. Talk about the moment of empowerment you thrived on
fresh out of the gates, versus giving up on your career.
X: Though there was a time when I hoped to “make
it” I never really looked at what I do as a career. For me, this is a way of
life. Of course, getting paid to do what one loves is the ultimate goal for
many artists. But getting paid or not I love what I do. Not living Hip Hop was
never an option for me. During my last prison bid, I worked hard on
myself. I transformed myself into who I am today. I was inspired and motivated
by Malcolm X and how he transformed himself. I was so obsessed with the life of
Malcolm X for many years. Cats started calling me X while I was on Rikers
Island and I ran with it. I did look to get signed again when I first got out
from my last bid but as a solo artist. That was in 2002. I was quickly reminded
of how shady the industry is. I was spitting conscious lyrics and
they offered me a deal if I would rather write gangsta raps. I wasn’t about to
compromise myself so I walked. Meeting rappers such as Slug of Atmosphere,
Ill Bill, and Immortal Technique motivated me to be an independent artist. I
started out well, but relocating to Norway leveled me off for some years. Now
that I have my feet firmly planted, things are once again starting to pick up.
But I never stopped being/living Hip Hop no matter what.
MJ: This leads us to your new
single/video “Truth Be Told” which is taken from your
forthcoming album ‘Just Beats & Rhymes.’ You hold no punches when
it comes to exposing harsh truths on how Social Media brainwashes and turns
humans into robots, attacking capital punishment, calling out rappers who use
their music to glorify violence, drugs, and street life, and you even, so
boldly, exploit the music industry…Take us through the journey of “Truth Be
Told” from the thought to creation, to production, to the final canvas, and to
what audiences can expect to take away from the video.
X: When I get on a mic I feel I need to be
saying something. One of my biggest influences when it comes to being an MC is
Melle Mel. Melle Mel’s verses back in the day hit me so hard, that I can still
feel the impact. I can’t rhyme just to be rhyming. There are plenty of lyrical
acrobats out there that are way better at doing that than I ever will be. But
there aren’t many slanging truths. I always loved the MCs that challenged my
mind with what they were saying. Kool Moe Dee, KRS ONE, Rakim, Wise
Intelligent, Chuck D, Guru they made me want to seek knowledge and I did, and
still do. What better way to share knowledge and wisdom than in a rhyme? I once
lived blindly and I see multitudes of people living that way today and it’s
painful to watch. The microphone is where I speak the truth, you can take it or
leave it. During the pandemic, I got back into production. I had toyed around
with production back in the day. I actually sold my E-mu SP-1200 to help me
move to Norway. After producing a few tracks for the legendary Lifers Group
which is now out and doing their thing, I decided to self-produce an
entire album for myself. Truth be Told was one of the first tracks
that came to me. I love that you said I “boldly, exploit the music industry”.
That’s how it should be, and not the other way around. With so much information
out there I find it hard to believe how many artists are still willing to sign
deals. To be owned. The demise of so many rappers in the last few years was
definitely a motivating factor behind the track. I have also kind of grown
tired of hearing the coke and gun bars as well. I lived that life for real and
paid dearly for it. Our communities are nearly looking like when the crack
epidemic hit back when and I feel as though as artists we can be doing better.
Aside from what I have spent on equipment which isn’t much honestly, the
recording, release, and video for Truth be Told didn’t cost me a
dime. I want artists to know that. I shot the video using my old
Samsung Galaxy S9+. I edited it in an outdated version of Adobe Premiere Pro
that I jacked from a friend like 15 years ago. Making something from nothing is
what Hip Hop is all about. That’s what it was in the beginning and should still
be, not no million-dollar budgets. I hope that one person is moved by what I am
saying enough to take action at least in their own lives. If I move one person,
I am good.
MJ: Some might consider the video to be
controversial, some might consider the video difficult to digest, some might
want to sweep it under the rug, and for some, it might open eyes. What do you
think about the adverse reactions you might receive?
X: I am used to adverse reactions to all the
music I put out. For well over a decade I only spoke about the death penalty,
the prison industrial complex, and the crooked criminal justice system. I got
more hate mail than fan mail and more death threats than I could count on my
fingers and toes. Either way, it goes, I provoke thought and spark up dialogue.
I’m good with that. I think it was Plato that said “No one is more hated than
he who speaks the truth”. I believe our history reflects that. The bottom line
is I would rather be hated and despised for speaking the truth than be loved
for spreading lies.
MJ: Does “Truth Be Told” set the tone or theme
for the upcoming self-produced album ‘Just Beats & Rhymes?’
X: Actually it doesn’t. Though there are other
tracks that sit well next to Truth be Told, “Just Beats & Rhymes” goes in a
few different directions. A few tracks are older rhymes I dug up and felt they
still deserved to be heard as they are still very much so relevant. So I
created beats for them. The newer rhymes are definitely more about current
social issues and topics. I also have a couple that touches upon my personal
growth coming into Knowledge of Self. There are even a couple of tracks where I
am just having fun with it. But you will still find a gem within those tracks.
Overall the album is just what it says it is, Just Beats & Rhymes. No
collaborations, no fancy production. I even went as far as using no vocal
effects on nearly all the tracks. It’s just straight-up dry vocals not even a
hint of reverb. Just Beats & Rhymes will drop later this year.
MJ: As a vetted artist living his life true to
the culture, elements, and essence of Hip Hop for over decades, what are two
essential gems you can share with the newer generation of Hip Hop?
X: Two gems I would drop here is one: learn the
history of Hip Hop. Embrace the roots of this culture we all love so much.
Without roots, there will be no real growth. Knowing the true history of Hip
Hop is empowering to say the least. Secondly: be yourself. If you have yet to
learn who you truly are, work on that, and find out. Dig deep till you reach
the real you. Those in our culture that are now in their late 40s, 50s, and 60s
are still active, is because they are true to themselves. They are the ones to
look up to. It’s not about who has the biggest bank account trust me.
MJ: Is there anything else you would like to
share with the world?
X: In closing, I would like to say I love this
culture of ours. It has given me everything I lacked coming up. It gave me a
history, an identity, a purpose, and a reason to live. I don’t have a mansion
or fancy cars. I am far from being rich, but because of Hip Hop, I am as
wealthy as they come. I don’t have multitudes of fans, but I have some real
die-hard supporters and I love every one of them. By society’s standards, I
ain’t shit, never was and never will be. But “Truth be Told” I have lived Hip
Hop for over four decades. To me, in “My World”, I am a huge success. Never
allow others to define who you are, are what your success is, or should be.
Peace be unto you all.
Rhyme Assasin, an esteemed UK emcee announces the release of a major single on April 3rd, 2023. "Rhyme Apostles" comes just in time for Hip Hop's 50th Anniversary as it features many legends including Crooked I, Craig G, Reks, Ruste Juxx, K Solo, Chino XL, Keith Murray, Chino XL, Canibus, AFRO, and Antlive Boombap with an intro by Jadakiss and Deep Voice on production. This global collaboration takes audiences back to when the essence, elements, and Hip Hop culture were celebrated. Check out the interview below where Rhyme Assassin talks about bringing together legacies for the single, the process from thought to creation, his contributions to Hip Hop, and more.
MJ: Before we jump into your upcoming release of
"Rhyme Apostles" let everyone know who you are and where you're
from.
Rhyme Assassin: My name is Tichaona Brian Monera. I was
born and raised in Zimbabwe. I migrated to the United Kingdom to explore
opportunities for further education and personal development. An important part
of that was pursuing a career in music. This is something that I have already
been doing in Zimbabwe where I gained popularity with hip-hop in the early 90s.
Freestyling with my homies after school, I was able to hone my craft to become
a recognizable voice on the Zimbabwe music scene. These were formative
moments in my music career. These encounters earned me the name Rhyme Assassin
which has become my official MCEE name. The name Rhyme Assassin resonates with
the skillful poetic lyrical expression of the music and the excellence of
execution of my craft.
MJ: As a Hip Hop artist from the UK, tell us about the Hip
Hop scene over there.
Rhyme Assassin: Hip-hop has always had a firm grip on the
UK music scene with a lot of drill dominating. Hip-hop artists like Stormzy
have become household names, generating a huge following worldwide. My
estimation is that the UK is on the brink of becoming a hip-hop powerhouse
globally. There are many upcoming hip-hop artists….
MJ: What led you to begin a career in rap and lead a
lifestyle true to Hip Hop culture?
Rhyme Assassin: The greatest influencers that kickstarted
my rap career are the likes of all-time greats such as KRS ONE, Run DMC &
Big Daddy Kane, BIG, and 2 PAC. I grew up listening to their music on cassettes
and vinyl. Because of my experiences and encounters with these hip-hop moguls,
I embrace the hip-hop culture and started living out and expressing this in my
lyrical content. My inspiration to write was primarily from Canibus and Krs
One. I can even recall the first day I listened to Gangstarr - Moment of truth,
Dead Prez - Let's get free and DMX - It's dark and hell is hot. Those were the
early days when hip-hop was not playing much on Zimbabwe radio. Our exposure to
hip-hop was mainly from folks coming from overseas and bringing cassette tapes
back home. I would use my pocket money to rent out hip-hop tapes for a couple
of days or more so that I can just listen to the latest hip-hop beats.
MJ: Ok, let's jump into your new single which will be
available for download and purchase on April 3rd, 2023. How were you able to
link with all the powerhouses and legends? Talk about the thought process of
"Rhyme Apostles" to hand-picking features, to the production, and to
the final canvas.
Rhyme Assassin: The initial idea was for Rhyme Apostles to
have 4 artists. Later, drawing inspiration from the Bible, the thought of the
12 apostles of Jesus dawned on my mind and this became the womb that gave birth
to Rhyme Assassin’s 12 apostles on the track. The new single is based on an
idea that had been in for quite a while. My vision was to bring together some
of the greatest lyricists and recognizable names in hip-hop. Being on the same
record with the likes of Crooked I Canibus, Craig G, Keith Murray and a host of
other renowned hip-hop legends is an incredible personal triumph.
Achieving this was monumental. The journey was not a straightforward one. It
was long and challenging, but an enjoyable one. The one thing that made it
worthwhile is the caliber of people that I was targeting. These were real
hip-hop heads, with a genuine love for true hip-hop culture. I was truly
humbled by these guys' acceptance and willingness to embrace me and work with
me to bring my vision to fruition.
Every single one of them exhibited high levels of professionalism with such
amazing humility. Each demonstrated a love and a passion to collaborate with
emcees with roots in Africa. The emcees that made it on the record I those that
reached out to and they were magnanimous enough to accept the invitation.
Shout out to those emcees who believed in me and were keen to be part of the
project but could not make the financial commitment in time and were unable to
be featured. There will always be scope to do collaborative projects with them
in the near future. Another noteworthy artist who made an enormous contribution
to this project is Deep Voice, a UK producer who created the best used in the
debut single. He created the beat some seven years ago along with other beats
that I subsequently used. This particular beat was archived until now and it is
just the right beat for the project. The bear will be mixed and mastered by yet
another creative, P2doah, a Zimbabwean-based producer. We are also currently
working on the video for the song.
MJ: What are you hoping audiences take away from the
single?
Rhyme Assassin: The single greatest desired outcome for
this project is a greater realization but both artists and music lovers of the
incredible power of collaborative music ventures across the industry. The
single, Rhyme Apostles, is a clear and powerful demonstration of the synergy
resulting from such collaboration. My wish for this single is that it will be
timeless in its appeal and not just for a season.
MJ: It's evident with the single, you are on a mission to
conserve the authenticity of Hip Hop and push it to the forefront of music. Can
you elaborate on that?
Rhyme Assassin: I am a firm believer in the need for the
conservation of the truest essence of Hip hop culture expressed through
lyricism. The caliber of emcees on the track have mastered this art and is an
inspiration to me as I climb to my place of significance in the game.
My conviction is that hip-hop culture has a powerful potential to bring about
societal and cultural cohesion globally. In that sense, the single has an
apostolic assignment - to bring about a fresh crop of hip-hop artists whose
focus is beyond their individual musical domains to champion a movement that
will produce a generation of like-minded people. The talents and skill sets of
the participating emcees are as diverse as their fingerprints are. It is this
diversity that I value and celebrates the most in this project. The creative
lyricism and different execution styles of the art make this project unequaled
by any in hip-hop circles and that is what thrills me.
Reputable, indie Hip Hop artist Maine The Medicine recently dropped his 'S.O.A. (Son Of Alice)' album, in tribute to his late mother. Below, in this in-depth interview Maine The Medicine talks about the album, making his mother proud, and his signature move for timeless music.
MJ: I see you and Leadgeon are still going strong,
talk a little bit about that chemistry.
Maine: Well with Leadgeon, that's 30-year chemistry
and brotherhood. I don't have to tell him what kind of beats I need, he already
knows. Now lyrically we always push each other with the pen. For us, that inner
competition will always be there.
MJ: One thing I find when it comes to your albums
it's difficult to pinpoint one or even two favorite records. All your albums
are theme-based and flow like a story from beginning to end, with no skipping.
However, I do want to touch on "Pour Liquor" as that seems to hit hard
and hit home with many fans and listeners.
Maine: Yes, “Pour Liquor” seems to be a popular one
with the fans. I wrote that hook during the Covid, because of all the friends and family I lost
that year. I hadn't gotten a chance to write a verse to it until the night of
my dad's funeral. I was already halfway through the album, but I needed to pay
homage to my father. As for the feature, that's my cousin Khali Hustle from the
Bay Area. He, like myself, lost a few people, and almost lost his own life to an
attempted murderer. So, I'm grateful he’s still here to jump on this record
with me.
MJ: I want to take a moment to pull on heartstrings
and ask how difficult it was to create "Momma" and the array of
emotions you must feel hearing that song being played.
Maine: Yes, that song was hard to make, and at times
was hard to listen to. My mom was my everything, and that void will never be
filled. She was a single mom, worked 2 jobs, and tried her best to provide for
my sister and me. She was a big fan of my music, even though she said I curse
too much. But she would love to watch my videos on YouTube. So, I just wanted
to honor her with this album, and make her proud. Maybe one day I can compose
myself enough to perform it.
MJ: Both as a fan and professional in the music
industry, I must say how refreshing it is to experience your growth as a man
and artist with each album you release. There's a manner in which you invite
the world into your personal life experiences that allows us to authentically
embrace and grip your emotions. Your use of lyricism and wordplay flows
effortlessly over boom-bap cadences. What is it about Maine The Medicine that
stands out from other artists?
Maine: I just try to be the best version of myself. I
move off of the emotion and the vibe of the beat. Sure I have topics that I
want to address, but instead of forcing
I wait for the right track to bring it out of me. I also know as an artist I
can always get better. I can always make my sword sharper. I never convince
myself that I made it because that can go to your head. I want to continue to
keep that hunger for more.
MJ: Take us behind the scenes of the album
‘S.O.A.’ Let us in from the inspiration
to creation to the final product. I know the album is buzzing with a social
media frenzy and fans are listening on repeat with genuine compassion.
Maine: The creative part was fun and therapeutic for
me. I mean, of course, it was some pressure because this album is dedicated to
my mom. But at the same time, that's what helped it flow. When I was listening
to the tracks, I was thinking who could've made this dope? There are so many
dope artists I know that I hadn't worked with yet, so I wanted to link with
them on this album. Plus I got the few staples that are always on my albums
like Leadgeon, Suspect, and Tysoul. But
I listened to this album about a hundred times to make sure it gave me the same
feeling as the first time. I can honestly say it most certainly did.
MJ: What is your secret to being able to stay afloat
and create timeless music? In an era where music seems to fall into an abyss of
one-hit wonders and what's trending, there must be some challenges.
Maine: I make music on how I feel and the vibe the
beat gives me. I put my all into my music, and I'm not afraid of being
vulnerable about my life. I think artists fail when they force a hit or try to
sound like what's hot. The best thing to do is to let the music come naturally.
In the process sometimes you end up with a hit that you didn't know was going
to be a hit.
MJ: I'm not sure what can top ‘S.O.A.’ but can you
give us some inside scoop on other projects or endeavors you're working on?
Maine: It's going to be really hard to top ‘S.O.A.’
but I'm not really sure that I want to. Because it's such a special album, I
wouldn't mind if this is my “Illmatic.” No album I do after this will ever be
as special as this one. As for future projects, I will stick to the same
formula I have been using and let the mood and the beat take me on a journey. I
have a few projects coming up, like the Mercy Gang EP and an EP titled ‘Iron
Horse Talk.’ Leadgeon and I have an EP as well. But for now, I'm just pushing
the ‘S.O.A.’ album, and the tee shirt line we’re working on with Electric Frog
Designs.
MJ: As we wrap up, take this time to let the world
and fans know anything else about the album or Maine The Medicine
Maine: I want people to know that I put a lot of time
and emotion into this album. I'm super honored about the response I'm getting
off ‘S.O.A.’ The love and support make
me feel like I succeeded in making my mama proud. The thing I want people to
know about Maine is I love being creative. I'm going to always try to give you
something different.
EROC - Weekly Exclusives Series - Hhheadz.com #hhhWeeklyDosage
https://wrap.fm/
Thank you to @YouknowEroc at @wrapfm for sharing some backstory and history from his experience in the NY underground Hip hop scene. His drive for success in radio/hiphop entertainment is inspiring and inclusive. There is a shared goal for many in the indie music culture…. It’s always been possible to do things easier as a collective but like EROC said, “seen lots come and go but we’re still here”. Just keep showing up and bringing!!
BK-based artist and CEO (Certified Nation Entertainment) City The Great chops it up in this tell-all interview about his new single "Day One", his upcoming album 'The Wordsmith', his rise in Hip Hop, being mentored by Hip Hop legend Special Ed, and more.
MJ: Before we jump into "Day One"
let everyone know who you are and where you're from.
City the Great: Thanks for having me. I am
City the Great from East NY, Brooklyn.
MJ: You're an artist under Hip Hop legend
Special Ed. How did that come to fruition? Are there any challenges regarding
age and mindset? Or is this a step towards bridging the generational gap in Hip
Hop?
City the Great: Actually, my homeboy is Ed's
1st cousin and he told me for the longest that he would connect us.
Of course, at the time I didn't believe he was Ed's cousin. One day he
came to the studio with me and took the song I wrote and recorded that day and
said he was going to play it for Ed while at Funkmaster Flex's birthday bash at
BB Kings in Manhattan. Long story short he did and gave me Ed's number…he
wanted to speak with me, and the rest is history. There are really no
challenges in age and mindset in working with Ed. He’s been a great mentor and
I have learned a lot about the game from him. He stays up to date on the
business and the culture. He also has great faith in my grind and creations. I
would say without a doubt, we are in the works of bridging the generational gap
in Hip Hop.
MJ: Let's get to "Day One" which is
taken from your upcoming album 'The Wordsmith.' The track has a cinematic
anthem vibe with a hook catchy enough for the clubs and streets. It’s evident
you have a knack for drawing audiences in. Talk about "Day One" from
the motivation behind it to your expectation of the track.
City The Great: The story about the creation
of this one is an interesting one…I was sitting on this beat for a while by
Molly The Kid. I was conversating with my Certified Nation Entertainment comrade
Itsonlywrite just talking about all the people that we worked with and knew
throughout this journey that were kind of in and out. We laughed about how
funny it is that when things weren't going upward, they split or didn't
support, and now that we are moving, they all want to claim they're day ones.
That sparked my mind on expressing that on wax. I think what really made the
song pop was my engineer King Bash jumping in and harmonizing on the hook. My
expectation for Day One is to appeal to all audiences giving them that
commercial feel yet true to the cultural vibe.
MJ: What can you tell us about your upcoming
album and what can listeners anticipate from it?
City The Great: People are going to get a
rollercoaster ride. I have been working on this project for the past 2 years
piece by piece to ensure I capture the best feel in my testimony of being a
wordsmith. This project will be very balanced with the right number of features
and it's going to display something for everyone that will be nostalgic.
MJ: Besides having the backing, support, and genius of Special Ed, what is your signature move, if you will, that
differentiates you from other artists in the industry?
City The Great: I think what differentiates
me and other artists in the industry is the soul that I pour into my craft
which identifies my true being…A person being themself is the perfect form of
originality. There’s a certain energy I give listeners and audiences and I have
my own sound where you know it's me and that element is never lost no matter
what type of song it is that I am on. Not only that but I keep that element
alive with versatility, you just never know which angle I am going to come on a
track but you will always know it's me.
MJ: Aside from the new album release prep,
what other endeavors are you working on?
City The Great: I am currently working on
growing my company Certified Nation Entertainment, educating, and assisting
artists with their careers. I’m also working on multiple collaborative projects
including a mixtape coming soon with my DJ, DJ Bad Tha Problem (proceeding the
album release). I am working on a Certified Nation Entertainment collab project
with the team of artists Jae Law aka Hindrix, Pengame Classic, Chambs Taylor,
Jacqui Grace, and of course Itsonlywrite. There’s also a collaborative project
with Chambs Taylor titled ‘CD’ (Collateral Damage). You can catch freestyle
videos I will be releasing weekly as well as working with my management team
Samantha Leavell of Certified Nation and legendary Kool Rock Ski on an event,
For The Culture By The Culture. I can’t leave out 2022’s Annual Hip Hop &
R&B Cookout in East BK…The list goes on and on.
MJ: Wrapping up, let everyone know how they
can connect with you.
City The Great: Thank you I can be found on
any platform as City the Great but one of the easiest ways to link with me all
in one place is on my website CertifiedNationEntertainment.com.
Renowned NY/NJ Hip Hop artist Wade Wilson unleashes his new album 'Chop House' with production by Kiza. Catch Wade below on The MJ Hour chopping it up about the album, upcoming projects/endeavors, memorable industry stories, mental illness in Hip Hop, and more.
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